Video在线视频

同学们好
Hello fellows

我们这一讲是
in this section

我们训练方法的最后一讲
as the last lecture of our training method

这个课程的内容是出枝
The content of this course is the mainly about branch drawing

那么我们练习出枝的目的
the purpose of this training

是训练我们那个
is to practice

用笔的控笔能力
our ability of brush control

这个出枝是比较难的一堂课
This is going to be a difficult lesson

出枝要求很高
Very demanding

不是每个画面
not every image

都能用出枝来作为一个形象
can be use as form in branch drawing

来布局画面的
or to unfolding a painting

我们通过出枝这个训练呢
through this training

可以加强我们的用笔
it can strengthen our ability of brush using

精准的表达和充分的表达
in order to make a more precise and thorough expression

控笔能力更加提高
improve our brush control ability at the same time

墨色的变化
and improve brush-ink performance

包括短枝长枝的组织关系
the relationships in short branch organization

这都是一个线条的组织关系
is a relationship about line organization

难度和强度应该是在
today’s course will be

笔墨训练当中最难的一节课
one of the hardest course in brush-ink training

那么我们这个出枝
so about this branch

也有些课稿
we have some drafts

是供我们学习 同学们临摹的
for study and practice purposes

那么这就是出枝的课稿
here are the drafts

我们从树干往上发展
I will draw from bottom to upper branches

就是出枝就是短枝的
just some short branches

这个布局
in such organization

是多个短线的在一个画面的
it’s a painting that formed with short lines

组织的一个秩序
in certain sequence

这个要求比较难
it’s not easy to achieve

这个往上去的
this moves to the top

这个发展的这个短枝
and here I’m working on this short branch

我们通常把它称为鹿角枝
normally we call it the deer horn style

所以说中国绘画
in Chinese painting

它这个传承很有程序
there always have sequence and roles to follow

也很讲程式
and certain order

那么往下去的这个枝干
the lower branch

我们通常称它是蟹爪枝
we usually call it the crab claw style

它有点像蟹爪
the shape is just like crab claws

所以说我们要求这个枝干
so we say in this branch drawing

控笔的能力要非常强
it requires strong ability of brush control

没有控笔能力
without this ability

是画不了这个
you can’t draw this

短线的这个布局的
look at this group with short line in here

那么我们要求这个枝干
in such short line branch drawing

是什么样的呢
what kind of aesthetic pursuit we are looking for

是这个短线
that will be

短线从起笔到收笔
from start to draw until the end of one brush movement

它有形象的完整的
it always have complete forms

一个充分的表达
with thorough expression

底粗上细 然后起笔收笔
thicker in bottom and thinner at the top, then finish the move

收笔能收得住
the brush movement should be able to be held

收笔不是鼠尾
but don’ t leave it with a rat tail

这叫挑剔鼠尾
here is what rat tail like

这是我们要禁忌的
which is not good

那么我们每笔
each brush movement we made

都要实现这么一个过程
needs to accomplish this process

这是很难的
this is not easy

所以说我们这个
so why we say

在练习的过程当中
during the process of practice

尤其是初学的同学要用狼毫
especially for some beginners who prefer to work with wolf tail brush

首先就是狼毫
the wolf tail brush

这是我们的狼毫
here is one

狼毫这个出枝
the texture and appearance from this type of brush

它这个线比较挺拔
is kind of tough and straight

然后控笔可以协助
hold your wrist

你的腕力比较虚弱
if your wrist is weak

擎不住你那用笔
not able to hold the brush

所以说你那线条出去以后
then it’s impossible to

它那个质量不高
make high quality lines

那么我们用这个狼毫呢
then why choose this wolf tail brush

就可以借助狼毫的这个硬度
because with advantage of this type of fur

它这个不至于使你的笔下塌
the trace of brush will be tough

那么现在我可以
now we can

演示一组出枝的这个布局
demonstrate the organization with this brush

不宜水分太多
not add too much water in it

这个要有墨色变化
also pay attention of ink change

刚才说是笔墨用笔的要求
the requirement of brush movement we mentioned before

但这个墨的要求
but this requirement

也是非常这个严格的
is also very straight

我们从上到下 从左到右
from top to bottom, left to right

这个墨色的变化
the change of ink appearance

包括几株树 两株三株五株
including these trees, here and there

这个五株的墨色的变化
the ink appearance is

应该非常微妙
slightly changing and shifting from each other

而且变化丰富
very flexible and diverse

这才符合我们这个用笔要求
perfectly reflected our brush-ink requirement and aesthetic pursuit

那么一般这个出枝
the branch drawing in here

我们是从左向右 从上到下
normally we draw from left to right, from top to bottom

这么一个循环
in such sequence

但是也有很多人
but many people

从下往上画
also draw in different sequence

那这个这样的人比较少
but very few

所以说我们习惯呢
but the drawing sequence

还是从左往右
normally start from left to right

那么就是
such like this

我们看往上去呢 鹿角
it looks like the shape of deer horn

这个很像鹿角
it’s quite like deer horn

往上去是鹿角
from bottom to top

现在问题我们既要把握
the problem now is that

这么一个出枝的一个要求
the branch should be draw in this certain way

但是我们这个鹿角
but simultaneously

这个鹿角这个形象
we still need to draw in the form of deer horn

往上去的还得把握住
draw it in this way

这是一个出枝的
this is the common aesthetic pursuit

审美态势的普遍的追求
of branch drawing

那么我们要是不是鹿角
if we want to draw other type of branch

我们会呈现什么样呢
what it going to be

比如说呈现一个V字型
for example, in V shape

那个枝干
the branch

不是一长一短的这个变化
isn’t in this different length organization

就很难看
it’s awful

所以说这有个组织的问题
it also involved the organization question

这有个组织一个线条问题
the problem is about line

这个如果都是很平均
if too much evenly placed

那么这个出枝就很难看
then the branch looks boring

就很难看
and awful

所以说我们这个线条的
that’s why we say the line

短线安排
the short lines and longer lines

那么就得寻求这个线的长短
need to be placed interlaced

主次 疏密
with primary and secondary relationship changes

纵横穿插的变化
in different layers

就不能出现这种排列
avoid to draw it in this way

也不能出现这种对等
or too many paralleled lines

所以说古人说往上去的枝干
so when ancient artists do this branch drawing

要出的时候
the way they move brush

就特别像鹿角
is quite like the way deer horn grow up

所以说我们叫鹿角枝
that’s why it’s called deer horn style

那么墨色的变化就在其中
and the ink changes with it

你随着你的笔的逐渐变化
along with your brush moving

你画的一个流程的过程当中
during your drawing process

它那墨就自然产生了
the ink starts to move naturally

很好的变化
like here

那么我们练枝干
in our practice

这个鹿角怎么练呢
how exactly to draw this deer horn style

首先我们要练习控笔能力
the first is you need practice brush control ability

就是我说这个从底往上
from bottom to top

出的这个能力
This ability of brush control

我们一定要训练出
we must be able to move our brush naturally

有这样的一个形状的一个用笔
and feel the movement of the tip

这是顺锋
this is follow tip style

那么我们相反往回出的话
if we go reverse way

这个就比较难
it could be harder

我们还得形成
but still need to form

这个鹿角的姿态
the shape of deer horn

这个用笔的形象不能改变
The image of this brush cannot be changed

所以说这个就得入笔细
That’s why I’m engaging with the very top of brush tip

回笔到根部是得粗
the bottom of brush is much thicker when move back

所以说我们就得习惯
So we have to get used to it

就得练这个控笔能力
get used to this movement in practice

这是两个方向的出笔
This is a brush stroke in two directions

和入笔的形状的把控
and the shape of brush engaging control

这个把控我们是通过练习
this ability can only gain through practice

才能得到
practice after practice

所以说这个
so like

我们以前学过披麻皴
previously we learned “Pima” Cun

那是一个短线皴
it’s combined with short line

感觉还相对容易
seems easy

可是到了这一个
But this one here

更为短线的出枝的
is formed with even shorter lines

这么一个形象的用笔
to make such form

这个难度就上来了
it’s getting harder

你在出枝上是非常熟练了
when you are doing very well in branch drawing

已经变成下意识了
Has became your subconscious

而且你这个用笔的形状
and the shape of your brush stroke

没有改变
stays very well

在出枝的时候才能有神采
that’s how to draw the spirit of an object

关于这个枝干的组织形式
About the organization of this branch

怎么训练呢
how to practice it

这个我建议就是
my suggestion is

不一定用毛笔 用铅笔
Not necessarily with a brush, you can even choose a pencil

看看古人出枝
Look at the ancients works

包括我们的课稿
including our draft

这个怎么一个组织
How was it organized

才是一个很好的
what is ideal

一个态势关系
tendency relationship

就是这些短线在一起
these intercrossed short lines

非常协调还有变化
well coordinated and flexible

看看我们的课稿
Check out our drafts

包括古人的山水画
ancients landscape paintings

在古人的山水画
in their paintings

唐寅在出枝上
for example, in Tang Yin’s work

是最过关的一个画家
he’s one of the best artist

看看他那个局部的出枝功力
Look at his partial branching skills

包括他那个组织态势
including his organizational situation

非常的绝妙
Very wonderful

这是往上去的鹿角枝
here is the deer horn branch that goes up

下边我再演示往下去的
I will demonstrate another that goes down

叫蟹爪
Which is called Crab Claw style

这个蟹爪的基本的笔法就是
The basic drawing method of this crab claw is like here

非常形象
very close to the shape of crab claw shape

那么往下去的这个蟹爪
by drawing this style

我们也得练它的基本的
we also need to practice it basics

用笔的这个把控能力
brush control ability

就是我们始终得把握到
that is, we always need move our brush

这样一个用笔
in this sequence

方向
and direction

就是快慢
it’s speed

这个线能控制住
remain the quality of the lines

然后不臃肿 这个有弹力
avoid to be fat, remain the tension inside

肯定 霸气 充分
Affirmative domineering

这是用笔的要求
This is the requirement of brush using

完了墨色变化
in ink using section

难的也是这个短线的组织
the most difficult part is also this short-term organization part

下面我来画一下那个
let me draw it next

蟹爪的这个使用的方法
The method of crab claws style drawing

这个蟹爪用笔的方式
and the method of brush using

其实比这个鹿角
is even more difficult than deer horn style

可能还要难一些
It may be harder

因为它是往下这个发展的
because it is growing in this way

那么我们在控制笔型的时候
then when we hold the brush

要比往上顺锋要难一些
it’s more inconvenient

那个起手也是 把墨调好
so as the beginning of brush movement, mix ink and water

可以从某一处
you can start from somewhere

大概习惯还是从左向右
normally we do it from left to right

这都是练蟹爪的笔法
here it is

这是往下去的控笔能力
this is how we draw it

这是两种出枝的
This is two type of branch drawing style

这个方向不同
the direction is different

还有角度不同
and different angles

角度不同就是我们介绍
I’ll introduce three different angles

三种角度
in these three angles

一种角度是90度
one is 90 degrees

我们看龚贤
for example, in Gong Xian’s art pieces

龚贤的山水
especially his landscape painting

这个90度出枝比较多
it’s quite common to see branches in 90 degrees

一种是45度
another one is in angle of 45 degrees

45度一般就是鹿角枝
which is the deer horn style

一种是大于90度
the other one is above 90 degrees

那就是往下出枝的可能性
then it’s more likely to be the branches that move downwards

就比较大
possibly

大于90度
greater than 90 degrees

这都是我们常遇到的
this is common situation in landscape painting making

应该注意的过程
and what we need to pay attention to

那么出枝的演示就到这里
now it’s today’s demonstration