Video在线视频

同学们好
Hello students

这一讲我们进行
In this section we’ll have

笔墨训练的第三讲
The third lecture on brush and ink training

通过斧劈皴练练控笔的能力
through “Fupi" technique, students would
gain better ability in brush control

墨色变化和斧劈的笔势关系
and we will also study the relationship between
Ink color and gesture

斧劈顾名思义
“Fupi” style is just as the name suggests

斧劈柴痕的感觉
it just like the texture of axe crush firewood marks

比较方正爽直
pretty straight forward

而且水墨淋漓
And the texture is like of water and in dripping

我来演示一下
Let me demonstrate

斧劈的用笔的形状
The shape of the “Fupi" style

是什么样的一个表达性
What kind of character in such expression?

斧劈它有一个条件
There is one condition

可以用狼毫
You can work with wolf feather brush

水分要大
in large amount of water

然后采用的纸张
the paper we choose

应该是宣纸当中的熟宣
should be “shu xuan”

就是矾过的纸
which is xuan paper sunk by alumen

不是很洇
not too sensitive paper

才能把斧劈的
only this type of paper can express the appearance of

斧劈柴痕的感觉
axe crush texture

表达得很清楚
it can be well expressed Fully and thoroughly

表达比较充分和透彻
thoroughly and clearly

那么它基本的笔法是这样
Then its basic brush movement is like this

水分要大
large amount of water

下笔就走
move the brush immediately when engaged

一定要送到
must be all the way to the end

用笔要送到
in each brush movement

大的阔笔我们能表达
with Large and wide brush using

而且小的我们也能表达
also we can work with smaller ones

细的也能表达
or thinner brushes

再细一点
or even thinner brushes

这是斧劈的基本的形状
This is the basic shape of the “Fupi”

那么我们现在是需要
Then now we need

斧劈的控笔能力
have ability of brush control

我们一笔下去
after one stroke

它是侧锋用笔
which is side style

用面来皴
use side way to make Cun stroke

控笔能力我们得需要练
it often takes long time to practice

经常会出现顿的时间很长
and always occur that the form turns out to be too fat

然后起笔很臃肿
when we finish

扫的时候是鼠尾
may get a rat tail if sweeping

力量送不到
with inappropriate movement

这个力量就减弱了
This power is much weakened

所以说这个斧劈啊
so this “Fupi” techique

下笔要阔笔
need to work with wide brush

马上就走
move it quickly

然后力量送到
with appropriate power

送到
all the way to the end of form

你准备皴多长
How long you want to make the stroke

那么你就送到什么位置
How long you sent your power to

这是一个要求
this is the first requirement

现在就是
now

关键就是比较难以把握
The key is it’s more difficult to well draw

就是斧劈的组合关系
the combination in “Fupi” style

这个组合关系
this combination

我们通过以上两讲
in previous two lectures

无论是披麻还是牛毛
in “Pima” or “Niumao” style

我们现在又来到了
now we finally come to

斧劈的这一节的训练
the section of “Fupi” style technique training

那么它的组织规律
in its organization study

我们发现一个
we’ll find

共同的一个规律
a common law

就是因素的矛盾
which is the contradiction of factors

还能协调在一起的
it a organization that coordinated

这么一个组合
multiple conflict elements

那么相对矛盾
and relatively contradictory elements

我们看用笔的长与短
when we look at the length and shortness of the brush movement

这个斧劈的大与小
the size of it

然后宽与窄
the shape of it

浓与淡 干与湿
Thickness and wetness

疏密 松紧
Denseness and tightness

这都是相对因素
These are relative factors

我们要创造这种
We want to create this

相对因素在一起的组合
Combination of relative factors together

所以说斧劈
so when making “Fupi” style

两笔之间不能同样大小
don’t make two strokes in same size

有大有小 有主有次
better make it in different size in order to have primary and secondary difference

然后长短不能一边长
not same length

长短应该有错落感
There should be a sense of up and down

在用笔的过程当中
In the process of moving brush

它从重墨到淡墨到水
It would shift from dark ink to light ink and until there is only water left in brush

有个渐次的变化
We call it a gradual shift process

这里头参差错落
The cross over between each strokes

然后互相生发变化
change from each other

是非常神妙的
It is very interesting

这些都能产生
these can create a sense of

用笔组织上的厚度
thickness between the strokes in different layers

和丰富的变化的一种结果
and a result of rich changes

那么我们不能抽象的
we can’t practice this technique abstractly

练斧劈的大与小
pay attention of the different size of this style

宽与窄 疏与密
Width and narrowness

所以说中国画的特点
So we say the characteristics of Chinese painting

还是要借助一些物像
Still have to take advantage of form of objects

把这些抽象的笔墨痕迹
combine these abstract ink traces

借助物像的束缚
with the help of the image shape

来发挥它的极致
To create the greatest expression performance of it

创造它的生命的感觉
To give it feeling of life

在临摹当中
during studying and practicing

也会给同学们
we will also

提供一些课稿
provide some art samples and drafts

训练的方法
the training method

也是通过临摹这个课稿
is also through these samples and drafts

来实现我们用笔的能力
To achieve our ability in brush working

我现在来演示一下
Now I am going to demonstrate it

斧劈皴它的轮廓是
The shape of the “Fupi” style is like here

中锋直线
Draw straight line in center style

造型方正爽直
Draw the shape of object straightly and directly

所以说不能太圆润
not too round

比较硬朗 爽直
It need to be tough and straight

笔墨走到这个时候
to this point

我们就可以施加皴法
we can apply Cun technique

因为勾皴的墨色
since the ink color of outline and inside

不能差距太大
can’t be too much different

我们皴完第一遍
after the first layer

我们还可以复皴
we can add it again

复皴的目的也是
The purpose of redo it is also

寻找它的浓淡干湿
to create different texture

包括用笔的
including brush movement

疏密大小的
and intensity difference

组织的一个调整
the process of organization

这是斧劈皴的一个过程
this is the process of making “Fupi” style

斧劈皴
the “Fupi” technique

它是一个典型的面皴
is a typical side-way brush movement

我们通过斧劈皴
through the whole

整个的训练
training process of “Fupi” style

我们还可以解决
we can resolve

类似于面皴的
similar problems of other type of Cun

比如说中国传统
such as in traditional Chinese painting

山水画的
especially in landscape painting

什么刮铁皴
like the “Gua Tie” Cun

（马牙皴）
(as known as horse tooth style )

这些都是通过侧锋
they are all through the side-way brush stroke

平面创造一种用笔的形象
to create art form on flat surface

我们现在训练到这
until now

我们介绍了三种皴法的
we introduced three type of Cun

用笔的方法
in the method of brush movement

包括它们组织的原则
including the discipline of organization

那么我们基本上
well, basically

掌握了线条的皴法
we already covered the method of line drawing

线条里包括直线的线条
Including straight lines

和曲线的线条
and curve lines

然后我们现在
now

这节课又解决了
This lesson we solved

用面来皴
the side-way style in Cun technique

用笔的侧锋平扫
use the side of brush with sweep movement

创造一个线条的形象
to create a art form in lines

然后通过这种
through this

面皴的把控能力
stroke technique

实现这一类的
to implement this type of

我们这个用笔的表现性
performance of our brush expression

实现我们把控用笔的
to accomplish

最大的用笔实现的可能性
The greatest possibility of operating with brush

以上三种皴法
these three type of Cun technique below

都是提高我们的用笔能力
Are all mainly to improve our brush control ability

用墨的变化
understanding of ink

和笔势关系的
and the relationship between strokes

这么一个训练的课程
in this course

一周之内
within one week

我们进行了一节
we had one section

这一节
in this section

我们能完成25张的练习
we will finish 25 pages of practice

那么三节下来
for the next three sections

完成了三个皴法的练习
we can complete three practice exercises

那么我们就
then there

应该有75张的训练过程
should be 75 training sessions

那么我们的用笔
then your ability and performance of brush using

会达到一个比较质的变化
will achieve a qualitative change

首先我们会有
first

这样一个成效
we’ll accomplish here

我们知道中国绘画
We know in Chinese painting

为什么要用笔墨形式来传达
Why it needs to use brush and ink to convey

那么我们用笔墨形式来传达
when convey with brush and ink

那么笔墨的质量
the quality of brush and ink

首当其冲
is the first step

没有笔墨的质量
without quality inside

我们就不能很好的
we can’t well express

表达我们丰富的审美思想
our aesthetic ideas

这节课我们演示就到这
That’s all demonstration today

然后接下来
at next

经过同学们一周的训练
After a week of training

我们会点评同学们的作业
We will review the homework of the students

在点评作业的期间
During the review of the assignment

同学们有什么问题
If any questions

可以我们做一些
we can have some

互动的问答
Q&A and interactive section