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What kind of person is the speaker in “I’m Nobody! Who are you?”? Support your opinion by reference to textual evidence.
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-1.1 What is Literature?
-1.2.1 General Introduction to Plot
--1.2.1General introduction to Plot
--What is Plot？
-1.2.2 Plot Analysis of “The Yellow Wallpaper”
--1.2.2Plot Analysis of “The Yellow Wallpaper”
-1.3.1 General Introduction to Theme and Theme Analysis of “The Yellow Wallpaper”
--1.3.1 General Introduction to Theme and Theme Analysis of “The Yellow Wallpaper”
--Theme and Theme Analysis of The Yellow Wallpaper
-1.3.2 Theme Analysis of D.H. Lawrence's "Ticket, Please"
--1.3.2 Theme Analysis of D.H. Lawrence's "Ticket, Please"
--Tickets, Please!
-1.3.3 Conflict in Bharati Mukherjee’s “A Father”
--1.3.3 Conflict in Bharati Mukherjee’s “A Father”
--A Father
-1.3.4 Plot and Theme Analysis of Eudora Welty’s “A Worn Path”
--1.3.4 Plot and Theme Analysis of Eudora Welty’s “A Worn Path”
--A Worn Path
-1.3.5 An Analysis of Phoenix Jackson and the Symbolism of “A Worn Path”
--1.3.5 An Analysis of Phoenix Jackson and the Symbolism of “A Worn Path”
-1.3.6 Themes in Sherwood Anderson’s “The Egg”
--1.3.6 Themes in Sherwood Anderson’s “The Egg”
--The Egg
-1.4 Setting, Style and Technique Analysis in Hemingway’s “In Another Country”
--1.4Setting, Style and Technique Analysis in Hemingway’s “In Another Country”
-1.5.1 General Introduction to Narrators and Narrative Structure
--1.5.1 General Introduction to Narrators and Narrative Structure
--Narrators and Narrative Structure
-1.5.2 Narrator and images in Hemingway’s “In Another Country”
--1.5.2 Narrator and images in Hemingway’s “In Another Country”
--In Another Country
-1.6.1 General Introduction to Character and Characterization
--1.6.1 General Introduction to Character and Characterization
--Characters and Characterization
-1.6.2 Characters and Theme in Amy Tan’s “Half and Half”
--1.6.2 Characters and Theme in Amy Tan’s “Half and Half”
-1.6.3 Analysis of Estelle in Margaret Atwood’s “Rape Fantasies”
--1.6.3 Analysis of Estelle in Margaret Atwood’s “Rape Fantasies”
--Rape Fantasies
-1.7.1 Symbolic Analysis of the Setting in James Joyce's “The Dead”
--1.7.1 Symbolic Analysis of the Setting in James Joyce's “The Dead”
-1.7.2 Characterization and Style in James Joyce’s “The Dead”
--1.7.2 Characterization and Style in James Joyce’s “The Dead”
-1.7.3 Themes in James Joyce’s “The Dead”
--1.7.3 Themes in James Joyce’s “The Dead”
--The Dead
-2.1 Understanding Drama
--Understanding Drama
-2.2.1 The Merchant of Venice I
--2.2.1 The Merchant of Venice I
-2.2.2 The Merchant of Venice II
--2.2.2 The Merchant of Venice II
--The Merchant of Venice
-2.3.1 Midsummer Night's Dream I
--2.3.1 Midsummer Night's Dream I
-2.3.2 Midsummer Night's Dream II
--2.3.2 Midsummer Night's Dream II
--A Midsummer Night's Dream
-2.4.1 The Father-daughter Relationship in King Lear I
--2.4.1 The Father-daughter Relationship in King Lear I
-2.4.2 The Father-daughter Relationship in King Lear II
--2.4.2 The Father-daughter Relationship in King Lear II
--The Father-daughter Relationship in King Lear
-2.5.1 A Doll's House I
-2.5.2 A Doll's House II
--A Doll's House
-2.6.1 The Theater of the Absurd
--2.6.1 The Theater of the Absurd
-2.6.2 Waiting for Godot & S. Beckett
--2.6.2 Waiting for Godot & S. Beckett
-2.6.3 Waiting for Godot
--Waiting For Godot
-2.7.1 Mrs. Warren's Profession & Shaw
--2.7.1 Mrs. Warren's Profession & Shaw
--Mrs. Warren's Profession & Shaw
-2.7.2 Mrs. Warren's Profession
--2.7.2 Mrs. Warren's Profession
--Mrs. Warren's Profession
-2.8.1 Lala's Self-conflict in Alfred Uhry's The Last Night of Ballyhoo I
--2.8.1 Lala's Self-conflict in Alfred Uhry's The Last Night of Ballyhoo I
-2.8.2 Lala's Self-conflict in Alfred Uhry's The Last Night of Ballyhoo II
--2.8.2 Lala's Self-conflict in Alfred Uhry's The Last Night of Ballyhoo II
--Lala's Self-conflict in Alfred Uhry's The Last Night of Ballyhoo
-2.9.1 Metaphors in Sam Shepard and The God of Hell I
--2.9.1 Metaphors in Sam Shepard and The God of Hell I
-2.9.2 Metaphors in Sam Shepard and The God of Hell II
--2.9.2 Metaphors in Sam Shepard and The God of Hell II
--Metaphors in Sam Shepard and The God of Hell
-2.10.1 Blues in August Wilson’s Ma Rainey's Black Bottom I
--2.10.1 Blues in August Wilson’s Ma Rainey's Black Bottom I
-2.10.2 Blues in August Wilson’s Ma Rainey's Black Bottom II
--2.10.2 Blues in August Wilson’s Ma Rainey's Black Bottom II
--Blues in August Wilson’s Ma Rainey's Black Bottom
-3.1 Understanding Poetry
--Understanding Poetry
-3.2.1 Voice in PoetryⅠ
-3.2.2 Voice in Poetry Ⅱ
--Voice in Poetry
-3.3 Diction
--Diction
-3.4.1 ImageryⅠ
-3.4.2 Imagery Ⅱ
--Imagery
--Imagery
-3.5 Symbol
--Symbol
-3.6 Syntax
--Syntax
--Syntax
-3.7.1 ThemeⅠ
-3.7.2 Theme Ⅱ
--Theme
--Theme
-3.8.1 Sound and Rhythm in Poetry I
--3.8.1 Sound and Rhythm in Poetry I
-3.8.2 Sound and Rhythm in Poetry Ⅱ
--3.8.2 Sound and Rhythm in Poetry Ⅱ
--Sound and Rhythm in Poetry
-3.9.1 Metaphor in Poetry Ⅰ
-3.9.2 Metaphor in Poetry Ⅱ
--Metaphor in Poetry
-3.9.3 Metonymy and Synecdoche in Poetry
--3.9.3 Metonymy and Synecdoche in Poetry
--Metonymy and Synecdoche in Poetry
-3.9.4 Irony in Poetry
--Irony in Poetry
-3.10.1 Key Points of Reading poems aloud Ⅰ
--3.10.1 Key Points of Reading poems aloud Ⅰ
-3.10.2 Key Points of Reading poems aloud Ⅱ
--3.10.2 Key Points of Reading poems aloud Ⅱ
--Key Points of Reading poems aloud
