Lacquer课程：前往报名学习
It’s been 8000 years since Chinese people began to use edible lacquer. Lacquer had been once ubiquitous in our daily life, but now it’s far away from our daily life. This course brings you into the 8,000-year history of lacquer culture, and gets you to relearn and approach a charming handicraft called lacquer art. As a handicraft art with distinctive national characteristics, lacquer art boasts a mysterious history and profound cultural connotation.
开设学校：中南民族大学；学科：艺术设计、
It’s been 8000 years since Chinese people began to use edible lacquer. Lacquer had been once ubiquitous in our daily life, but now it’s far away from our daily life. This course brings you into the 8,000-year history of lacquer culture, and gets you to relearn and approach a charming handicraft called lacquer art. As a handicraft art with distinctive national characteristics, lacquer art boasts a mysterious history and profound cultural connotation.
-1.1 Lacquer, tree and people
-1.2 Where urushi comes from
-1.3 Traditional lacquer reaping method
--Traditional lacquer reaping method
-1.4 Time for lacquer reaping
-1.5 Examine the Lacquer
-The Lacquer
-2.1 Roles of urushi in ancient society
--Roles of urushi in ancient society
-Exercises on the function of lacquer in ancient society
-3.1 Bodiless lacquer making technique Step 1
--Bodiless lacquer making technique Step 1
-3.2 Bodiless lacquer making technique Step 2
--Bodiless lacquer making technique Step 2
-3.3 Bodiless lacquer making technique Step 3
--Bodiless lacquer making technique Step 3
-3.4 Bodiless lacquer making technique Step 4
--Bodiless lacquer making technique Step 4
-3.5 Bodiless lacquer making technique Step 5
--Bodiless lacquer making technique Step 5
-3.6 Bodiless lacquer making technique Step 6
--Bodiless lacquer making technique Step 6
-3.7 Bodiless lacquer making technique Step 7
--Bodiless lacquer making technique Step 7
-Exercises about bodiless lacquer making
-4.1 Make brushes with a knife
-4.2 Starch paste preparation
-4.3 Zhang Zhigang and Lacquer
-4.4 Urushi Workshop
-4.5 The inheritance of urushi
-5.1 Lacquering technology of wooden bowl
--Lacquering technology of wooden bowl
-5.2 Porcelain lacquer ware
-5.3 leather lacquer ware
-Exercises about varied-bodied lacquer ware making
-Exam
2002年毕业于清华大学美术学院工艺系漆艺专业，从毕业至今从未间断漆艺创作，坚持漆艺创作回归生活的理念并且要体现当代人的审美和精神追求。多次参加国内外漆艺展，作品曾被台湾成功大学创意产业设计研究所收藏、湖北省美术馆收藏、湖北省画院收藏、福建省美术馆收藏。由于在漆艺术研究与创新的学术影响，2013年被清华大学聘为清华大学乔十光漆画创新奖评审委员会委员。 2017年《镜》申请了国家艺术基金的青年艺术创作人才资助项目。 2018年第二批湖北省舞台艺术人才和美术人才培养工程入选人才。 2019年协助中央电视台录制《国家宝藏2》 《释放漆性——我的大漆创作探索》发表于C类期刊美术2018年7期。 《我对漆艺当代性探索的思考》发表于C类期刊美术2015年12期。
