Video在线视频

同学们
hello students

经过一周的训练
After a week of training

我们又出现了很多作品
We have a lot of works again

现在我挑出几件
Now I’ll pick a few pieces

具有代表性的作业
more representative works

第一方面是用笔
The first aspect is about brush using

第二方面是墨色的变化
The second is about working with ink

第三是组织态势的关系
The third is the relationship of organizational situation

然后最后一部分是优秀作品
Then the last part is excellent works

前两节完全是线条的皴法
The first two sections are completely about the Cun technique

那么现在变成面积的皴法
for now is about method of forming with Cun technique

典型的就是斧劈皴
the most typical one is the “Fupi” style

斧劈皴我们用笔控笔的能力
“Fupi” is mainly about approve our ability of brush control

我们零起点的同学
Students at beginner level

在用笔上需要加强
need more practice in brush control training

像这样的用笔就是头很肉
brush stroke like this is very fleshy

劈出来的感觉
the feeling of “Fupi” style

不是斧劈皴要求那个
isn’t actual like the axe crush out

水墨淋漓斧劈柴痕的感觉
it should be both straight sharp and also with certain wetness inside

那么现在
so now

这个斧劈柴痕的感觉
the feeling of axe crushing is still not quite enough

还比较弱还比较肉
still kind of weak and fleshy

这是属于用笔问题
this belong to brush using problem

但是用笔加强了以后
But after we strengthened brush control

我们发现墨色比较灰
We found that the ink is kind of gray

它这个完整的这么大一个面积
in such large area

它的墨色基本上拉不开的
its ink color isn’t open

完了有些同学
some students works

是焦黑和淡墨两个层次
only have two levels of dark ink and light ink

它衔接不上
lack out connection

它不像很多的优秀作品
unlike many great works

它的衔接非常好
connected very good

墨色变化非常微妙
and the ink change is very subtle

那么这就属于脱节的
Then this is lack of connection

这属于用墨没有变化的
And lack of ink movement

第三个就是笔势关系
The third is the gesture relationship

笔势关系
The gesture relationship between strokes

我们这个用笔组织比较纷乱
this brush organization here is kind of messy

除了用笔的质量问题以外
In addition to the quality of the brush stroke

我们笔墨组织也是
also as the organization

我们这个皴法
this “Cun” technique

这大小应该有变化
should have size difference

然后要粗细长短
with thick and short lines

然后密集疏朗
and intensity difference

这要有组织态势
it also requires an organizational tendency

要像我们这个优秀的学生
like in excellent students works

看他这用笔大笔小笔
there are different size of brush movement

干笔湿笔粗笔细笔
wet and dry brush trace here and there

这个变化交布在一起
they all connected and crossed together

非常的协调
well coordinated

好的作品
great works

基本上都有这种特点
Basically have such features

这就是我们斧劈像这种
Here like “Fupi” style

这种就是勾线很重然后皴笔
the process is shapes the outline and then cover
the texture inside which is “Cun”

皴笔一定是没有笔形
“Cun” stroke also needs certain shape

表达力不够
in order to create sufficient expressiveness

再一个就是墨色衔接不了
Another problem is that the ink lack of connection.

这都属于笔墨衔接不好的
This is a bad connection between strokes and ink.

希望同学在今后的练习当中
I hope my students will pay attention in this practice in the future.

要注意这些问题
Pay attention at this

这就是这个斧劈皴
this is couple of problems that existed in

存在的几个方面的问题
“Fupi” technique

然后我们可以参照
Then we can refer to

优秀的同学的作品
some outstanding works

争取尽快地提高
to improve

自己的用笔和组织能力
your own brush and organizational skills ASAP

我们留下点时间给同学们
We leave some time for the students

看谁有什么问题
if anyone have any questions

老师
teacher

斧劈和披麻的线质完全不同
The line of “Fupi” and “Pima” style is completely different

如何把握这个笔墨结构
How to make this brush structure

你说是组织态势关系
You main the problem of organizational situation

这个斧劈
the “Fupi” technique

斧劈是面皴
is type of side-way style

我们要用侧锋用面来皴擦
We have to use the side of brush to make “Cun” stroke

那么和前面的牛毛皴
it’s different from the “Niumao” Cun

披麻皴不一样
and “Pima” Cun

那两个都是线条皴法
they are both Cun technique by working with lines

但是它的组织规律
but the organization discipline

都是一致的
is the same

它没有两样
no difference

也是通过线条的大与小
it also needs to through different lines combination

距离的疏与密
with different distance and density

主与次 干与湿 浓与淡
Primary and secondary elements

这个相对应的一些关系的
these correspond relationships

有机协调的组织
need to be coordinated organically

这就是我们讲的态势组织
This is the tendency organization we are talking about

不管它什么皴法
no matter what type of “Cun” technique

我们学到了
we learned

笔法的这么多的变化
and no matter how the brush is moved

但是它那个组织规律是一个
the inner organization laws are the same

这一个是什么
what is this

这一个就是宇宙的根本法则
it is the fundamental law of the universe

整个世界太空都是这个法则
The law of whole world of space

所以说
That’s why we say

我们为什么要施法于天
we need to learn from nature

就是因为我们要读懂这个天
it is because we need understand nature

知道这个宇宙的秘密
understand the the discipline of universe

运行的秘密
disciplines of its operation

然后我们把知道的这些东西
Then we turn these experience and knowledge

通过笔和墨
Into art way and present it out

把它呈现出来
Through brush and ink

也叫破译出来
Which is a process of translation

这就叫天人合一
This is called united natural and Man together

和我们的文化根本点的揭示
and the it’s the fundamental point of our culture

就在这画面就可以达到
It can be achieved in this painting

这就是我们笔墨态势
This is our brush and ink tendency

那么多的皴法都千变万化
these countless method of Cun methods

可是我们遵循的是一个
But what we followed is

宇宙生命的根本
The fundamentals discipline of life in the universe

根本法则
The fundamental rule

就是我们的态势的法则
is the law of our tension and tendency situation

你的问题就这样
here is my answer to your question