当前课程知识点:山水写生 > 第四章 写生实践(二) 形态结构 > 形态表现案例 > 形态表现案例
形态表现的案例
Study the cases of the form expression
是深入了解形态表现的一种手段
is a way of form expression study
现实生活中不会有现成的画面
There will be no ready-made pictures in life
写生如果客观地再现
If sketches are reproduced objectively
就是没有提炼
they are not refined
我们的美感
Our sense of beauty
常常在杂乱的生活现象中
often could be found
找到它的对应物
by its counterpart in the life phenomenon
这些可视的对应物
These visual counterparts
有时是单独的一物象
are sometimes a single object
有时是多物象组合一种形态
and sometimes a form composed of multiple objects
它是一个有序的生命体
It is an orderly living body
是一个有节奏的组织形式
and a rhythmic organizational form
当我们把这一对应物
When we put this counterpart form
放到画面里的时候
in painting
就会呈现出一个
it will present
形态组织样式
a form organization style
这种样式的不断调整
The continuous adjustment of this style
就是我们的绘画过程
is the painting process
为了清楚了解这里面的奥妙
In order to clearly understand the mystery inside
我们先看几幅
let’s first take a look at
毕加索的绘画作品
Picasso paintings
也许会对大家有所启示
which may have some inspiration for us
毕加索通过体积不同形状
through the changes in volume with different shapes
不同大小的变化
and sizes
看到形态组合的
Picasso sees the complex
繁简 疏密变化
and sparse changes in the combination of forms
尽管还保留了某些物象特征
Although some character of object are still preserved
但审美追求已经十分鲜明
but the aesthetic pursuit is very clear
那是由体积和色彩结构关系
which is a kind of beautiful taste
呈现出来的一种美的趣味
presented by the relationship between volume and color structure.
毕加索以提琴为素材
Picasso uses the violin as the subject
画面以直线形为主
painting is mainly opened with straight line
曲线形为辅
and few curves around
黑白 色彩 质地变化
Such expression is made with color and texture combination
丰富而有秩序
rich and orderly
线条与面积
line and form
对比产生别样的视觉样式
with contrast, it gives us a special visual experience
这是特殊美感体验的一种表现
it is a expression with certain aesthetic experience
在现实中
In reality
提琴不会给我们带来这种观感
violin will not bring us this kind of perception
这是毕加索的审美趣味
This is the expression of Picasso's aesthetic taste
通过绘画语言的表述
through painting language
这种表述
such expression
主要依赖于形态组织构成
mainly depends on morphological organization
我们再来赏析一下
Let's take a closer look at
毕加索的人物作品
Picasso's figure paintings
由体积大小 聚散变化
by the change of volume and convergence
建立有序的画面
the painting is an orderly created
这是一种特殊的美感
This is a special aesthetic experience
这种美感的转换
The transformation of this aesthetic sense
也是借体积的组织来传达的
is also conveyed by the organization of volume
他还有些随意画的
He also has some sketches
黑白小画
small black and white paintings
寥寥几笔
with very few strokes
流露出他的绘画追求
it reveals his pursuit in painting
这是线面的结构关系
the structural relationship between line and form
与黑白相涵
and black and white relationship
来呈现的审美趣味
in order to represent the aesthetic interest
这是形态组织秩序带来的结果
This is the result of the morphological order
形态因素
Form factors
有时可以直接借助客观物象
can sometimes directly rely on objective objects
有时则需要创造
sometimes they need to be created
龚贤这幅《汉阳行舟》图
Gong Xian's "Hanyang Boat"
这其中枯树作为线的结构
The structure of trees as lines element
是容易看到的
is easy to be seen
可是与这些树
but the horizontal lines
有着纵横关系的横线
that have a vertical and horizontal relationship with these trees
则是龚贤创造出来的
were created by Gong Xian
他首先应当有这种意识
He should have such consciousness first
然后才能寻找
and then he could search for the
与这条横线有关的
life phenomenon
生活现象
related to this horizontal line
能够直接借用固然很好
It is good if could be borrowed from nature directly
借用不上则需要创造
if not, then you would have to create
这张画是通过
In this painting
云雾压出一条横向的线
a horizontal line is pressed through cloud
这条线感觉是
This line feels like
云雾遮蔽下
a part of the object
露出的部分有相物体
exposed under the cloud
非常自然
It is very natural
既完成了纵横的对比
It completes the vertical and horizontal contrast
又不感觉生硬
and does not feel stiff
这就是形态表现上的
This is the ingenuity
匠心所在
of the form expression
大师绘画的完美性
The perfection of master paintings
都含有作者艰辛的劳动
includes the hard work from artist
因此好画都比生活现象
therefor, good paintings are beautiful and pure
更美 更纯粹 意蕴更深厚
than life phenomena, and have a deeper meaning
虚谷所画的《西瓜果品》
"Watermelon " which was painted by Xu Gu
在现实生活中
In real life
我们容易看到的形
the shape that we can easily see
是西瓜的三角形
is the triangle of watermelon pieces
不容易看到的形
and what not so easy to see
是柿子和叶子构成的
is a set of changeable complex shapes
一组多变的复杂形
composed of persimmons and leaves
没有形态意识
Without consciousness of form
是不会把叶子
one would not recognize leaves
作为一个平面形来认识的
as a flat form
这幅画的主要旨趣
The main purpose of this painting
是通过两个不同质地形的对比
is to convey a wonderful interest
来传达一种妙趣
through the contrast of two different texture
这是虚谷给我们带来的
This is the visual experience
视觉体验
that Xu Gu brings to us
生活中到处存在着审美因素
There are aesthetic factors everywhere in life
我们能够发现它
we find it
就有机会表现它
and express it
反之则是无意图的被动地画
otherwise it is passive painting without intention
对类似这些形态因素的捕捉
With understanding
有所认识
of morphological factors like these
则会提高审美敏感性
will increase aesthetic sensitivity
和运用形态因素
and the ability to use morphological factors
构成画面的能力
to compose painting
这就是我们研究的意义
This is the significance of our study and research
-何谓艺术感受
--何谓艺术感受
--随堂作业
-主体条件对感受的影响
--随堂作业
-山水写生内容
--山水写生内容
--随堂作业
-视觉表达形式
--视觉形式表达
--随堂作业
-提炼与概括的含义
--提炼与概括的含义
--随堂作业
-写生示范
--写生示范
-作业点评
--作业点评
-形态结构
--形态结构
--随堂作业
-形态表现案例
--形态表现案例
--案例讨论
-作业点评
--作业点评
-形色结构
--形色结构
--随堂作业
-作业点评
--作业点评
-随堂作业
-形质结构
--形质结构
--随堂作业
-质地表现常见问题
--常见的问题
-中国画空间表现
--中国画空间表现
-作业点评
--作业点评
-随堂作业
-相对因素对比与协调的画面组织
--随堂作业
-作业点评
--作业点评
-平衡
--平衡
-运动
--运动
--随堂作业
-视觉力的变化与均衡
-作业点评
--作业点评
-画面节奏感的表达
--画面节奏感的表达
--随堂作业
-作业点评
--作业点评
-笔墨问题
--笔墨问题
-问题讨论
--问题讨论
-课程总结
--课程总结