当前课程知识点:山水写生 > 第三章 写生实践(一) 提炼与概括 > 提炼与概括的含义 > 提炼与概括的含义
同学们好
hello, everyone
这一讲我们来探讨
in this lecture, we’ll talk about
提炼与概括的问题
method of refinement and generalization
用怎样的方法
and how to express
来表达个人感受
individual feelings
这是很难讲的
It’s hard to say
因为现成的表达方法是没有的
Because there is no ready-made method
表达方法是每个艺术家创造出来的
it has to be created
历史上每一位大师
Every master in history
都有表达自己特殊感受的方法
has a method of expression in his own way
后人只能借鉴而不能照搬
and future generations can only learn from it
即便你与前人感受相近
but not copy it
照搬也不能完成
Even if you have similar feelings as previous artists
自我独特感受的特别表达
but copying other style won’t help
大师的感受与表达
in unique expression development
依照个别事物之理时
This is undesirable
也必须依照众理
Old master's experience and expression
一定是众理的具体体现
also has to be in accordance
才可被大众广泛接受
with the principles and individual situations
所以我们找出一些
it could be widely accepted by the public
普遍规律性的东西
So, we need find something that
也就是我们可以学习的东西
is universally or regular
绘画表达的普遍方法
that is what we can learn
是将绘画基本元素
The general method of expression
依照主体的审美理想
is to organize the basic elements of painting
进行有机的组织
according to the subject's aesthetic ideal
这种方法通过学习可以获得
it can be obtained through practice
绘画元素表现性
The general rules
与组织规律
of the painting
从来就没有改变过
have never changed
大师们在表达独特感受时
When expressing unique feelings
采用了与此相对应的特殊方法
the masters always chose special method
这种特殊的方法
Such special methods
也必然呈现出
also show
普遍的组织规律来
the general rules within it
黄宾虹的画大家看过很多
Everyone has seen Huang Binhong's paintings
他的表达方法很特别
and his style is very special
后人只能通过观看获得启示
Now we can only obtain inspiration through observing
而不能学着画
but not follow his style to paint
黄宾虹感受的是
What Huang Binhong felt
大千世界的生命律动和节奏感
is the rhythm of life and nature
他已超越物理世界的束缚
He has surpassed the physical world
也超越了古人的表现方法
and the expression methods of ancient artists
创造了一种
He has created
浑厚华滋 的艺术境界
an artistic realm of "thickness and richness"
完成了形而上的充分表达
and has reach the hierarchy of metaphysical expression
再看塞尚的画
Let’s take a look at Cezanne's painting
塞尚在大自然中
he observed regular structure
观察到了有规则的结构
and patterns with changing rhythm in nature
及不断变化的节奏图式
which he believed to be
他认为这是自然界的
the internal order of nature
内在秩序
Therefore, he rarely depicts accidental phenomena
因此他很少描绘偶然现象
Everything in his painting
他画面中的一切
symbolizes the eternal existence of essence
都象征着本质的永恒的存在
His paintings always give people
他的画总给人一种
sense of strict structure, realness
结构严整 实实在在
like forged metal
犹如金属锻造般的感觉
Van Gogh's landscape paintings
凡·高画风景
are covered with long and short lines
运用长长短短的线布满画面
which is how he expresses
这是他表达
his feeling
在阳光中沐浴的感觉
and experience under the sun
和内在心境
His color choice is very bright
他的色彩运用非常明亮
it reflects his love and pursuit of brightness
体现出他内心
In Van Gogh's point of view
对明亮色彩的喜爱与追求
such expression is just right on the point
在凡·高看来
it is the only option
这样的表达才恰到好处
Most of master works are very classic
大师的作品都非常经典
leaving deep impression on us
给我们留下了深刻的印象
No matter the uniqueness of their feelings
无论他们感受的独特性
or the sufficiency of expression
还是表达的充分程度
they have a great influence on later generations
对后人的影响都很大
which is also the main reason why
这也是他们成为
they become influential painters
有影响力的画家的主要原因
However, none of their methods can be imitated
但他们的方法都不可模仿
because it is only suitable
因为那只适合
for expressing their own
表达他们自身的感受
express others feelings
我们模仿了
If we imitate them
也只能表达他们的感受
we can only express their feelings
而不是自己的
instead of our own
从这个意义上讲
from a sense
我们要有自己
we need have own feelings
独立的精神追求
and independent spirit pursuit
和真实感受
and true experience
才能真正找到
in order to turly find
自己的表达方法
their own expression method
个别的方法虽然特别
Although individual methods are special
但其中也蕴含着
but there is also
普遍的规律
general rules
下面我们就来讨探一下
Next, let's discuss
个别方法中存在的
that exists in individual methods
能够相互沟通
that can communicate and understand between each other
彼此理解的共性
understand the generality between them
即绘画表现之理
which is the method of painting expression
(这一讲)我们探讨的是
In this lecture, what we discuss is
从生活到画面的重要环节
important link from life to painting
提炼与概括
Refinement and generalization
提炼与概括的含义是这样
the meaning of refinement and generalization is
所谓提炼
The so-called refining
是透过纷繁杂乱的生活现象
through the complicated phenomenon
提取自己感兴趣的东西
to extract the thing you interested
并重点刻画
and highlight that part
减弱和略去那些次要的
and ignore the insignificant parts
无关紧要的东西
the insignificant parts
下面来对比看一下
Let's compare these
两幅实景照片和两幅写生作品
two photos and the landscape sketching
同学们很容易就看出
it’s easily to tell
画面要表达的内容
what this painting is about
而且一眼就能盯上了
it's easy to find
那些集中精力用笔墨表达的地方
where were put more effort on it
整体去看
overall
那些简和虚的地方
the simple and void places
正是由于有了这些
just because of this
简化地方的对比
the comparison of these simplified places
才使那些要突出表达的地方
to make the important part
更显著
more prominent
所谓概括
the so-called generalization
是对画面形式的整体把握
is the over-all control of painting
细节不应该孤立存在
detail should not be isolated
而应该服从于整体感受
and should work with entire feeling of painting
从某种意义上讲
from a sense
物象轮廓
the shape of forms
是概括的第一要素
is the first element of generalization
这是形体轮廓整体把握的
this is typical example of
典型例子
overall shape consideration
轮廓之内的变化
changes within shape
不能影响整体造型的感觉
should not influence the over-all feeling
是概括的第二要素
the second element is
前面我们已经讲过
we have talked before
把感受落实到画面上
when come to painting
是提炼与概括的结果
the result of refining and generalization
如果仅是客观模仿
not simply imitation
而没有取舍
without choice
像照片一样
just like photo
不知如何提炼
without refining and generalization
这种绘画即是没有感受的
it will be lack of sense of life in painting
概括与提炼紧密相联
Generalization and refining are closely linked
也是绘画表现过程中的
in the process of painting making
基本手法
that's basic method
可以把我们感受的内容
it could highlight what we experience
明确表达出来
and clearly express
概括的目的
The purpose of generalization
是通过简化手段
through simplified method
突出我们想要呈现的内容
to present what we want to express
下面是写生示范
here is demonstration
-何谓艺术感受
--何谓艺术感受
--随堂作业
-主体条件对感受的影响
--随堂作业
-山水写生内容
--山水写生内容
--随堂作业
-视觉表达形式
--视觉形式表达
--随堂作业
-提炼与概括的含义
--提炼与概括的含义
--随堂作业
-写生示范
--写生示范
-作业点评
--作业点评
-形态结构
--形态结构
--随堂作业
-形态表现案例
--形态表现案例
--案例讨论
-作业点评
--作业点评
-形色结构
--形色结构
--随堂作业
-作业点评
--作业点评
-随堂作业
-形质结构
--形质结构
--随堂作业
-质地表现常见问题
--常见的问题
-中国画空间表现
--中国画空间表现
-作业点评
--作业点评
-随堂作业
-相对因素对比与协调的画面组织
--随堂作业
-作业点评
--作业点评
-平衡
--平衡
-运动
--运动
--随堂作业
-视觉力的变化与均衡
-作业点评
--作业点评
-画面节奏感的表达
--画面节奏感的表达
--随堂作业
-作业点评
--作业点评
-笔墨问题
--笔墨问题
-问题讨论
--问题讨论
-课程总结
--课程总结