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Film and Cultural Studies课程列表：

Part I Form and Narrative Unit 1 Film Form I

-1.1 Overview

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-1.2 Mise-en-scène: setting

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-1.3 Mise-en-scène: lighting

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-1.4 Mise-en-scène: character appearance

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-1.5 Mise-en-scène: performance

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-1.6 Screen space and composition

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-1.7 Case study

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-Unit1 Questions for discussion

-Test 1

-Unit 1 Film Form I

Unit 2 Film Form II

-2.1 Introduction of cinematography

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-2.2 Cinematography: angle of framing

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-2.3 Cinematography: camera distance

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-2.4 Cinematography: mobile framing

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-2.5 Case study

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-Unit 2 Questions for discussion

-Test 2

-Unit 2 Film Form II

Unit 3 Film Narrative I

-3.1 Overview

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-3.2 Openings, closings, and story development

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-3.3 Range of story information: restricted or unrestricted

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-Unit 3 Questions for discussion

-Test 3

-Unit 3 Film Narrative I

Unit 4 Film Narrative II

-4.1 Overview

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-4.2 Editing and speed of narrative

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-4.3 Chronology and continuity editing

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-4.4 Flashbacks and editing

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-Unit 4 Questions for Discussion

-Test 4

-Unit 4 Film Narrative II

Part II Film Critique Unit 5 Film Semiotics

-5.1 Overview

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-5.2 What is semiotics?

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-5.3 Christian Metz

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-5.4 Roland Barthes （Part 1）

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-5.5 Roland Barthes （Part 2）

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-5.6 Case study: 2001: A Space Odyssey

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-Unit 5 Questions for Discussion

-Test 5

-Unit 5 Film Semiotics

Unit 6 Film Ideology

-6.1 Overview

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-6.2 Origins of film ideology

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-6.3 Media and technology

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-6.4 Cultural hegemony and counterhegemony

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-6.5 Case study: Star Trek

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-Unit 6 Questions for discussion

-Test 6

-Film Ideology

Unit 7 Film and Gender

-7.1 Overview

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-7.2 Woman and film

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-7.3 Feminist film theory and practice

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-7.4 Case study: Three Billboards Outside Ebbing, Missouri

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-7.5 Masculinity

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-7.6 Queer Cinema

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-Unit 7 Questions for discussion

-Test 7

-Unit 7 Film and Gender

Unit 8 Film and Race

-8.1 Overview

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-8.2 Race and racism

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-8.3 Stereotypes of racial representation

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-8.4 Whiteness

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-8.5 Case study: Rabbit-Proof Fence

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-Unit 8 Questions for discussion

-Test 8

-Unit 8 Film and Race

Unit 9 Film and Ethnicity

-9.1 Overview

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-9.2 Edward Said and Orientalism

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-9.3 Cultural Imperialism

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-9.4 Self-orientation

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-9.5 Case study I: Mulan

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-9.6 Case study II: M Butterfly

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-Unit 9 Questions for discussion

-Test 9

-Unit 9 Film and Ethnicity

Unit 10 Film and Psychoanalysis

-10.1 Overview

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-10.2 Early Background

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-10.3 Jacques Lacan

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-10.4 Laura Mulvey

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-10.5 Case Study: Shutter Island

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-Unit 10 Questions for discussion

-Test 10

-Unit 10 Film and Psychoanalysis

Part III Synthesis Unit 11 The English Patient: Form and Narrative

-11.1 Overview

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-11.2 Story

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-11.3 Character: the enigmatic English patient

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-11.4 Mise-en-scène: setting

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-11.5 Narrative

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-11.6 Music

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-Unit 11 Questions for discussion

-Test 11

-Unit 11 The English Patient: Form and Narrative

Unit 12 The English Patient: Critical Analysis

-12.1 Signs and Symbols

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-12.2 Nationalism in The English Patient

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-12.3 Almasy as the misogynist and Katharine as a feminist

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-12.4 Kip as the Other

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-Unit 12 Questions for discussion

-Test 12

-Unit 12 The English Patient: Critical Analysis

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