主体条件对感受的影响在线视频

感受是个体的感受
Feelings are personal

它与艺术创作的主体条件
which are inseparable from

密不可分
subjective conditions of artistic creation

主体条件的不同
Different subjective conditions

决定着我们感受什么
determine what we feel

那么我们的主体条件
So, our subjective conditions

是哪些方面构成的
is constituted by what

大概可分以下几个方面
It can be divided into the following aspects

一 人品
first, personality

二 学识
second, knowledge

三 游历
third, travel

四 技巧
fourth, skills

这四个方面
these four main aspects

构成了我们的主体条件
formed our main conditions

在感受时起到很大作用
and played a great role in feeling

首先我们看看人品
personality as the main aspect of subjective condition

人品作为主体条件的主要方面
has the greatest influence on individual experience

对感受什么影响最大
depending on their personalities

人的品质不同
people experience very things

所体验到的东西有很大差异
Guo Ruoxu, artist from Northern Song Dynasty

北宋 郭若虚说
Peeking at miracles art piece from ancient times

窃观自古奇迹
most of them are talent scholars

多是轩冕才贤
master live in seclusion

岩穴上士
with study and travel

依仁游艺
absorb the elegance and mystery

探赜钩深
from nature

高雅之情
with noble and glory

一寄于画
force on painting

人品既已高矣
with great personality

气韵不得不高
the “Qiyun”(atmosphere) of painting must be in a high level

气韵既已高矣
with high level “Qiyun” of painting

生动不得不至
the vividness shows up

所谓神之又神而能精焉
that is so-called spiritual expression

元代 杨维桢说
in Yuan dynasty, Weizhen Yang said

画品优劣
The quality of painting

关于人品之高下
is mainly about the personality of artis

清代 王昱说
Qing Dynasty Wang Yu said

学画者 先贵立品
Those who learn to paint

立品之人
should first establish their personality

笔墨外自有一种
Those who establish their personality

正大光明之概
has a kind of righteousness and brightness

否则画虽可观
beside painting

却有一种不正之气
Otherwise, although the painting is considerable

隐跃毫端
it has a kind of unhealthy atmosphere

文如其人 画亦有然
comes out from the edge of brush-ink forms

画是主体思想
Just like writing reflect one’s personality, painting does the same thing

情趣 品格的一种表达
Painting is an expression of

不同品格的人
the subject's thoughts, tastes, and personality

所感受到东西有很大差别
People with different personalities feel very different

因此
therefor

人品作为主体条件的首要因素
personality as one of subject condition

是要着重修养的
it is very important factor in painting

清初诗论家叶燮说
Ye Qing, a poet theorist in the early Qing Dynasty

诗是心声 不可违心而出
Poetry is the voice of the heart

亦不能违心而出
should not against your mind

功名之士
gentleman with great reputation

决不能为泉石淡泊之音
must not be interrupted by noises

轻浮之子
Vulgar person

必不能为敦庞大雅之响
can’t understand the beauty of elegance

故陶潜多素心之语
Therefore, Tao Qian's wrote words of heart

李白有遗世之句
Li Bai left provoking poems

杜甫兴 广厦万间 之愿
Du Fu has will of "Guangsha” (Mansion)

苏轼师 四海弟昆 之言
Su Shi also has words of "Kuns of the Four Seas"

凡如此类 皆应声而出
All such things come out loud

其心如日月
And the mind is like the sun and the moon

其诗如日月之光
the poems are like the light of the sun and the moon

随其光之所至
With the arrival of light

即日月见焉
the sun and moon are visible

故每诗以人见
So poem is seen by people

人又以诗见
and people see themselves in poems

使其人其心不然
with different mind and different understanding

勉强造作
write poem reluctantly

而为欺人欺世之语
pretend to be deceiving words

能欺人欺一时
can deceive one person for a time

决不能欺天下后世
but never deceive the world forever

这段论述十分精辟
This paragraph is very incisive

什么品质的人
with what kind of personality

会出什么样的诗句
it comes out with what kind of poem

这是假不了的
this can not be false

可见
It can be seen that

人的品质作为主体条件的要素
the character of people as the main subject conditions

对感受什么影响很大
has great influence in experience

品格的修养程度
The level of personality cultivation

直接影响着每个个体人的
directly affects the values and aesthetic attitudes

价值观念和审美态度
of each individual

因此注重品德修养
Therefore, focusing on character and personality cultivation

对于我们来说意义非常重大
means significance to us

品格修养这是后天的事情
Character or personality cultivation is an acquired thing

人本天生禀承天地之性
Human beings inherently inherit the nature of nature

具有道德的基本原则
and have basic moral principles

但是这些原则
but these principles

往往潜藏自己的内心
often hide in their own hearts

朱熹说
Zhu Xi said

物莫不有理
Nothing is unreasonable

人莫不有知
no one don’t know it

如孩提之童知爱其亲
For example, a child knows how to love his relatives

及其长也知敬其兄
and his elders know how to respect their brothers

以至于饥则知求食
so that when they ask for food when hungry

渴则知求饮
and want to drink when thirsty

是莫不有知也
it’s all common sense

但所知者止于大略
however, most of them who seeks knowledge ends with rough idea

而不能推致其知以至于极耳
and won’t extant his knowledge to the point of extreme

如果能格物致知
if one is able to extant its knowledge boundary

穷事事物物之妙理
to a extreme high level

内心潜藏的理
the secrets “Li” (method of mind)

也就显示出来
will be revealed

我们生存的环境中
In the environment we live

各种欲望的滋生
the breeding and situation of various desires

和处境不断地发生变化
are constantly changing

使我们心和情感
mind and emotions

会有许多动变
will change a lot with it

如果这种动变不逆道而行
but this kind of upheaval

就不能偏离人生大道
can not go against the “Dao” (path)

如若不能克制制止
if we can’t control it

终将丧失人的天性本初
we will eventually lose the original nature of humanity

因此后天的学养
Therefore, the acquired education

在体道和明理的过程中
in the process of physical and mental reasoning

都是修得求静去浊
what it pursues

返朴归真的本性洞见
is to cultivate quietness

这是人成为人的最高境界
to return to the original insight of humanity

其品质也是最高的
This is the highest level of Self-cultivation

有了这样的品质感受到的东西一定有所不同
With such personality

新柏拉图派的
what you feel must be different

哲学家普洛丁说
Neo-Platonic philosopher

一切人都须先变成神圣的美的
Prodin said

才能观照神和美
All people must first become sacred and beautiful

按中国传统的说法
before they can see God and beauty

唯有圣贤
According to Chinese tradition

才能在事事物物中
only sages

观照到贯通的宇宙之理
can see through the open universe

学识也是构成主体条件的要素
and understand everything’s reason behind

《大学》中讲
Knowledge is also an element of subjective conditions

格物而后知至
in” The Great Learning"

如果事事物物能够格物穷理
Knowledge is acquired through experience

人就可以贯通一切
if things can be rational

感知亊物也会透过表面现象
people can penetrate everything and perceiving things

理出生命秩序
can also see through the appearance of object

这是学识的作用
and understand the order of life

因此感受关键是谁在感受
This is the role of knowledge

一个有学识的人和
Therefore, the key to feeling is who is feeling

一个没有学识的人
Someone who has knowledge and

感受的东西一定不同
someone who has no knowledge

由于他们各自的兴趣点
must feel very different

和价值取向不同
Because of their different interests

感受什么和表达什么
and values

会有很大差别
what they feel and what they express

因此学识作为
would be very different

创作主体条件的因素
Therefore, knowledge as

在感受阶段
a factor of the subject of the creation

起着非常重要的作用
in the feeling stage

明代董其昌说
plays a very important role

画家六法
Ming Dong Qichang said

一气韵生动
The painter's six methods

气韵不可学
the first is about Qi (vividness)

此生而知之
the vividness of Qi can't be learned

自然天授
it’s known in everyone’s life

然也有学得处
it’s naturally gifted

读万卷书
But there is also other part can be learned

行万里路
extensive reading

胸中脱去尘浊
travel

自然丘壑内营
to clear your heart

成立鄞鄂
and form landscape structure inside your mind

随手写出
with structure in mind

皆为山水传神矣
draw it naturally

明代李日华说
all could be spiritual expression

绘事必须多读书
Ming dynasty, Li Rihua said

读书多
Painting requires reading

见古今事变多
With wide reading

不狃狭劣见闻
see how history was developed

自然胸次廓彻
with knowledge accumulation and wide vision

山川灵奇
the landscape structure in mind would be clear

透入性地时一洒落
the wonder and beauty of mountain

何患不臻妙境
would slightly get into one’s heart

清 松年说
will it ever be hard to create wonderful landscape painting

我辈作画
Qing dynasty, Songnian said

必当读书明理
My generation painters

阅历事故
must read widely and understand reason behind

胸中学问既深
go experience the world

画境自然超乎凡众
with deep knowledge inside

我们不仅要多书读书
painting skill will naturally beyond the ordinary

而且还要行万里路
Not only do we have to read more books

深入接触社会
also have to travel thousands of miles

游历大自然
get involved with society

扩大我们人生的经历
travel around in nature

这是主体条件建构的
and expand life experience

主要方面
This is an important aspect

游历能使创作主体
of subject conditions

开阔胸襟 陶冶性情
Traveling

可使创作主体品格得到完善
can broaden the mind of

这是主体条件建构的又一要素
artist

创作主体将会把一生所得
open mind and

灌注在感受某一事物的瞬间
improve the personality of artist

形成艺术感受
This is another factor

捷克诗人里尔克在他的
of the construction of the subject's conditions

《柏列格的随笔》里
The creative subject will infuse what he has gained in life

详细地描述说
into the moment of feeling

一个人早年作的诗
and form artistic feeling

是这般缺乏意义
The Czech poet Rilke described

我们应该毕生期待和采集
in detail in his "Essays of Berger"

如果可能
Poems written in an early age

还要悠长的一生
are so meaningless

然后
we should expect and collect them all our lives

到晚年
if possible

或者可以写出十行好诗
a long life

因为诗并不像大家所想象
then

徒是情感 而是经验
in old age

单要写一句诗
you probably can write ten lines of good poems

我们得要观察过
Because poems are not what everyone imagines

许多城 许多人 许多物
they are only emotions, but not experience

得要认识走兽
To write one line of poem

得要感到鸟儿怎样飞翔
we have to observe many cities, people and things

和知道小花清晨舒展的姿势
you have to know the beast

得要能够回忆许多远路和僻境
feel how the birds fly

意外的邂逅
and know how the little flower stretches out in the morning

眼光望它接近的分离
you have to be able to recall many long distances and remote places

神秘还未启明的童年
unexpected encounters

和容易生气的父母
and look at its close separation

当他给你一件礼物
mysterious and unlighted childhood

而你不明白的时候
and angry parents

和离奇变幻的小孩子的病
when he gives you a gift

和在一间靜穆而紧闭的
and you do not understand

房里度过的日子
with the sickness of the strange child

海滨的清晨和海的自身
and the days spent

和那与星斗齐飞的
in a quiet and tightly closed room

高声呼号的夜间的旅行
the early morning on the beach and the sea herself

而单是这些犹未足
and the night-time journey

还要享受过许多夜不同的狂欢
with the stars

听过妇人产时的呻吟
And these alone are not enough

和堕地便瞑目的婴儿
but also have enjoyed many different carnivals at night

轻微的哭声
heard the woman's groan at birth

还要曾经坐在
and eye-catching baby

临终人的床头和死者的身边
weeping sounds fell to the ground

在那打开的
also sitting on the bedside

外边的声音一阵阵拥进来的房里
of the dying person and the deceased

可是单有记忆犹未足
in the room that was opened

还要能够忘记它们
and the sounds of the outside rushed in

当它们太拥挤的时候
But memory alone is not enough

还要有很大的忍耐
still need to forget them

去期待它们回来
when they are too crowded

因为回忆本身还不是这个
and a lot of patience

必要等到它们
to expect them to return

变成我们的血液
because the memories themselves are not just like this

眼色和姿势了
it is necessary to wait

等到它们没有了名字
until they become our blood

而且不能别于我们自己了
wink and posture

那么
until they have no names

然后可以希望
and cannot be different from us

在极难得的顷刻
thus

在它们当中
you can hope

伸出一句诗的一个字来
in a very rare moment

可见人生的种种经历
among them

成为我们主体条件
a word of poetry is stretched out

在感受事物时
you see, various experiences of life

我们会有非同寻常的体验
become our subjective conditions

其感受到的东西
when we feel things

是艺术家自身
we will have an extraordinary experience

修养 水平 经历
What we feel

在接受外部世界刺激的时候
is the artist's self-cultivation

有一个积极参与的过程
knowledge and experience

因而在感受时
when receiving the stimulation from the outside world

能够按照自身的修养
There is a process of active participation

和水平陶铸万物
Therefore, when you feel

萌发出感受的具体内容
you can make everything

技巧是将主观经验的东西
according to your own cultivation and knowledge

形成艺术品的中介
and germinate the specific content according to feelings

它是将种种形上的体验
Techniques is the intermediary of the subjective experience

落实为具体的形式
to form the artwork

技巧在落实心理世界时
it is to implement all kinds of physical experience

许多有价值的东西
into forms

也转化为经验
In the implementation of the mental world

这种经验也构成了一种
many valuable things

心理准备
are also transformed into experience

因此观物时
This experience also formed a kind of

由于有了特殊的经验
psychological preparation

也具备了特殊的眼光
therefore, when viewing objects

比如
due to the special experience

对色彩或质地趣味的感受
and special vision

来自于釆用色彩与质地
such as

表达情感过程的艺术体验
the interesting feeling of texture and color

这些带有技巧因素的心理准备
comes from the artistic experience

在感受时将起着一定作用
of expressing emotional processes with color and texture

越是专业性较强的体验
These psychological preparations with technical factors

受技巧经验的影响也越大
play an important role in feeling

比如
The more professional experience

中国画笔墨形式表达的
the greater the impact of technical experience

技巧经验
For example

影响着
the skills and experience

从事中国画创作的人
of Chinese brush and ink form expression

在观物时的感受
affect

这与西画产生了很大差别
the feelings of people engaged in Chinese painting

这除了艺术观念的差异外
when observing objects

技巧表达方式转化为
it is very different from Western painting

经验的不同
besides the differences in artistic concepts

对我们感受世界
the transformation of expressions techniques

带来的影响是很大的
into different experiences has great impact

因此
so

中国画家
Chinese painters

见五彩缤纷的大自然
who have seen the great nature

都转换为笔墨关系就是例证
all transform landscape into brush and ink relationship

如果对笔墨技巧没有认知
without understanding of brush and ink

也无法完成这种转换
it's impossible to make such brush and ink relationships

同学们
fellows

什么是艺术感受这一讲
in this course

我们介绍了艺术感受的概念
we have introduced the concept of artistic sense

也讲了创作主体条件
and also talked about the influence from subject

对感受的影响
and experience

并着重对感受影响很大的
and special introduced the creative subject conditions

主体条件的几个方面
of subjective conditions that greatly affect feelings

人品
personality

学识
knowledge

游历
travel

技巧
skill

作了些讲述
with these lecture content

这些都是提高我们感受力
these all for aesthetic sense improvement

和感受层面的理性思考
with rational and subjective thinking

如果我们知道了
if we know

感受高低和雅俗的原因
the reason of elegance and vulgarity

那么我们也就知道了
then we know

如何做才能提高
how to improve