Video在线视频

同学们好
hello everyone

这一讲是
in this course

笔墨训练方法的第二讲
second section of our brush-ink method training

那么这一讲我们主要解决
we’ll mainly focus on how to resolve

牛毛皴这种特殊的用笔
the brush movement of “Niumao” cun

通过牛毛皴的用笔 用墨
through method of “Niumao” Cun

和组织关系
and organization of it

这样的话借助于
and also with using of

山石的物理特征
form of mountains

然后我们看看
and then let’s see

如何通过曲动的用笔进行
how to draw it through curve stroke

我们在曲动用笔的情况下
in this curve stoke

表现性的控笔能力
how to express the performance of brush control

那么牛毛皴和斧劈皴（披麻皴）
then “Niumao” Cun and “Fupi” Cun(Pima Cun)

都是线皴 线条的皴法
they are all in line forms

但是披麻皴
but “Pima”

这个线条是短线 直线
is formed by short lines and straight lines

牛毛皴的特色
the character of “Niumao”

它的基本的形象特征
and its basic shape

是曲动的用笔
is made by scroll and curve stroke

要表达出
to show

它的一个松毛的特点
it’s fluffy appearance

这个用笔画线
the method of this type line using

这个墨得需要干一点
need dry ink

尽量创造它这个松毛的感觉
even we need create a fluffy feeling

牛毛嘛 牛毛皴
just like ox hair

也有画家称作是解索皴
some artist also call it “Jiesuo” Cun

这个解索
this type of Cun technique

就是绳索解开的那种
just like that is the kind of rope that is untied

弯弯曲曲的感觉
The feeling of bending

它的基本的特征就是这样
Its basic feature is like this

它那个组织当中有主次关系
There is a primary and secondary relationship in that organization

粗细 长短 疏密变化
thickness, length, and density

这个组织关系
This organizational relationship

和披麻皴的组织关系
Organizational relationship with “Pima” Cun

基本一致
is almost the same

但它这个用笔的难度
But it’s difficulty to operate the brush

要比披麻皴难度要大一些
It’s more difficult than “Pima”

所以说我们那个同学
so we say

在练习的过程当中
in the process of training

首先要掌握
first we need get to know with

它那个用笔的特性
the brush characteristics

它不是直线的 它是曲线的
It is not straight, it is curved

然后表达的特性
Then express the characteristics

是松毛的特性
is the characteristic of loose hair

不是直线的那种特性
unlike straight line

所以说松毛的表现性
So the performance of the loose hair

能不能充分的表达出来
Can you fully express it?

这是用笔的第一要求
This is the first requirement for using a brush

然后第二个要求
Then the second request

就是用笔的墨色变化
It is the ink color change of the brush

我们现在蘸完一笔墨以后
We are now finishing adding ink

然后逐渐再画
Then gradually draw again

我们这个墨色
the appearance of ink

就发生了很大的变化
changed a lot

越来越淡
get lighter and lighter

如果要求我们入笔
If you are asked to enter the brush

要是清淡入笔
whether start from light

还可以在笔头上蘸点清水
or add more clean water at tip

然后可以撤撤水
then you can withdraw the water

我们再画 那么就是
Let's draw again, then

这个线条就更加清淡
This line is even lighter

越画越重
The more you paint, the heavier

这是松毛的用笔
this is fluffy brush movement

那么我们不能
then we can’t

在练笔的过程当中
during the process of training

这么抽象地画线条
these abstract lines

所以说我们的训练
so we say our training

借助一些山石的特征
need use the character of mountain forms

用山石这种素材来展开
use these forms to unfold

我们松毛用笔的训练
this fluffy brush training

那么我们为同学们准备了
we prepared

牛毛皴的一些课稿
Some drafts of the “Niumao” Cun

我们可以通过临摹的方式
we can improve our brush control

然后提高我们的
through study and copy

用笔的能力
from master pieces

那么下面我想演示
Then I want to demonstrate below

解读这一张
Interpret this one

通过用笔用墨的组织
Organizing ink with a brush

然后借用山石的
then use form of mountains

物象的这个特征
This feature of the object

来实现我们对笔墨的把控
To achieve our control of brush and ink

现在我来演示一下
Now let me demonstrate

牛毛皴这个组织如何生成的
How is the organization of the bull hair

牛毛皴用笔比较干淡
“Niumao” Cun is relatively dry with a brush

不能太湿 要干笔
not too wet, it needs dry brush stroke

干笔才能产生松毛的感觉
only dry brush could create such fluffy feeling

然后牛毛皴的特点
Then the characteristics of this style is

线条也不宜特别长
Lines should not be particularly long

特别长就容易失去松毛的
if too long, it'll easy to lose the fluffy appearance

这种特点
This feature

有的同学
some students works

画这个牛毛皴非常长
draw it too long in “Niumao” style

然后画得不松毛
or draw it too tight

画得有点像蚯蚓
it will be like earthworm shape

这就感觉很难受
it feels bad

因为我们视觉的表达特性
Because of in visual expression

你要给观赏者要传达一个
You have to give the viewer a message

什么样的一个表现性
What kind of expressiveness

你是一个光润的表现性
Are you after a smooth expression

还是凝重的表现性
Or still dignified expression

你还是松毛的表现性
Or a loose and relax texture just like cow hair

下面我来画松毛的一个组织
Next I am drawing an organization of this loose style

这个组织还是借用一个山石
This organization still borrows a rock as form

可以中侧相结合
Combined with center style and side style of brush movement

太中锋容易失去
Too much center style will be easy to lose control

它这种毛涩的感觉
Like such loose feeling

太侧锋
too much side way

也容易失去它那个力度
It is also easily to lose its strength

所以说这叫中侧结合
So this is called the center side combination

笔要干
with dry brush

但是干也得拉出线
but also need lines inside

这是一个基本要求
this is basic requirement

所以在用笔上也得讲究
So you have to pay attention to using the pen.

在画牛毛皴的技法上
On the technique of a “Niumao”

我们要用羊毫
We should choose sheep feature brush

不要用狼毫
not wolf features

因为狼毫比较硬
cause wolf feature is very hard

兼毫也比较硬
mix feature also kind of hard

所以说用羊毫
so we say use sheep feature brush

它更适于表达牛毛皴
it’s perfectly for “Niumao” Cun style

勾完马上就皴
Cun should be followed with hock movement

要有墨色衔接
and also attached with ink of cause

这个皴法和勾的关系
the relationship between Cun and Hock movement

是一个主次关系
Is a primary and secondary relationship thing

皴不在多 在于它有效
no need too many, but has to be efficient

三笔两笔能把一个笔墨关系
it can show brush-ink relationship in two or three strokes

处理得很丰满
very plump

这张我们叫宁多毋少（宁少毋多）
we call this better less than too much

不是越多越好
Not as much as possible

这是一个疏密关系
This is a sparse relationship

是一个长线和短线的关系
a long-term and short-term relationship

所以说我们画的是一个山石
when we are drawing a rock

可是我们追求是一个
we are pursuing

笔墨的一个抽象的表达
An abstract expression of ink and brush

这一点我们一定要记住
We must remember this

这是牛毛皴的笔墨组织
This is the brush and ink organization in “Niumao” style

应该充满了主次结合
Should be full of primary and secondary relationship

纵横穿插
Interspersed

疏密的变化
Dense changes

浓淡的变化
Shade difference

干湿的变化
Change in wetness an dryness

这是擦
here is “Ca” (brush movement)

那么我们现在用笔
Then as we move the brush now

把墨用完了
Ink has been run out

水分又没有了
and so as the water

那么这时候就需要蘸水
add water at this point

这是一个完整过程
this is the whole process

再调墨
mix with ink

在这上撤水
squeeze out water

点有点势
points need to have tension inside

我们还有一节是点叶
we have a section of point leave drawing

专门讲这个道理
special for this theory

它不仅是一个调整笔墨的
this is not just a method of

一种方法
adjust ink and move brush

同时它可以连贯这种气脉
also at the same time it can cohere this vein

还可以舒缓结构
Can also soothe the structure

要调整墨色
To adjust the ink color

需要有干擦的用笔
We need a dry brush

但干擦之前
but before we move this dry brush

我们这个墨底
the under layer ink

应该基本上应该干掉
should be already dry out

要不然的话
otherwise

我们干擦就没有效果
it won’t work

擦笔我们在上一讲已经讲了
we already demonstrate it at the very first course

擦笔是破锋干擦
“Ca” is a type of brush stroke with dry brush

总之牛毛皴是要创造一个
“Niumao” style is main to create a

松毛的笔墨组织的
fluffy brush stroke appearance

这样一个艺术形象
with such art form

所以说我们在创造松毛
we created a fluffy texture

这种皴法的时候
in using this type technique

一定要把我们这种笔墨
we must use this technique

所创造这样一个艺术形象
so when we create this art form

给人的第一直觉
the very first intuition

是一个松毛的感觉
It is a feeling of fluffy

那么我们为什么要练习
then we need practice

这样一个松毛的感觉呢
this fluffy feeling

作为一个课程要点
As a key point of this course

来进行训练呢
in our training

我们上一讲
in previous course

讲了是披麻皴
we showed “Pima” Cun style

披麻皴的用笔是直线 短线
with short lines and straight lines

那么这一讲是曲线
in this is course we talk about curves

曲动的用笔
move brush in curve way

这两个线所表达的特性
Characteristics expressed by these two styles

完全不一样
are totally different

所以说我们就是要通过
Thus, through

我们实践过程
Our practice process

能够把握住
We can masteries

能够实现这个笔墨所达到的
The performance of brush and ink

最大的表现性
in a best way

这是两个比较相对的
here are two demonstration of brush and ink expression

笔墨表达
At next section we may have some more

那么我们下一讲可能还有些
more training in specific section

在一个更加特殊的
Training on an expression technique

一个表达技法上进行训练
we’ll find the interesting of ink and brush
in technique in Chinese painting

我们会发现中国画的笔墨
even with one single brush

虽然就是用一支笔
and simple ink

用简单的墨
But it never lack of expression

但是它的表现性极其大
Artists in generations

说明我们历代的画家
Never stop develop the expression of brush

不断的开发用笔的表现性
since painting still belong to

那么绘画还属于
art in visual territory

一个视觉领域
or such content

这么一个内容
so we say

所以说我们这个
the expression of brush

绘画毛笔的表达力
through our training

通过我们的笔墨实践
we let our students

让我们同学
experience it in person

真正的亲身体会到
Its visual expressiveness

它这个视觉的表现性
How far can it be achieved?

究竟能够达到什么程度
the training of “Niumao” and “Pima” style

披麻和牛毛的训练
expand our

是开拓了我们这种
possibility of art expression

表现性的一个更大的可能
through practice

我们通过实践
we find it’s quite difficult

知道它确实很有难度
but also though practice

但是经过我们实践
at least we still can achieve

我们是能够达到
this fluffy

这样一个松毛的
art form

这么一个艺术形象的
such performance

这一个能力
so today’s demonstrate is finished at this point

那么演示阶段到此结束
then we’ll take a look

然后我们将通过
students works

学生的临摹实践
and have critique

我们要做这个训练的点评
and interaction part

和同学们
between students

和老师的一个互动的一个
and teachers

问答的一个过程
Q&A time

同学们再见
see you next time