Video在线视频

同学们好
hello students

经过一周的训练
After a week of training

我们有很多作品
we got a lot of works

下面我们进行点评阶段
now let’s have some critique

我们拿出这些这个作业呢
in such works

具有典型意义
it got typical meanings

一个是在用笔上
one is on brush using

我们要进行一些探讨
we’ll go over it later

然后在墨上
another is

我们还要评价一下
about ink using

然后有些比较好的出枝
better works in branch drawing

这个出枝
in branch drawing

我们一谈到这个出枝的组合
previously we talk about the organization of it

就谈到它这个短线的
then we are actually talking about

态势的关系问题了
the tendency relationship of short lines

接下来我们先来看看
Let’s take a look

控笔的这个能力
This ability to brush control

我们初学的这个出枝呢
What we gonna do at the beginning of our study?

是我们放在这个
we put this in

山水技法的最后一个环节
the last part of the landscape technique course

因为它是难度非常大的
because it is a very difficult

一个环节
section

因为这个短线出枝
because this short line branch drawing method

它是经过了
it’s developed

我们那个披麻（皴） 牛毛（皴）
from our “Pima” and “Niu Mao” Cun style

树干 点叶 包括斧劈（皴）
and the dot leaves training

这么一个过程以后
after such process

然后我们有一定的
Then we have gained certain

用笔能力的时候
brush using ability

我们才把这个出枝
then we bring the branch drawing training

提到我们那个训练日程
on schedule

但是从几张作业
from these works

我们可以看到
we can see

这个零起点的同学呢
students who just start

在控笔其他别的
got some progress in brush control

斧劈牛毛有了一定进展
as same as “Fupi” and “Niu Mao” Cun practice

但是在短线的把握上
but in understanding of short line

还是有问题
there are still couple of problems

我们看这个出枝的质量
the quality in these drawing

看枝头 这个过关的不多
look at the branch head, it almost pretty good

那我们再看看
then let’s look at here

这个好的同学的
in some excellent works

这个过关的这个枝干枝头
what does it look like

是什么样的
and why it’s better

枝头是非常
the branch head is very important

这个用笔的短线的质量
and of cause, the requirement of brush using

非常高
is very high

从这个起笔到送到
each brush movement needs to be thoroughly expressed

包括它这个短线的组织
including its organization

这都很好
this is very good

那我们再回头再看看
let’s take look back

这个控笔能力比较弱的同学
some not that ideal works

这是需要我们训练
that’s why we need practice and practice

你看短线的训练呢
in short line training

短线的密集组织
the intense organization

我们就把它用在出枝
we use it on branch drawing

这么一个方法上来训练
with this method

所以说这个训练强度非常大
so this training intensity is very large

没有一定的量
without certain amount

是达不到这样的效果
It is not possible to achieve such an effect

这都是出枝有问题
This is a problem with the branch

这个线条似乎有所控制
this line seems to have some control

但是线条出枝的把握的能力
But the ability of holding the lines

有的非常突兀有的非常弦弱
Some are very abrupt and some are very weak

放在一起
put them together

也缺乏它这个健壮
Also lack of strength

肯定 力度的
and affirmative power

这还是有缺陷
This is still flawed

我们看那个好的作品
When we look at those great works

我们就知道我们这个出现
we know that

有的控笔的能力上 粗细上
the ability of brush control,

浓淡墨上
the using of light and dark ink

包括它那个厚度上
including the thickness

都是不够的
isn’t enough

像这个又好了一些
this one seems better

但是我们那个看看枝头
but the branch head

枝头高质量的枝头还是很少
still lack of high quality branches

那么墨色还是一个问题
and also have ink problem

这个注意到了用笔
in this work, you pay attention of brush using

这个用笔还是很有起色的
it gets better in brush control

但是这个用墨
but the way of ink using

几乎就没有墨色变化
is almost zero changes

中灰 始终是一种墨色
all in this grey shade

这就是在你用墨上
this is because

就没有思考 缺少体验
you lack of understanding and experience in ink practice

组织态势上我们练短枝
In the organizational situation, the practice short branches

多种短枝往上去的往下去的
in different directions

这么几个线条它的摆放
the placement of these lines

这些关系都比较杂乱
is kind of messy

然后我们看看那个
then look at here

我们画的比较好的同学
some better works

用笔质量到墨色变化
did great job in ink changing and brush movement

包括短枝结构的组织
including branch organization

这都非常好 有疏有密
and painting structure

这留出的空白的空当变化
the void in here

非常微妙
is very subtle

我们有的四个分枝它就有
in this four branches drawing

你看这就是相同的
it’s the same thing

这就是缺少疏密的组织
This is the lack of sparse organization

要都注意到它这个疏密
you have to notice the dense changing

浓淡的变化
and change in shade

然后那个纵横穿插
Then the cross-over

这个枝干穿插这个干
This interspersed branch

这个穿插都很注意
be very careful about here

这都是比较好的组织
This is a better organization

那么我想留点时间给同学们
Then I want to leave some time for the students

看看再练习这么一个
practice more

非常难的这么一个课题
such a tough topic

有这么大的一个强度
it’s not going to be easy

我们还存在这样一些问题
We still have some problems

那么同学们还有什么困惑
any other questions

需要我们共同探讨的问题
questions that we need to discuss together

哪个同学有问题
Which classmate has a question

老师我想问一下您
May I ask

就是讲一下
that

什么是有质量的线条
What do you mean by the quality of lines?

这个 你请坐
please take a seat

什么是有质量的线条
What are quality lines?

我们形象的感官
Our senses of image

这些都是有质量的线条
These are quality lines

这些有质量的线条
These quality lines

和这些无质量的线条相比较
Compared to these lower quality lines

我们有一个直观的一个感受
We have an intuitive feeling

语言表述这个质量的问题
to explain this quality thing in language

不如直观感受
Not as intuitive as it feels

那么要从语言上来讲
So from a language perspective

有质量的线条
Quality lines

就是要有内在的劲力
It is to have inner strength

要有力度
with tension

这个内在的劲力
the tension inside

可以表达三个层面
it can be expressed in three levels

第一个层面这个内在的劲力
The first level of this inner strength

它表现为骨法用笔
It appears as the bone of brush

也就是骨力 很遒劲
That is, the strength of brush

这是它的第一层面
This is its first level

第二层面他这个
The second level

用笔做画用线非常自觉
is to be very conscious in brush using of each line

不是想一笔画一笔
unlike making strokes randomly and casually

这个美好的意象
This beautiful art form

停留在心里的这个结构
and structure in mind

他得理解
you have to understand it

其实早在内心已经存在了
In fact, it should already exist in your mind

就是你有这些理解
With these understandings

有这些体验
and experience

然后出笔
Then move the brush

也只是你这个技术能力能
only when you have such ability

控笔能力能达到
ability of brush control

你就能把这个好的组织
You can well organized

组织出来
the entire organization

他有自觉性
it has self-conscious

这是它的第二层面
This is its second level

第三层面应该是
The third level should be

它有一个笔墨上的
an aesthetic requirement

一个审美要求
the brush-ink territory

笔墨上的审美要求
the aesthetic requirements on brush and ink

这样的线条
such line

它肯定不是一种
It is definitely not a kind of

很呆滞的那种感觉
sluggish feeling

也不是很轻浮
or too frivolous

轻滑挑剔的感觉
or Sleek and picky feeling

很沉实
it should be very solid

黄宾虹讲这个行笔用线
artist Huang Binhong used to talk about this line of brush

要讲平圆留重变
he said the line should be flat and round

这是有质量的线条
This is a type of quality line

平如锥画沙
“Flat” described the experience that draw in sand with awl

圆如折钗骨 很圆润
“Round” means the lines should have a sense of three dimension feeling

怎么弯它都不扁
it could stay in round even bend it

钗骨嘛 金钗银钗
silver and gold plaque is expressing the feeling of brush movement

重如高山坠石
Heavy as a rock rolling show the inner tension of dots

留就是如屋漏痕
“Stay” is saying the trace of line should be as stable
as the trace of rain moving on the wall surface

我们那个墙壁上流下了水注
when water falls on the surface of wall

它呈现的线条
the trace it shows

很滞涩的往下下
always very sloppy

这些美好的线条
these beautiful lines

都具备这种特质
also have such characters

再加上它的墨色变化
with ink changes

它有内在的审美
the line itself has an inner aesthetic

那么我们这些
these lines

那个线条质量不够
The quality feeling of the line is not enough

没有内在的劲力的又软弱
lack of strength and turns out weak

然后我们那个造型不肯定
the shape is uncertain

我们出枝是要求
the requirement of branch drawing

这个枝出来从粗到细
from thin to thick

每笔都是这样
follow the same rule in each stroke

那我们那个 这个造型呢
the form in here

从细到粗突然又细
From thin to thick and suddenly back to thin

这很虚弱
then the strength is lost

这个控笔的形象
the form comes out of your brush

就是你短线的枝干的形
is the shape of branches

你控制不住
if you can’t control it

你这种形象你达不到不充分
your expression won’t be thorough

所以说这都属于不充分
not quite enough

你控制不了
you can’ t control it

这是它这个用笔的
here, it is the self aesthetic

自身的审美
in the art form itself

你的问题是一个根本问题
the fundamental question in Chinese painting is

如果中国画
if in Chinese painting

不是一个笔墨形式
it’s not about the brush-ink form

是一个色彩形式
but a form about color

不是笔墨形式
not the certain request of brush-ink quality

就不需要这么要求
then we won’t require this

如果中国画它的特质是什么
What is the character of Chinese painting?

跑了我们中国画的特质
without this character

那么我们这个
then our training method

我们的训练就走歧途了
will run into nowhere

因为它没有跑掉
but what is this character

它紧紧的扣住什么呢
and what does it keep stick with

我们中国画的
in Chinese painting

中国山水画的特殊的本质
The special essence of Chinese landscape painting

那么我在理论课那一讲
in my previous course

已经讲了
I already said

我现在有必要再重复一下
I need to repeat it now.

我们的特质是什么
What is the character in Chinese painting?

我们的特质是
that is

它的内在的表述
its intrinsic expression

是中国的人文情怀
It is China’s humanistic feelings

中国的人文情怀
Chinese humanistic feelings

不是别的国家的人文情怀
Not the humanistic feeling from other countries

这是我们本身的内容
This is our own content

天人合一是我们本身的内容
That combined with nature and man is part of our own content

中庸思想是我们中国人的
The doctrine of the mean is our pursuit of this thought and spirit

这个思想情怀思想追求
in Chinese people

那么它这个用笔的材料
the material

是什么呢
what about it

用笔的材料是宣纸啊 单宣
the materials are Xuan paper

也有熟宣
“Shu” Xuan paper

然后不用更多的颜色
not too many type of colors

用概括的颜色
we use generalized colors

主要用笔墨形式来完成
Mainly draw by brush and ink form

笔墨的结构创造一种形象
to create images

来完成我们内心的表达
to complete our inner expression

那么笔墨的形式
so the brush-ink form

我们想能不能这么荒率
can’t be so hasty

我们就靠这说话了
this is what we counting on

能不能这样没有墨色
can we make painting without it

要如果是否定的
If it is negative

在这个方面你就要有追求
the you have to pursue this aspect

进了这个层面
when entered this level

你想纳入是中国画
you want to have a deep understanding of Chinese painting

你就要讲究中国画的法则
you need understand the discipline of it

用线有用线的要求
there is discipline of line making

用墨有用墨的要求
ink using

笔墨组织有笔墨组织的要求
and certain rules of brush movement

我们这七节课
in our sever section

都是为了这三点
it’s all for these three point

一是控笔
one is the brush control

你不管你变化多端
no matter how much you change

你是画牛毛 斧劈 披麻
no matter it’s “Ox” hair, “Fupi” or “Pima” Cun style

你是点叶还是出枝
no matter it’s dot leaf making or branch drawing

第一点控笔能力
the ability of brush control is the key point

你能不能表达出
whether you could express

这样一个线条的形象
that art form

有没有那种能力
whether you have the capability

用墨有没有那种千变万化的
in showing the beautiful shifting between different shade of ink

那个氤氲那个生命感
that sense of life

这是这样像个胶板
here is like a rubber sheet

像个木板来印刷一样
or print making art

那就不叫中国画
it isn’t Chinese painting

所以说这个笔墨形式
so the brush-ink art form

非常重要
is very unique

这个笔墨 你提那个问题
the question you asked

笔墨质量这是首当其冲
the quality of line is the primary question

你没有这个笔墨质量
without this quality thing

你就无法完成这个
you could not complete

这个艺术形式
this art form

让整个世人惊叹
or to amaze the viewer

为什么要惊叹呢
why even need to be amazed

审美的两大要素
Two major elements of aesthetics

一个是喜 一个是惊
One is pleasure, one is shock

喜就是看了就愉快
pleasure is the visual pleasure from image

惊就是笔墨质量
shock is about the quality of line and brush-ink form

你这种质量你是没操作
maybe you never experience this

你一操作这个是天地之差
once you try it, it’s day and night difference

让人惊 惊叹了
it can make people shock

这就是为什么那高音唱出来
even have to sing to express such feeling

我们能感觉惊呢
how so

就是他发出那音 天籁之音
it because such beautiful voice

我们没法模仿
is impossible to imitate

我们永远达不到
we can’t achieve that

这叫惊叹
that’s where shock comes from

所以说我们的审美
so the esthetic of beauty

来源于这种惊和喜悦
comes from this pleasure and shock

我们要失去了这种惊
without them

我们这个艺术
the art we made

就失去了它的本分
will lost it’s character

它这个特征
without the character

它存在的目的都没有意义
The purpose of its existence is meaningless

它存在的价值都没有了
It has no value in existence

所以说这个用笔
so the way of brush using, the quality of line and brush-ink form

你提出这个问题非常好
is a great question

是根本的问题
it’s the fundamental question

笔墨质量
the quality of brush-ink

还有一个用墨也很重要
it’s also very important in ink using

没有墨我们就会这样
without rule of ink using, it’ll turn into like this

笔墨势态是最难的
the tendency of ink movement is the hardest part in Chinese painting

笔墨势态和我们的人文精神
the brush and ink tendency has relationship with

有关系
our humanistic spirit

和中国的文化根本点有关系
along with the fundamental point in Chinese culture

所以说这叫笔墨的势态关系
So this is called the tendency relationship between brush and ink.

这个笔墨的势态关系
this relationship

都得靠有质量的线条来组织
All have to be organized by quality lines

不是随便的线条
Not any casual lines

这就是你的问题
this is my answer to your question