作业点评在线视频

下面进行点评环节
next is assignment review

首先
First of all

没有色彩感
lack of color sense

是中国画普遍存在的问题
is a common problem in Chinese painting

这源于我们对色彩缺乏认识
it comes from lacking of understanding of color

对色彩表现规律
and understanding of

缺乏了解与掌握
color expression methods

在中国画设色中
In color setting of Chinese painting

花青与赭石的运用
the use of flower green and ocher

是最常见的一种组合
is the most common combination

也是最没有色彩感的
and also is the least sense of color

两种色相的组合
for this two hue combinations

但在中国画表现中
but in the color choice of Chinese painting

一直是这样配色
they have always been matched in this way

那么哪两种色彩组合更好些
Which two color combinations are better

这需要通过色彩训练
This requires color training

才能提高色彩的感受力和表现力
to improve the perception and expressiveness of color

中国画学科在现代教育
Modern art education in the discipline of Chinese painting

已经有色彩研究的课程
already has color research course

通过这些课程教学
Through this course

学生能够掌握
students can master

色彩构成的基本原理
the basic principles of color composition

加强对色彩规律的理性认识
strengthen their rational understanding of color laws

并将其运用到
and apply it to

中国画的艺术实践
the artistic practice of Chinese painting

色彩教学要求掌握
in color teaching, it requires

色彩结构的基本规律
mastering the basic laws of color composition

提高实际运用色彩的能力和素养
and improving the ability and literacy of practical use of color

通过色相关系构成
Through the sub-series of exercises of hue relation composition

明度关系构成
lightness relation composition

纯度关系构成的
and purity relation composition

分项系列化训练
multiple stage training

学生们可以建立
students can establish the

主动控制和运用
ability to actively control

色彩因素的能力
and use color factors

并能在错综复杂的色彩现象中
in the complex color phenomenon expressiveness

形成色彩秩序的感受力
and can form the sensibility

和色彩美感的表达力
and color beauty of color order in the complex color phenomenon expressiveness

如此这样
In this way

中国画的艺术表现力
the artistic expression of Chinese painting

与艺术感染力
and the artistic appeal

会得到进一步加强
will be further strengthened

这是我们这一代画家
which is what our generation of painters

必须要经历的
must experience

在以色墨为主的画面中
In painting that mainly based on ink

施加一两种颜色
one or two colors

与之协调
are applied to coordinate with it

既存在色相 纯度和明度上的
There are both contrast and coordination

对比与协调
in hue, purity and lightness

还存在着厚薄的对比与协调
as well as thickness contrast and coordination

这些问题
These problems

在实践中都是我们要解决的
are all to be solved in practice

在当代绘画中有很多尝试
There are many attempts in contemporary painting

突破了传统定式
breaking through the traditional stereotypes

为我们开创了许多新天地
and opening up a lot of new worlds for us

如实验水墨
such as experimental ink

综合材料
composite materials

色墨结合
color ink combination

矿物质材料等
mineral materials and so on

有趣味的感受式样
interesting styles

正丰富着中国画画坛
they are enriching Chinese art

现代绘画的一切尝试
All attempts of modern painting

都有利于中国画发展
are conducive to the development of Chinese painting

尤其是对色彩感
especially the cultivation of color sense

和色彩表达能力的培养
and color expression ability

更不容忽视
which is can’t be ignored

其次
beside

画面黑白和色彩布局
the black-and-white arrangement and color structure

受客观的制约
are subject to objective constraints

和无秩序的组织
and disorderly organization

是两个难克服的问题
these are two difficult problems to overcome

不能超越物理属性的黑白
The using of ink and color

和色彩施用
that cannot exceed physical attributes

是多数人的绘画结果
is the problem of most people's paintings

这类写生
This type of sketching

是按照客观实际现象描绘
is described according to objective phenomena

黑白和色彩
Black and white and color

基本是眼睛所能看到的现实呈现
are basically the reality that can be seen by the eyes

没有加进主观的东西
without adding subjective things

因此不能反映出
so it cannot reflect

个人的审美趣味
personal aesthetic taste

唯有能够摆脱客观模仿
The only way to get rid of objective imitation

并根据审美情感需要
and according to the needs of aesthetic emotion

重构黑白和色彩
reconstruct black and white

才是审美组织
is to form an aesthetic organization

黑白和色彩
black and white and color

是表达审美心理的要素
is elements of expressing aesthetic psychology

毕加索有很多黑白小稿
Picasso has many small black and white paintings

充满了发现与想象
full of discover and imagination

是一种艺术趣味的表达
which is an artistic expression of interest

我们在现实生活中
In real life

要发现由黑白和色彩
we can find black and white and color

带给我们的一种秩序感
it brought to us a sense of order

这种感觉因人而异
This feeling varies from person to person

到画面形式完成时
when painting is completed

这个感觉才能呈现出来
this feeling can be presented

由此我们可以清楚地看到
so we can clearly see

创作主体感受到了什么
the creative subject of what you feel

黑白与色彩的组织
The organization of black and white and color

就是这种感受的落实手段
is the mean way of expressing this kind of beauty

因此
thus

用来模仿客观现实
it is meaningless

是没有意义的
to imitate objective reality