当前课程知识点:山水写生 > 第三章 写生实践(一) 提炼与概括 > 写生示范 > 写生示范
同学们好
hello everyone
审美感受落实到画面上
When come to painting
不应是简单地对景描摹
it should not be simply described as landscape depicting
而应是在主观情感的作用下
but should transform subjective feeling
将情与景的融合物
and landscape forms
也就是审美意象
into aesthetic form
转化为一种绘画形式
of painting
这种形式构建的过程
Such forming process
就是我们的写生过程
is also the sketching process
首先
First
我们要选择一个地方坐下来
we have to choose a place to take a seat
创作主体一定在这个地方
the creative subject
发现了一些有趣味的东西
must find something interesting
然后在画面上
Then draw the basic structure on painting
画出基本结构呈现感受内容
to present the main content
这是第一步
this is the first step
由于每个人感受的内容不同
Because each person feels different
所呈现出的样式也不一样
and the way to present is different
因此起手没有定法
so there is no constant way to start
接下来
Next
要借助一些物象
we need to use some objects
将感受的内容具体化
to concretize what we feel
这是中国画的造型观念
This is the forming concept of Chinese painting
是借自然现象
it is a method that expresses the spiritual experience
表达神会的东西
through natural phenomena
这个表达
This expression
是创作主体审美心理结构
is the counterpart of the aesthetic psychological structure
在自然界中找到的对应物
of the creative subject found in nature
是主 客交融的表达
is an expression of the integration of subject and object
当这些对应物走进画面时
When these counterparts come into painting
有些东西被舍弃
some parts have to be discarded
有些东西要加强
and some parts have to be strengthened
所有确定在画面上的东西
All elements appear
彼此之间都要协调地
on painting
形成一种美的联系
must be in harmony with each other
它们整体地传达某种意蕴
in order to form a beautiful connection
而不再是孤立的存在物
They collectively convey a certain meaning
这种由创作主体提炼后的表达
And no longer exists in isolation
比眼前的客观世界
Such expression after subjective
要简洁 要纯粹
is more concise, pure,
也更加富有秩序
and more orderly
在此基础上
than the objective world in front of us
我们要关注外轮廓的节奏变化
Beside this
这是对形整体把握的方法
we must pay attention to the rhythm of the outer shape
造型的趣味也蕴含其中
This is a method of the overall forming
并有助于细节服从于形的整体
and the interesting of forming is also included
从某种意义上讲
it helps details interact with the overall shape
对于图式外轮廓的刻画
In a sense
是艺术概括的第一要素
the depiction of the outline
形之内的细节变化要服从整体
is the essential element of artistic generalization
这是对形整体把握的方法
The details must interact with the entire form
在这个造型过程中
This is the method of forming
布白也非常重要
and the interesting of forming is also included
空白形的塑造与布局
In this forming process
我们在形态结构一讲
blank is very important
还会有具体的介绍
The shape of blank form
布白不能散乱
will be introduced in
在画面上要形成结构
detail in the "morphological structure" section
经营好白形画面自然神奇
The blank can’t be scattered
最后要关注的是
it should form a structure with it
我们所创造的式样
With well-organized blank, the painting will be natural and beautiful
应该是一个生命体
The last,what we pay attention to
而不是一个简单的装饰图形
is the form we created
这种生命体借助了客观物象
it should be a living figure
并转化为点 线 墨块
but not a simple decorative body
干湿 浓淡
This kind of life form uses objective image
相互交融的
and transforms into dots, lines and ink forms
笔墨形式
dry, wet, dark and light
这是审美主体
blend and interact with each other
感受生命秩序的一种表达
and turned into brush and ink forms
因此
This is expression of
在形的塑造上
the aesthetic subject with understanding of the order of life
在浓淡 干湿
therefor, in process of forming
以及色彩变化的处理上
In the management of dark and light, wet and dry
在形质的对比与协调上
and color choice
要有气脉贯通
and the contrast and coordination of form and texture
要有韵味别致的一种表达
there must be a continuous expression of Qi
这种样式的呈现
and a unique charm
应该是与创作主体的
This style of expression
审美心境相一致的
should be consistent with the aesthetic mood
我们所介绍的写生方法
of the creative subject
是传统中国画一般的方法
The method we introduced
也吸收了
is a general method of traditional Chinese painting
西方在绘画本体研究上的成果
it also absorbed
但不是唯一的方法
western painting technique
每个成熟的艺术家
but it is not the only method
都有自己的表达方法
Each mature artist
随着个人的感受
has his own expression way
和特殊表达方式的不断成熟
With their expression method
作品也会呈现多种样貌
and their unique style continue to mature
-何谓艺术感受
--何谓艺术感受
--随堂作业
-主体条件对感受的影响
--随堂作业
-山水写生内容
--山水写生内容
--随堂作业
-视觉表达形式
--视觉形式表达
--随堂作业
-提炼与概括的含义
--提炼与概括的含义
--随堂作业
-写生示范
--写生示范
-作业点评
--作业点评
-形态结构
--形态结构
--随堂作业
-形态表现案例
--形态表现案例
--案例讨论
-作业点评
--作业点评
-形色结构
--形色结构
--随堂作业
-作业点评
--作业点评
-随堂作业
-形质结构
--形质结构
--随堂作业
-质地表现常见问题
--常见的问题
-中国画空间表现
--中国画空间表现
-作业点评
--作业点评
-随堂作业
-相对因素对比与协调的画面组织
--随堂作业
-作业点评
--作业点评
-平衡
--平衡
-运动
--运动
--随堂作业
-视觉力的变化与均衡
-作业点评
--作业点评
-画面节奏感的表达
--画面节奏感的表达
--随堂作业
-作业点评
--作业点评
-笔墨问题
--笔墨问题
-问题讨论
--问题讨论
-课程总结
--课程总结





