作业点评在线视频

形态结构一节的作业点评
The assignment review in this section

我们要从以下几个方面展开
will be opened with following aspects.

第一是形态布局
the first is composition arrangement

画面通过由几个
Usually a painting

不同的形态构成
is composed of several different forms

像这幅写生
Like sketch like this

物象摆放在左下方
the subject is placed on lower left

留出右上方大面积空白
leaving a large area of blank space on upper right

画面产生了不平衡之感
The painting produces a sense of imbalance

平衡是画面结构的
Balance is the first requirement

第一要求
for the structure of painting

没有平衡就不会感到稳定
Without balance, it feels unstable

如果在这个基础上
If you add something more on this

加点东西
add more

像图这样
as shown in picture

既有画面形态的变化
with form movement

又能获得均衡的组织
also obtain a balanced organization

是形态结构经营的基本内容
it is the basic content of the morphological composition

第二方面是白形布局
the second is blank arrangement

中国画表现中
In expression of Chinese painting

空白形的经营十分重要
the management of the blank form is very important

这也是中国画的一种特点
which is one of character of Chinese painting

同学们总是关注实象的变化
Students always pay attention to the change of the realistic shape

也就是有象物体的变化
which is the shape of realistic object

而对虚白形缺乏经营
but lack the management of the blank shape

那么白形如何组织才好呢
So how should the white form be organized

这个问题
this issue

我们已经探讨过
We have already discussed

虚形要和具体的实形
The void form must be operated in the same way

同样经营才行
as the solid form

虚形也要有
The void form

点 线 面的组织变化
should have changes in organization of lines and dots

画面的上下左右
the up, down, left and right sides of the paper

及四个边角的空白
and the blanks of the four corners

都应纳入白形结构去考虑
should be considered in the void form structure

这样才能使正负形
so that the positive and negative form

有良好的联系
can be well connected

这两幅学生作业
These two student assignments

在白形经营上
re very well done in the blank management

是非常成功的
well done

画面上下左右十分均衡
The painting is very balanced from top to bottom, left and right

白形借助物象
The white form uses object

生发出一种独特节奏美感
produced a unique rhythmic of beauty

变化丰富
The change is rich

自然而然
and natural

是领会白形结构的上乘之作
It is an excellent work to demonstrated the void form structure

第三
the third

单形布局
Single form composition

在写生中
in sketching from nature

由一个单形布局画面
It is very common

是最常见的
to draw the single form composition

正是由于这个单形
Since it’s precisely because

是唯一的布局因素
this single form is the only element in this composition

它的外轮廓和形之内的处理
the arrangement within the shape

非常重要
is very important

外轮廓的变化
The change of the outer shape

要富有节奏感
should be full of rhythm

这种节奏感
This rhythm

不单在形的动静变化上
is not only in the change of shape and movement

还在浓淡和线面的转换中
but also in the conversion of density and line

应让形的外轮廓具有
The outer shape

丰富的变化
should have rich changes

并形成有趣味的节奏感
And form an interesting sense of rhythm

形的内部
The interior of the shape

要充满生机活力
should be full of vitality

但在寻求无限变化的时候
but when seeking infinite change

不要破整体的气韵
do not break the overall feelings

这是至关重要的
it is important

同学们的写生
in sketching from nature

常常出现的问题
The problem that students often have

是所画之形缺少美的塑造
is lacking of beauty in the shapes

这个问题
This problem

应该从两个方面来探讨
should be explored from two aspects

一方面
one

是外轮廓形缺少节奏趣味
the shape lacks rhythm

另一方面
another is

是形的内部对比过于强烈
the internal contrast of the shape is too strong

削弱了外轮廓的变化
which weakens the change in the outer shape

缺少画面思考的现象
The problem of lacking of image thinking

十分普遍
is very common

除了以上分析的问题外
In addition to the problem analyzed above

形态结构零散
the problem of scattered

简单
and simple form structure

过度设计
over-design

边边角角的经营不到位
and inadequate management of corners

等问题也非常普遍
are also very common

能够按照审美要求构成画面
To compose a painting according to aesthetic requirements

不是一件容易的事情
is not easy

若要把画面结构
it is even more difficult

处理得精妙就更难了
to process the structure delicately

有些同学
some students

为了追求形的结构变化
In order to pursue the structural change of shape

把画面处理得非常杂乱
make the painting very messy

若让他们画得整体一些
If they are allowed to paint more united

往往又会显得很简单
it often appears too simple

这是把握分寸感的问题
This is a matter of understanding and experience

艺术的修养
the artistic cultivation

往往就体现在这种
is always show in here

分寸的把握之中
understanding and experience