Video在线视频

同学们好
Hello students

我们这一节进入了
in this section

笔墨训练的一个方法过程
the method of brush and ink training

这堂课的主要内容是通过
The main content of this lesson is to do

树干和点叶
Trunks and leaves drawing practice

这有一个内在的一个要求
There is an inherent requirement

通过这两个训练
Through these two section of training

我们会增加了许多别的认识
We will gain a lot of other knowledge

也是一个笔墨组织
Also about brush and ink organization

一个秩序的
As know as the order

一个内在的认识
Or the inner understanding

但是通过树干和点叶
But we can learn this order through the trunk and the leaves

来呈现
to present the understanding of it

那么树干和点叶
Then learning method of

这个学习方法
trunk and the leave drawing

也是通过临摹课稿
is also through copy from these drafts

这就是我们做的课稿
here is the draft we made

这是点叶
this is dot leaves one

点叶这叫双勾
with double outline style

也叫夹勾
also as know as “Jiagou” style

夹勾的点叶
here are the leaves drew in this style

点叶的方法
the method of dot leave style

和它这个组织内在的原则
and the inherent principles in such organization

这是实点
this is solid leave

通过用笔的直接的表达
By direct expression with brush

可以完成点叶的组织
you can complete the organization of the leaf

但这里这个组织
But this organization

它有内在规律
also has an its inherent law

所以说我们要练习
So we have to practice

也要讲解
Also requires explanation

这个点叶需要抱干
This dot leaves need to be around the trunk

然后点叶的点形
so as the shape of dot leaves

包括墨色变化
Including ink color changes

通过临摹
through copy and study from drafts

我们来实现这种能力
We are going to achieve this ability

这是横点和破锋点
This is the horizontal and breaking style point

这都是
this is it

看似是在表达一个树木
It seems to be expressing a tree

但其实是一种方法
But it is actually a method of brush using

一个干涩用笔的破锋方法
A method of using dry brush in breaking style

和一个横卧 点的方法
and a method of horizontal dot

这是树干
here is the trunk

那么我先演示树干
I will demonstrate the trunk first

然后再演示夹勾
then the “Jiagou” technique

和单点的一些规律
and some rules of a single point

以及树如何抱干
and how to arrange leaves with surrounding trunk

然后怎么呈现点的形状
Then how to render the shape of the point

和物像相结合的
and how to combine with the image

这么一个练习
such an exercise

那么树干呢
then the trunks

它有很多的造型问题
it has many forming issue

这就是一个造型观的问题
This is the issue of understanding of form

中国画的造型观
The forming theory in Chinese Painting

是以线造型
is to form with lines

所以说我们这个线条
So let's say I use this line

画树干
to draw the trunk

它不是两个平行的
they are not two parallel lines

这我演示一下
here is my demonstration

我们的线条很重要
the lines in here is very important

但是在完成树干
But after completing the trunk part

这个过程中
in this process

有一个造型意识的问题
a forming issue occurred

这就是一个以线造型
which is forming with lines

这个线条的穿插
the organization of lines or brush strokes

哪个在前 哪个在后
which is the front and which is in behind

解决空间关系的问题
it’s the issue that about spatial relationships

我来演示一下
Let me demonstrate it

这个树干
This trunk here

这个线在前
This line is in front

这个线在后
This is the line in behind

那么这个枝干就在前边
Then the branch is on the front layer

然后这个在后
Then this is behind

这就是以线造型
This is using lines to form and shape

通过我们以线造型
Through lines

树干的立体感就呈现了
The three-dimensionality of the trunk is well presented

非常鲜活 生动
very lively and vivid

然后我们这个线条的表达
we use these lines to express

也非常有秩序
in certain order

它通过穿插 长短
inserted through the length changing

墨色浓淡干湿
and different wetness

是它自身的
and its own

一个审美的特性
aesthetic features

然后到枝干这又出来
Then the branches come out from here again

这是穿插的
here is cross over

这里头可以是短线皴
here is short line “Cun” stroke

我们现在看来
from now

通过我们勾与皴
the “Gou” stroke and “Cun” stroke

树干的前后关系
the relationship between front and behind

它的立体关系
its interspersed relationship

包括这个树干的特征
Includes the characteristics of this trunk

这属于造型特征
they all belong to its forming character

也完成了
it’s completed now

我们那个线条呢
the line we are using

也出现了线条的疏密
There is also a dense difference

这个线的长短关系
The length relationship

包括对浓淡的变化
Includes shade changes

包括枝干
Also the branches

纵横穿插的角度 造型
Angle of cross-over

最后完全实现
until finish

这是我们练树干的最主要的
This is the main thing we practice trunk drawing

首先要理解
first we need understand

以线造型的这么一个特性
the feature of line forming

这是中国画特有的特性
This is a unique character of Chinese painting

那么我们这个树干
then the trunk here

有很多皴法
there are many way to draw it

常用的皴法就是短线皴
The commonly used method is mostly with short line strokes

那么还有一种皴法叫鱼鳞皴
there is a another way called the scales Cun style

我们通常就是在画比较粗的
usually we draw it quite thick

你比如说像松树
like pine trees, for example

松树这么大面积
with such large area situation

我们很多皴法就用鱼鳞皴
normally we choose the scales Cun style

鱼鳞皴这个方法
this method

它通过先勾后皴
It presents the “Gou” stroke first then attach the Cun technique

勾和我们刚才
the “Gou” stroke is just like what we

演示的是一样的
demonstrated before

先是用线来造型
First use the line to shape

有穿插
Interspersed

这里有穿插的
here has cross-over

然后这个分支
Then this branch

哪个在前 哪个在后
Which is in front and which is in the back

非常明显
very obvious

它这个结构有扭动
It has a twisted structure

然后这么粗的树干
then such a thick trunk

我们需要施加皴法的时候
When we need to add Cun technique

那么鱼鳞皴就出现
then this scales style appear

这一出现
when it appears

我们往往觉得
We often feel that

很像松树的特质
it just like the texture of pine tree surface

使这个树干画出来以后
After drawing this trunk

既有皴法的组织秩序
it got brush organization

墨色的变化
and also ink color changes

还能够有造型的功能
and have an ideal form

比如它是一个体积的
For example it’s volume

而且特别像松树
is especially like pine tree

苔点
Moss points

更加松毛
more relax and fluffy

特种树 鱼鳞皴
some particular trees with unique texture

我们鱼鳞皴
the “scales” Cun style

不能够很均等的画圈
don't draw circles equally

这不行
it doesn’t work

这没有组织疏密
this lacks of stroke organization

和主次的关系
and primary and secondary relationship

我们一定要有完整
we have to have some completed forms

不完整 密集疏朗
and some uncompleted forms

要有组织秩序
followed with certain order

披麻皴 牛毛皴
for instance, the “Pima” and “Niumao” style

包括斧劈皴
including “Fupi” style

它都在讲这种组织秩序
It’s all about this organizational order

那么这个组织秩序呢
Then what is this organizational order?

就是相对因素的
Relative factors

辩证的协调的组织
It’s a dialectical coordination of organizations

这是树干
here is trunk

我们的树干用线
the line I’m using for this trunk

最好顺锋
better followed your brush tip movement

使这个线条
in order to make this line

非常圆浑厚重
thick and round

然后边缘要有穿插
Then the edges should be interspersed

这是要点
here is the key point

这是树干的要领
of tree trunks drawing

这个点叶
the dots leave drawing

它有内在规律
it also has inner disciplines

也不是随意的点的
Not random dots

我们先来演示实点
Let’s first demonstrate the solid dot

这个实点有很多的
There are many characters

表现特性
of these solid dots

一种是个字点
one is called “Gezi” dot which is followed
the form of “Ge” in Chinese letter

一种是介字点
another one is called “Jiezi” dot which is
also similar form of “Jie” in Chinese letter

这都是树叶的点法
these are all method of dot leaf making

还有些胡椒点
and other type of point method is called the pepper dot

也可以称为是梅花点
also as known as Plum blossom dot

然后还有竖点
and there are vertical dots

短线 短笔这种点
in this short lines

还有往上去的
and up side down dots

短笔组成的
formed by short line strokes

这都是点叶的方法
these are all methods of dot leaf making

还有横卧点
the horizontal dot

这都是我们点叶的方法
also part of dot leaf method

那么我们知道是
now we know

有这么多的点叶的方法
so many ways of dot leaf making

那么把它组织起来
then when we organize them together

组织起来是有要求的
there is certain discipline to do it

这种要求
this discipline is

就是我们的审美表达
in line with our aesthetic expression

审美的传达
Aesthetic communication

比如说个字点
for instance, the “Gezi” dot

这个个字点
in this “Gezi” dot making

我们要是
we need

多个个子点的组合
make combination of multiple “Gezi” dots

就应该有疏密的关系
with dense relationship

和主次的关系
relationship with primary and secondary

这两个比较近
this two are loser

三三两两
some others around them

这是个字点
here is the “Gezi” dot

这有疏密 主次多少的变化
some are in primary position, intense and
solid, some are hidden and vague

那个胡椒点 这梅花点
this is the Pepper dot and that one is the Plum blossom dot

梅花点也是
it’s similar in Plum dot making

要密能密得上去
it needs super intense part

疏能走马
and also with some loose part

密不透风
the combination of

疏密结合
intensity and looseness

这才是梅花点的组织
is the character of Plum dot organization

那么这种横卧点
like this horizontal dot

和这两个是差不多
is just like the previous two

但是它们那个组织
but the organization

要有内在规律
but also has inner discipline

因为每一个组的形象
because of the form of each group

是若干个比较短线的组织
Is a number of relatively short-lived organizations

多线的组织情况下怎么办
What to do in the case of multi-line organization

这是一组
this is one group

第一组
the first one

我们不妨画一条线
We might draw a line as well

那么第二组
Then the second group

就是再画一条线
Just draw another line

是它的结构
hers is its structure

第三组比较长
The third group is longer

那就是
that is

是这么一个结构
such structure like this

那么第四组
Then the fourth group

看这三条线
Look at these three lines

这几组怎么样组织
How are these groups organized?

既有变化
There are changes

还能协调呢
but also coordinated

所以说既不能平行
so it can't be parallel

还得协调在一起
but still have to be coordinated

那么我现在决定
Then I decide now

要用一个短线来实现
To achieve with a short line

那么再来一组
Then come back to another group

这是第四组了
This is the fourth group

第五组
the fifth

我想来一个这样的
I want to make one like this

这是点叶的内在结构
This is the inner structure of the leaf

只有了内在结构
only with the inner structure

结构 本身它这个
only the internal structure itself

具有变化
have changes

还能协调在一起的
can also be coordinated

然后变化非常的优美
with beautiful changes

那么我们那个叶子
Then the leaf

既符合某种的
would be not just related to

物像的结构关系
the structural relationship of the object form

同时内在结构
but simultaneously follow with their internal structure

还符合我们心里的
also in line with our hearts

审美关系
so as the aesthetic relationship

所以说就是
that’s why we say

中国画的造型观
The forming style of Chinese painting

妙在似与不似
is right in between, between like and unlike

这个似呢
the “like”

可以说是一个松树
It can be said to be a pine tree

那个不似呢
the “unlike”

是它的内在的审美结构
is its inner aesthetic structure

这个松针
This pine needle leaf

这一组松针没有问题
There is no problem with this set of pine needle leaf making

谁都可以画
everyone can do it

只要求我们的线条
as long as there is quality in leaf lines

有弹性就可以了
with tension and flexibility

那么第二组上去以后
Then after I draw the second group

我们看这个焦点
let’s look at this point

焦点的距离
the distance between them

它是这个距离
is like this much

比较密
kind of tight

那么第三组
Then the third group

这个距离我们可以拉远
We can pull away this distance

这是表达一个疏密的关系
This is to express a density or spacing relationship

第四组
Fourth group

第三组比较密
The third group is intense

那么它有点过于疏了
it is a bit too sparse

过于单薄
too thin

那么就可以在这施加
then you can apply it here

另一种
with another one

这是完全是一种
This is totally a kind of

心理把握 这个审美结构
psychological understanding, in this aesthetic structure

所以说密能密得上去
the dense part needs to be very intense

疏可以走马
the loose part needs the opposite way

这是点叶的式的要求
This is the requirement of the dot leaf making

这是点式
this is the dot style training section

那么上几节课
in previous course

我们经常点大混点
I showed some big dots

和胡椒点
and pepper dots

大混点
the big dots

这就叫大混点
here is one

胡椒点
the pepper dots

就是这么一个形状
is like this shape

点有点形
each dots with certain shape

我们这个点
the dot

中国画用笔
in Chinese painting

点不是随意点的
isn’t randomly made

之所以叫个字点 介字点
he reason why it is called “Gezi” and “Jiezi” dot

和胡椒点 和大混点
and the pepper and big dots

能够叫这样一个点
the reason we call them this way

就说它要表达
is to describe

这样一个形状
the shape of them

本质的一个特征
and their characters

那么要求它这个点
so these dots

还得有它这个组织
need to have the discipline

内在的规律
of their organization

那么它这个组织内在规律
no matter what type of dot we are going to make

就是我们无论点什么点
it is the inner law of its organization is the key point

大混点
the big dot

这个点的密集疏朗
the density of these dots

大小 开合
the size position difference

要讲这样一个
To talk about this one

组织的一个审美的态势
the aesthetic tendency of the organization

这叫点势
it’s called the tendency of dots

这都叫点势
also like these

所以说我们还有横卧点
and about the horizontal dots

横卧点的大小密集
the density and size difference

长短 参差错落
length and position changes

这种组织是不是好看
does this organization looks good

完全在于你内在的
It all depends on your entirely inside

心理要求
psychological requirements

你要求它表达什么样的
What’s your expression request?

一个结构
a structure

那么它就会出现一个
then it will appear a

用笔来书写的
psychological structure

一个心理结构
with brush movement

所以说中国画的用笔
So the brush movement of Chinese painting

只写人心
write only people's hearts

我们审美主体的心
the heart of our aesthetic subject

是什么样的
but what does it look like

他笔上的形式
in the form of brush and ink

就出现什么样
what can come out from it

所以说中国笔墨形式
so the brush-ink art form in Chinese painting

形象地讲或者透彻地讲
if we could talk about it visually or thoroughly

它是一个写心的工具
it is a heart-wrenching tool

它那个笔墨形式
the brush-ink form of it

就是一个内在心里的
It’s an aesthetic form

一个审美形式
of inner heart

就是审美形式
so it’s an aesthetic form

就是审美意象
and aesthetic image

落实到纸上
when implemented on paper

就是笔墨结构
it turns into an brush-ink structure

这是中国画
that is one of the most unique character

最有特色的一面
in Chinese painting

这是点叶
so far is dots leaf

下面我演示一下双勾点
next let I demonstrate the double hook

双勾点和我们实点
double hooks and solid points

是一样的
are the same

有同样的要求
rules

所谓的双勾
the so-called double hook

个字点的叶子是双勾的
These leaves in “Gezi” dots style are double-hooked

那么第二组有疏密
Then the second group has sparseness

很密集
Very dense

第三组很疏朗
The third group is very loose

有多少疏密的变化
with density changes

这是双勾
here is double hook

这个双勾啊
the double hook

可以将来在画面上
in future works

呈现白的颜色的双勾
we can also do double hook with white paint

比较严谨
be more specific

然后也可以赋色
and then add color

那么就形成了一个色彩
it can turn into a

这个形状
colorful form

通过双勾来实现
with this double hook style

这个双勾有很多形象
I can create many forms with double hook style

还有菊花
for example the chrysanthemum drawing

梅花点
plumb blossom drawing

类似像菊花
is similar like chrysanthemum

这个梅花点是
its character is

五瓣的梅花点
it gpt five-petal plum point

这都叫双勾
This is called double hook

还有三角形的双勾
There is also double hook style in the triangle shape

还有先画枝叶
you can painted leaves first

然后加叶子双勾
then add a double hook at the edge

这里头
in here

将来都可以添颜色
Colors can be added later

这都是双勾
here is double hook style

双勾有很多
there are many different style

只要能呈现
as long as it can be present

这样一个独立的单位
Such an independent unit

然后这个独立单位
hen this unit

有组织 有秩序的
Organized and orderly

都可以作为双勾的存在
we can use double hooks style in such situation

然后我们可以赋色
and then add color inside

也可以留成白
or simply left white

点叶的实际应用
Practical application of point leaves

在实践上也有要求
There are also certain laws in practice

点叶要抱干
the leaves need hold trunks

什么叫抱干
what does that mean

就是我们在
it means that

通过点叶的过程当中
in this process

需要有干来支撑
it needs trunk to support

所以说我们得先画干
so I need draw trunk first

作为点叶的支撑
as support of leaves

然后我们准备画横卧点
then the horizontal dots

那么刚才我已经演示
just like what I demonstrated before

横握点基本笔法是这样
The basic stroke method of the horizontal grip point is like this

横的然后有组织
Horizontal and then organized

那么实用在画树干上
when draw the trunk

一定要抱干
make sure leaves surround trunks

把干挤出来
squeeze out the trunks

笔墨为了发生变化
in order to change

这一定要野战无律
This must follow with rules but not stick to the rules

不要在一处画得过多
Don't draw too much in one place

通过这个墨色变化
Change through this ink color

反复地调整你绘画的部位
Repeatedly adjust the part of your painted

这样墨色它就变化得比较大
The ink color will change more in this way

现在用笔比较干
now I’m using a dry brush

从湿到干
from wet to dry

这种表现的笔墨特色
The brush-ink characters

一定要发挥很好
Be sure to play well

这个树干点叶
the dot leaves

它得要注意造型
you need pay attention on the shape of them

我们造型概念
Our forming concept in Chinese painting

和大的绘画的概念的造型
and the concept of painting making in general

是一样的
is the same

外轮廓的造型变化
Changes in the shape of the forms outline

要讲究
need to be exquisite

然后造型内部的变化
and so as the changes internal forms

指得这个形象之内的变化
it refers to changes within this image

要充满了生机
full of vitality

因为我们有了墨色
Because we have ink color

和笔的疏密的松紧
intensity difference and organization changes

和浓淡干湿
and definite there is also change from wet to dry

这已经产生了
it all together caused

内部的变化
the internal changes

这叫抱干
here is leaves holding trunk

那么还有一种点叶
there is another type of dots leaf technique

比较特殊
More special

所以说我得演示一下
So I have to demonstrate it.

这个特殊的点叶是破锋
This special point is called “broken stroke”

破锋散笔
when I twist the tip

前几讲已经讲了
just like precious courses

破锋的使用
the method of this technique

笔痕不是很清楚
the ink trace isn’t very clear

是破锋的
that’s why it’s called the “broken stroke”

但是它作为一组
as one group

那么第二组
in the second group

就应该有一个势态关系
it should have tendency in organization

第三组
the third group

这里包括大小 长短
This includes size and length

纵横穿插
Interspersed

这种节奏感
This sense of rhythm

一定要在破锋当中有体现
must be reflected in the broken stroke

看到古人用破锋
when we look at the ancients painting

来做画的时候
using the broken stroke style

你不知道
you don’t really know

它内在的秩序的时候
the internal sequence

你是看不懂
you can’t understand

这个绘画主体的
The main body of this painting

心理结构
Psychological structure

当如果你看到这种
When if you see this

破锋的表达
The expression of the broken front

它结构又那么严谨
with such rigorous structure

然后那个结构
and simultaneously

又那么有趣味
it’s also so tasteful

这个你才能够欣赏到位
then you can appreciate the beauty in this.

你才能知道当时
you can understand

创作主体他是怎么思考的
How does the creative subject think?

所以破锋的把握比较难
So it’s hard to operate this technique

我单独的演示一下
I will give a separate demonstration

这就是树干与点叶的
This is the demonstration of

演示过程
trunk and the leaf making