问题讨论在线视频

那个刚才我们画了一张画
We just drew a painting

然后也讲述了一些内容
Then also told some content

恐怕还有很多这个同学有疑问
I'm afraid there are still many questions

那么咱们用点时间 咱们来个互动
So let's take some time, let's have an interaction

同学们有问题可以提问题
Students can ask questions if they have

然后看看咱们交流一下
Then let's have a look

能不能把问题搞清楚
Can you clarify the problem

现在谁有问题
questions

老师 我有个问题是
Teacher, I have a question

你讲的形态结构就是构图吗
Is the morphological structure you are talking about composition?

形态结构还不完全和构图完全一致
The form structure is not completely consistent with the composition

形态结构里包括构图
form structure includes composition

形态结构要关注这个形态基本的元素
Pay attention to the basic elements of this form

比如说点 线 面 体
For example, point, line, polygon

以及点 线 面 体表现性
And expressiveness of dots, lines, flat

同时还要关注
Also pay attention to

点 线 面 体的组合的一般规律
The general law of the combination of point, line and flat

构图可能没有涉及到
The composition may not involve

它这个绘画元素的本身的研究
Its own study of the painting element

所以说你问的问题它们差距就在这
So the difference between the questions you ask is this

好 谢谢老师
Ok thank you teacher

还有谁有问题
any others

老师 我想问一下
teacher, may I ask

那个艺术形象是怎样诞生的呢
How was that artistic form was created

这个问题
this question

艺术形象肯定不是你简单的观物的
Art image is definitely not your simple observation

一个客观现象
An objective phenomenon

这个形象应该是你受到外界刺激
This image should be that you are stimulated by the outside world

然后在心里头有个反应
Then there was a reaction in my heart

有个心理反应
with psychological reaction

这个心理反应
such psychological reaction

就是有了一个融入和筛选的过程
There is a process of integration and selection

符合你的爱好和审美要求的
Meet your hobby and aesthetic requirements

这个东西就会得到放大
This thing will be enlarged

甚至得到重新的组合
Even get regrouped

不符合你的审美要求的
Does not meet your aesthetic requirements

基本上你可以视而不见
Basically you can ignore it

这不是你眼睛视而不见
It's not that your eyes are blind

虽然看到了 在心里头留不下来
Although I saw it, couldn't keep it in heart

那么这种在心里头
Then within heart

形成了一个观物以后
turn into a form

在心里融入以后就形成了一种形式
It forms a form after being absorbed in the heart

这种形式我们一般习惯管它叫意象
We usually call it imagery in this form

叫内在的心理结构
Inner mental structure

我们把内在的心理结构
We put the inner psychological structure

这种意象反映在纸面上
on paper

就变成了我们现在这样一个艺术形象
Becomes an artistic image like us now

你这个问题是不是很清楚
is that clear now

好 谢谢老师
OK thank you

那么还有谁有问题
any others

老师请问什么是视觉力
Teacher, what is visual power

视觉力在画面上起什么作用呢
What role does visual power play on the painting

你提这个视觉力很好
good question

我们这个绘画的表现的基本内容
The basic content of painting

就是视觉力符合的运用的问题
It’s the issue of the use of visual power

视觉力是创造生命感的
Visual power creates a sense of life

最主要的一个这个视觉要素
The most important visual element

我们看这个形有没有运动感
Let’s see if this shape has a sense of movement

看几组形它们之间的组合
Look at the combination of several groups of shapes

有没有运动趋势
Are there any sports trends

这是视觉力
this is visual power

视觉力不是物理力
Visual power is not physical force

物理力是它能够真实的运动
Physical force is its ability to move in real

我们的视觉力是不能运动的
visual power cannot be moved

但是我们看上去好像是在运动
But it looks to be moving

所以说康定斯基给它理论一个界定
So Kandinsky gave its theory a definition

视觉力就是一种倾向性的力
Visual power is a tendency

这个其实表述很清楚
This is actually very clear

就我们这个形
the form here

我们这个点 线 面
This point, line, surface

我们这个组合
such combination

看上去具有倾向性的力
Seemingly biased force

这就是视觉力
this is visual power

它在画面上能起到使你的画面
It can play a role in making painting

能够鲜活起来 运动起来
Can be alive and full of movement

这个画面就怕静止
it's terrible when stuck

然后如果静止就是没有生命感
Then if still, there is no sense of life

那没有生命感的话就死境一般
If there is no sense of life, it will be dead

然后没有鲜活的感觉
Then there is no sense of life

没有生命的冲击力
Lifeless impact

现在我们之所以我们画面
The reason why we now painting

有气感在里头流动 有运动性
There is a sense of breath flowing in it, moving around

那么都是跟这个视觉力有关系
Then it's all related to this visual power

比如说这张画
For example, this painting

这张画的白 这么大块白
This painting is so white

几个线的运动方向
The direction of movement of several lines

就已经给你一个运动趋向了
Has already given you a movement trend

然后还有和它相互纵横的
And then there are cross-cutting with it

小的 细的白线
Small thin white line

形成了一种对抗
Formed a confrontation

这种对抗就造成了一种视觉的矛盾
such confrontation created a contradiction

这个矛盾就有一个主要的一个去向
this contradiction has a main direction

还有一个次要的趋向来遏制它
it needs a tension to control it

那么这种视觉张力就出现了
then the visual tension shows

然后它的运动感也出现了
and so as the sense of movement

因为它有个总体的运动趋势
Because it has a main movement trend

这就是视觉力的重要性
This is the importance of vision

你的问题应该是这样
so this is for your question

谢谢老师
thanks teacher

还有谁有问题
other questions

老师我有一个问题问你
I got one

就是如何借用物象来表达
how to borrow objects to express

造型与结构的关系
The relationship between shape and structure

我们画面这些物象
These objects

这个是从客观实际借过来
This is borrowed from objective reality

这个借用客观外物的现象
borrowing objective objects

那么走进我们画面
in painting

就已经不是纯粹的客观存在了
It's no longer a purely objective existence

它已经变化成为一种符号了
It has changed into a symbol

变化成什么符号呢
into what symbol

变化成为视觉符号
becomes a visual symbol

那么这个视觉符号
so this visual symbol

它的组合受我们主观情感影响
its combination is affected by our subjective emotions

这个主观情感需要它粗 需要它细
This subjective emotion needs to be coarse and fine

需要它多长 需要它多么密集
How long it needs to be, how dense it needs to be

需要它是一个什么样的一个质地
and what kind texture it needs

多么重 多么浅
intense or light

这都得在感情的驱使下
It's all driven by emotion

然后使我们这个视觉符号
Then this visual symbol

这个能够很好的把我们内心渴望的
This can well bring what we desire in our hearts

那种这个心理结构转换出来
The psychological structure is transformed

转换出来我们这个中国画
Convert out our Chinese painting

又是这样一个是与不是之间的
It's another one between yes and no

这么一个选择 这么一个造型观
Such a choice, such a styling view

所以说我们肯定
so for sure

不是画一个绝对抽象的东西
Not to paint something absolutely abstract

那如果画一个绝对抽象的东西
If you draw something absolutely abstract

它可以不借用物象
It can not borrow objects

但是现在
but now

我们追求是妙在是与不是之间
Our pursuit is the magic between to be or not to be

那么我们就得借用一些物象
Then we have to borrow some objects

来完成我们内在的心理结构
To complete our inner psychological structure

有些时候这个结构是很抽象的
Sometimes this structure is very abstract

你比如说疏密问题 刚柔问题
For example, the problem of density, rigidity and flexibility

聚散开合问题
Gathering, opening and closing

这都是很抽象的问题
These are very abstract questions

但是这些抽象的问题
but these problems

你抽象的表达是比较直接 可以
abstract expression is more direct

可是中国绘画它选择妙在是与不是
But Chinese painting chooses whether it’s wonderful or not

就是说我们抽象的表达
That is to say our abstract expression

得借用客观现实的景物 具体的物象
We have to borrow objective and realistic scenes and concrete objects

来完成这些抽象表达
To complete these abstract expressions

这个是这样
this is it

谢谢老师
thank you

就是老师您所讲的有机性
It’s the organicity you talk about

指的是画面笔墨的丰富性吗
Does it mean the richness of the painting?

有机性 您请坐
take a sit please

有机性是一个很大的一个问题
Organicity is a big problem

我们这个生命体的创造
The creation of our living body

它的最大的特点就是有机协调性
Its biggest feature is organic coordination

怎么一个有机协调性呢
How an organic coordination

就是任何的一种元素
Is any element

在我们的画面里头
In our painting

你不能强的过分了 也不能弱的过分
You can't be too strong nor too weak

你得适中
in the middle

你这适中的表达
Your modest expression

就是完成气韵生动的最基本的条件
It is the most basic condition to complete the vitality

你过分强调某一处
You overemphasize a certain place

都会破坏整体的气韵
Will destroy the whole spirit

所以说你这个我们还不是一个同一性
So it is not the same

你比如说我们同样的物体
for example, same object

在一个画面呈现
in same painting

它最容易协调
It is the easiest to coordinate

相对的因素一放进去它就不容易协调
Once relative factors are put in, it is not easy to coordinate

那你怎么办
then how

你就得
you have to

考虑好既有它那个变化的可能性
Consider the possibility of changes

然后你还能够把它协调起来
And then you can coordinate it

那么协调起来就有很多手段了
Then there are many ways to coordinate

比如说主次关系能够协调
For example, the primary and secondary relationship can be coordinated

你中有我 我中有你
You have me I have you

黑中有白 白中有黑
White in black and black in white

这都容易协调
It's easy to coordinate

比如说你这个形象
For example, this form

这一部分画得很混沌
This part is very chaotic

那么你这个地方要画得很紧张
Then you have to paint this place very nervously

你就得和混沌的地方得有协调性
You have to be in harmony with the chaos

你不能这一带画得非常混乱
You can't paint this area very messy

这一带画得非常紧
This area is very tightly drawn

它就产生割裂感
It creates a sense of fragmentation

所以说就得
so

画得紧张这一部分
Draw this part nervously

就得有小的混沌在里掺和进去
There must be a small chaos mixed in

然后特别混沌的地方
Then the place is particularly chaotic

还有某些呈现
and some other

这样的话互相之间
between them

就是这么融合在一起
Just like that

形成一个完整的气韵
Form a complete Qiyun

这也是我们中国画的一个根本要求
This is also a fundamental requirement of our Chinese painting

最大的要求 气韵生动
The greatest requirement is vivid

不能想到有机性的处理
Can't think of organic treatment

那么你的气韵生动是永远达不到的
Then the vividness will never be achieved