当前课程知识点:山水画技法 > 第六节 笔墨训练方法之四树干及点叶法 > 2.树干及点叶作业点评 > Video
同学们好
Hello students
那么我们
well
经过一周的训练
After a week of training
同学们在树干和点叶上
our students have made many practice
有很多作业
on trunk and leaves drawing
这节做个点评
for today course, let’s have a critique
那么我挑出几个层面的
I’ll pick out several levels works
比较有代表性的一些作品
Some more representative works
一个是控笔能力这个方面
One is the aspect of brush control
我们会容易出现普遍的问题
with common problems
用墨出现的问题
and problems in ink using
然后笔势 笔势关系
Then gestures
加上我们同学
and also I’ll pick some excellent works
完成比较好的作品
some better finished works
进行一些点评
to do group critique
那么画树干
in trunk drawing
还是三点要求
Still three tips
就是我们的控笔能力
the brush control ability
我们的线条质量
line quality
能不能达到
whether able to achieve
也是在训练线条的质量
in training of lines
各种鱼鳞皴
different type of Cun technique training such as “Scale” style
各种短线皴
and other short line stroke style
包括我们的点叶
including dot leave drawing
点得是不是有功力
is it powerful
有力度
is the power thoroughly expressed
我们的墨色是不是有变化
is the color of ink in different shade
是不是都这样灰
or all that grey
这个线条的组合
The combination of this line
我们那个组合
or other organization
现在优秀的作品
in these excellent works
外边勾勒以线造型
both outline the shape
线条内部的组合都非常好
and strokes inside are well organized
这点形都非常好
the dots here are in beautiful shape
那我还是从这几个方面来
Then I still come back from these aspects
像这样初学
Beginner like this
我们从零起点的同学
students who just start
在处理树干的时候
always meet a problem
首先他会遇到一个问题
when handling the trunk drawing
这个问题就是
which is
中国画以线造型的理解
the understanding of line forming in Chinese paintings
和能力
and brush-ink expression ability
这个能力建设也很重要
this ability is significant
怎么穿插
how to intersperse
它不是一个扁平的
It is not a flat shape
是很有立体的
It is very three-dimensional feeling
很有生机 有扭动的
Very lively, full of movement
有生态的 鲜活的
with vivid life
意态的才能出来
then you can create the tension from it
是通过线条的穿插来造型
It is formed by the interspersed lines
不像西方的素描
Unlike Western sketches
画出一个很有扭动
we are looking forward to draw
很有生命力的
a lively art form
我们靠线条就能表达出来
that relied on lines and strokes
这个线条
such like this
所以说就要求我们
so we say
线条得有质量
the line needs quality in it
这是比较典型的
here are some more typical works
线条没有质量
lack of quality in line drawing
我们线条没有质量的
when compare these two
和我们线条有质量的
type of lines
相比较
it’s easy to see difference between them
差距还是比较大
big difference
你像这个线条的质量
like the quality of this line
都非常好
very good
墨色变化也很好
The ink color changes very well
各线条的质量
the quality of each line
这个质量
this quality
包括鱼鳞皴的皴法
including scale Cun
这质量都很好
they all require high quality in line drawing
那么相对这个松树
about the pine tree drawing
和这个松树
and the line we choose
线条的质量
in pine tree drawing
它的差距就那么大
there is big gap
有力度 充分 清楚
the tension, strength
结构清楚
and clear structure
这就浑沌 软弱了
this one is kind of weak
这个模糊
and vague
这就不是
this one isn’t
我们要追求的效果了
the effect one what we pursuit
所以说我们的线条
so we say the line
要有力度
needs strength and tension
我们的线条没有力度
without tension inside
就会这样
it could turn into like this
我们那个点
if the dots we draw
点叶没有质量
lack of quality
我们点就没有点形
the shape will be vague and uncertain
我们有点形的是哪些呢
which dots are better
我们看那个点形
look at the shape of those dots
点形非常漂亮
beautiful
也有墨色变化
also have color changes
这个墨色
the ink color or ink appearance
又是一个很大的问题
is another big topic
我们没有墨色就是这样
here is a opposite example
非常简单
too simple
也毫无生机
lack of vividness
死黑一片
Dead black
所以说墨色生发也很重要
so it’s important to pay attention of ink appearance
如果我们要点叶
if we want to make dot leaves
一片黑的一个外形
a form
外轮廓
of black
没有这种干湿氤氲的效果
There is no such wet and dry effect
这里头没有生机
There is no sense of life here.
我们只有一个外形
only left a shape
那是没有用的
that would be useless
我们的形的内部
what we pursue is a form with
一定要充满生机
lively
有鲜活生命感
fresh sense of life inside
这才我们的墨色变化的
this is the internal requirement
内在要求
of ink appearance changing
我们在今后的训练的日子里
We will practice more in future training
要注意用线的质量
In order to pay attention to the quality of the line
墨色变化
the change of ink appearance
然后尤其是在
especially at
点叶的组织态势上
The organizational tendency of the leaf
这是有内在结构的
This is an internal structure
所以说我们这个线条
So let's say this line
同样长
Same length
距离都一样
same distance
没有疏密的
neither have dense difference
内在结构的变化
nor the internal changes
也没有长短变化
there is no position movement
也没有纵横穿插
There is also no vertical and horizontal insertion
都是平行的
they are all parallel
这个距离远近都差不多
This distance is almost the same
这都失去了点叶的
then it lost all
组织势态
tendency in organization
这个组织都比较分散
the whole construction is loose
所以说这个点叶
so this dot leaves
虽然它没有像其他
Although it is not like other
别的那么难度大
that difficult to study
但是点叶的内在结构
but the internal structure
疏密的组织
the organization
浓淡的变化
and ink appearance
要求也是很高的
isn’t as simple as it looks
留点时间我们给同学们
for next
和同学们做一个互动
it’s the Q&A section
看看我们在树干
let’s see
和点叶练习当中
if there’s still questions
还有存在什么问题
during our practice in trunk and leaves drawing
我们可以交流一下
we can exchange opinions
谁有问题
any questions
老师我想请问一下
May I ask
怎么样能够
how can I
就是在画树干形态的同时
resolve the problem with the brush operation
还能兼顾到用笔的问题
while pay attention of the trunk shape
你这问题很好
good question
我们要回答
what we actually need to answer is
就是我们画树
when we drawing a tree
是画一个真正的松树吗
are we actually drawing a tree?
肯定是否定的
the answer is definitely negative
我们是借用
we are using
借用这种南方的树种
the form of this southern tree
然后它能出现横的皴笔
Then it can appear horizontally brush stroke
我们那个线条
the line we are using
这种长与短 疏与密
in different length, dense
纵横穿插这个效果
with certain organization to create this effect
这是线条传达出来的美
This is the beauty from the line itself
不是因为这个树本身
instead of the tree itself
给我们的美
that where the beauty we created came from
但我们得借用
but we still have to use the form of it
比如说我们借用松树
For example, we borrow the form of pine trees
三棵树的摆放
the placement of these three trees
在自然环境当中
In the natural environment
很有可能
probably
这三棵树有美好的姿态
These three trees already have a beautiful posture
这就给我们了一个
it gives us
借用了一个
a great example
最好的一个条件
in great condition
如果三棵树很分散
if they are too separated
距离很平均
and separated in similar distance
那在我们主观的
Then under influence of o
情感作用下
our subjective emotion
也可以把这三棵树
can also put these three trees
作为这种表达
as a way of expression
这就是三棵树
here are three trees
作为三条线来考虑
Consider as three lines
有疏有密 有直有曲
There are secrets and dense
作为造型
as a styling
通过我们的穿插
through interspersed organization
造型通过以线造型
and line modeling
那么造型的起伏
the undulations of the shape
反转的关系
the rotation movement
扭动的关系就出现了
and twisted relationship has appeared
加上皴法 鱼鳞皴法
with technique of scales Cun style
我们似乎在画松树
it seems that we are drawing a pine tree
其实是在画笔墨的自律性
however, it’s actually the self-discipline of the brush ink
有了这种密集的线条
With such dense line
和长线 短线
long lines, short lines
有了这种疏朗的线条
sloppy lines
和密集的横线的皴法
and the method of intensive horizontal lines
有了这种
with such
笔墨的干淡的
dry and light ink
那个松毛的皴
and by using fluffy style Cun technique such as “Niumao” style
和这个实的线
and solid line like here
这个虚实的变化
The change between void and solid
它自身给我们那个
and the aesthetic intuition
审美直觉
from itself
带来一种非常奇妙的感觉
brings us a very wonderful feeling and experience
我们这个点叶点得好
here is a very good dot leaf making at this point
我们有这样一个形象
in such art form
可是我们那墨点的时候
but at the time when we are making ink dots
不是平板一块
it’s unlike a flat panel
又那么光怪陆离的变化
or that strange
这是非常鲜活的
it should be a very lively
一看就是一个生命体
art form at the first glance
这就是我们笔墨带来的
This is what brings out from our brush and ink
不是别的带来的
not from any where else
我们的叶子
the leaves we draw
完全可以画成真叶
Can be as real as true leaves
可是它不是
but it’s not
我们中国的表达
it’s the expression in Chinese painting
中国人的表达
it is the Chinese art way
就通过浓淡干湿
through wet and dry
通过用笔
through brush operation
就能把这种生命
we can reshape or reform
塑造得非常好
the form of life very well
非常鲜活
even more vividly
非常有节奏感
with aesthetic rhythm
非常有趣味
with taste and interesting
非常有概括性
draw it very general
这就是造型
that is the art of forming
我们有造型
with such concept of forming
我们借的是物理形
we are borrowing the shape in physical world
我们造的是笔墨之形
to create the form from brush-ink
笔墨形态
or brush-ink form
我们所说的
the form that we keep talking again and again
这个中国画的笔墨造型
this concept
是笔墨形态
is a shape that
是一个墨的团块
made with ink
线条 还有点
line and dots
点 线 墨的团块
a ink form with dot and line as elements inside
有机协调的统一在一起
Organic coordinated together
然后共同的表达一种意愿
to express a common aesthetic will
这种意愿是你审美的内心
This willingness is your inner heart
你的内心又与天和
Your heart is always along with natural
那么整个活动就是一个体道的过程
Then the whole activity is a physical process
好 我的点评就到这
Ok, so that is all for today’s class
-1.中国山水画的理想追求与表达
--Video
-课程作业--作业
-1.笔墨概念与材料介绍
--Video
-2.笔墨基础技法
--Video
-3.笔墨表达的一般程序
--Video
-第二节 笔墨概念和材料--课程作业
-1.披麻皴技法演示
--Video
-2.披麻皴作业点评
--Video
-3.画面调整
--Video
-第三节 笔墨训练方法之一披麻皴--课程作业
-1.牛毛皴技法演示
--Video
-2.牛毛皴作业点评
--Video
-3.画面调整
--Video
-课程作业--作业
-1.斧劈皴技法演示
--Video
-2.斧劈皴作业点评
--Video
-3.画面调整
--Video
-课程作业--作业
-1.树干及点叶法演示
--Video
-2.树干及点叶作业点评
--Video
-3.画面调整
--Video
-课程作业--作业
-1.出枝法演示
--Video
-2.出枝法作业点评
--Video
-3.画面调整
--Video
-课程作业--作业
-期末临摹作业
-期末主观论述题