Chinese Art History课程：前往报名学习
This course mainly introduces the history of Chinese art from prehistory to late Qing Dynasty. It takes the mainstream art of each era as the main line, taking account to the important art works, artists, art events, art institutions and other elements of each period in order to cultivate students' art history literacy. Welcome to the world of Chinese Art History. Welcome to the history of Chinese art.
开设学校：四川音乐学院；学科：艺术设计、
This course mainly introduces the history of Chinese art from prehistory to late Qing Dynasty. It takes the mainstream art of each era as the main line, taking account to the important art works, artists, art events, art institutions and other elements of each period in order to cultivate students' art history literacy. Welcome to the world of Chinese Art History. Welcome to the history of Chinese art.
-1.1 Research objects and methods of Chinese art history
--1.1 Research objects and methods of Chinese art history
-1.2 Development stage of Chinese art history
--1.2 Development stage of Chinese art history
-1.3 Main features of Chinese art
--1.3 Main features of Chinese art
-Exercise
-2.1 Distribution and basic characteristics of original art
--2.1 Distribution and basic characteristics of original art
-2.2 Primitive plastic art and primitive music and dance art
--2.2 Primitive plastic art and primitive music and dance art
-Exercise
-3.1 General situation of art in Xia, Shang and Zhou Dynasties
--3.1.1 The social and cultural background of the arts of the Xia, Shang and Zhou Dynasties
--3.1.2 The basic characteristics and glorious achievements of the arts in this period
-3.2 Plastic arts of Xia, Shang and Zhou Dynasties
--3.2 Plastic arts of Xia, Shang and Zhou Dynasties
-3.3 Music and dance art of Xia, Shang and Zhou Dynasties
--3.3 Music and dance art of Xia, Shang and Zhou Dynasties
-3.4 Art thoughts of various schools of thought in the pre Qin Period
--3.4 Art thoughts of various schools of thought in the pre Qin Period
-Exercise
-4.1 Social and cultural background of art in Qin and Han Dynasties
--4.1 Social and cultural background of art in Qin and Han Dynasties
--4.1 Social and cultural background of art in Qin and Han Dynasties
-4.2 The sculpture Art of the Qin and Han Dynasties
--4.2 The sculpture Art of the Qin and Han Dynasties
--4.2 The sculpture Art of the Qin and Han Dynasties
-4.3 The Bronze Statues of the Qin and Han Dynasties
--4.3 The Bronze Statues of the Qin and Han Dynasties
--4.3 The Bronze Statues of the Qin and Han Dynasties
-4.4 Painting art of the Qin and Han Dynasties
--4.4 Painting art of the Qin and Han Dynasties
--4.4 Painting art of the Qin and Han Dynasties
-4.5 The Stone Relief and Brick Relief
--4.5 The Stone Relief and Brick Relief
--4.5 The Stone Relief and Brick Relief
-4.6 The Music and Dance of the Qin and Han Dynasties
--4.6 The Music and Dance of the Qin and Han Dynasties
--4.6 The Music and Dance of the Qin and Han Dynasties
-Exercise
-5.1 The social and cultural background of art in Wei, Jin, southern and Northern Dynasties
--5.1 The social and cultural background of art in Wei, Jin, southern and Northern Dynasties
--5.1 The social and cultural background of art in Wei, Jin, southern and Northern Dynasties
-5.2 Painting and calligraphy in the Wei Jin southern and Northern Dynasties
--5.2.1 The painting art and calligraphy art in the Wei, Jin, Southern and Northern Dynasties
--5.2.2 Gu Kaizhi's artistic achievement
--5.2 Painting and calligraphy in the Wei Jin southern and Northern Dynasties
-5.3 The rise of Buddhism and the development of Buddhist art
--5.3 The rise of Buddhism and the development of Buddhist art
--5.3 The rise of Buddhism and the development of Buddhist art
-5.4 Music and dance art in Wei, Jin, southern and Northern Dynasties
--5.4 Music and dance art in Wei, Jin, southern and Northern Dynasties
--5.4 Music and dance art in Wei, Jin, southern and Northern Dynasties
-5.5 The new development of art theory in Wei, Jin, southern and Northern Dynasties
--5.5 The new development of art theory in Wei, Jin, southern and Northern Dynasties
--5.5 The new development of art theory in Wei, Jin, southern and Northern Dynasties
-Exercise
-6.1 Social, Cultural background and General situation of art in Sui and Tang Dynasties
--6.1 Social, Cultural background and General situation of art in Sui and Tang Dynasties
--6.1 Social, Cultural background and General situation of art in Sui and Tang Dynasties
-6.2 Painting art in Sui and Tang Dynasties
--6.2 Painting art in Sui and Tang Dynasties
--6.2 Painting art in Sui and Tang Dynasties
-6.3 Calligraphy in Sui and Tang Dynasties
--6.3 Calligraphy in Sui and Tang Dynasties
--6.3 Calligraphy in Sui and Tang Dynasties
-6.4 Grotto art in Sui and Tang Dynasties
--6.4 Grotto art in Sui and Tang Dynasties
--6.4 Grotto art in Sui and Tang Dynasties
-6.5 Workmanship and architecture in Sui and Tang Dynasties
--6.5 Workmanship and architecture in Sui and Tang Dynasties
--6.5 Workmanship and architecture in Sui and Tang Dynasties
-6.6 The art of music and dance in Sui and Tang Dynasties
--6.6 The art of music and dance in Sui and Tang Dynasties
--6.6 The art of music and dance in Sui and Tang Dynasties
-Exercise
-7.1 Cultural background of Arts in the Five Dynasties, Song Dynasty and Yuan Dynasty
--7.1 Cultural background of Arts in the Five Dynasties, Song Dynasty and Yuan Dynasty
--7.1 Cultural background of Arts in the Five Dynasties, Song Dynasty and Yuan Dynasty
-7.2 Painting art of the Five Dynasties and Song Dynasty
--7.2.1 the painting art of the Five Dynasties and Ten Kingdoms period
--7.2.3 paintings in the Southern Song Dynasty
--7.2.4 the paintings of the Yuan Dynasty
--7.2.2 the painting in the Northern Song Dynasty
--7.2 Painting art of the Five Dynasties and Song Dynasty
-7.3 Sculpture and arts and crafts in song and Yuan Dynasties
--7.3 Sculpture and arts and crafts in song and Yuan Dynasties
--7.3 Sculpture and arts and crafts in song and Yuan Dynasties
-7.4 Song and Yuan music and dance art
--7.4 Song and Yuan music and dance art
--7.4 Song and Yuan music and dance art
-Exercise
-8.1 Cultural background of Ming and Qing art
--8.1 Cultural background of Ming and Qing art
--8.1 Cultural background of Ming and Qing art
-8.2 Ming and Qing painting art
--8.2 Ming and Qing painting art
--8.2 Ming and Qing painting art
-8.3 Architecture, sculpture and arts and crafts in Ming and Qing Dynasties
--8.3 Architecture, sculpture and arts and crafts in Ming and Qing Dynasties
--8.3 Architecture, sculpture and arts and crafts in Ming and Qing Dynasties
-8.4 Music and Dance art of Ming and Qing Dynasties
--8.4 Music and Dance art of Ming and Qing Dynasties
--8.4 Music and Dance art of Ming and Qing Dynasties
-Exercise
四川音乐学院艺术学理论与管理学院执行院长兼党总支书记。博士，教授、硕士生导师。从事中国近现代思想史、艺术史、艺术学理论等领域的教学与科研。近年来在中文核心期刊、CSSCI来源期刊上发表30余篇学术论文，出版专著、参编专著及教材多部。曾先后获四川省哲学社会科学优秀成果二等奖、成都市社会科学三等奖。教育部高等学校艺术学理论类专业教学指导委员会委员，中国艺术学理论学会、中国现代史学会常务理事、四川省音乐文学学会秘书长。
余珉露，四川音乐学院艺术学理论与管理学院专业教师，获西南财经大学管理学和四川音乐学院艺术学双硕士学位，四川省音乐文学学会理事，中国音乐家协会爵士乐学会一级会员。现从事艺术与公共文化服务、民俗学、音乐英语等课程教学。
陈茜，女，37岁，讲师，硕士学位。2006年6月获得大学教师资格证书，7月至今在四川音乐学院从事大学教育工作，担任教研室秘书和专业教师。主要教授艺术概论、艺术作品与画廊的经营管理、艺术作品欣赏、计算机艺术基础等课程。在大学已有十多年的工作经验，善于将传统古典文化内涵融入当代艺术审美教育，注重教学环节的设计，使学生在开阔视野的同时提高实践能力。
叶姿含，四川音乐学院讲师，四川大学艺术理论博士。研究方向：艺术理论与批评，中国城市民族音乐学与中国音乐美学。四川音乐文学学会理事，中国民族音乐学会会员，中国音乐家协会流行音乐学会会员。 论文： 1.《四川藏族流行音乐家及其文化身份》，《西藏大学学报》，2016年。 2.《关于藏族艺术风格在流行音乐作品中的形成与表现》，《青海民族研究》，2016年。 3.《汉藏声乐发展中的和谐与差异》，《西藏大学学报》，2012年。 4. 《“美丽、出弦”——克莱夫·贝尔在流行音乐研究中“有意义的形式”的共性和不足》，2016年。 5. 《中国声乐艺术与女性因素成因分析》，《河南社会科学》，2012年。 6. 《论道教美学的本质与特征》，《青海社会科学》，2012年。
杨洪吕，四川音乐学院艺术学理论与管理学院讲师。硕士毕业于英国伦敦国王学院文化、媒体与创意产业研究中心，文化创意产业专业。曾就职于国内著名音乐媒体。任教以来曾获四川音乐学院2016-2018年度优秀教师，国家级奖项优秀指导教师称号。研究方向为文化创意产业、艺术管理。讲授课程《国际文化贸易》、《艺术、非遗与旅游管理》。
