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嗨 同学们好 欢迎来到中国陶瓷的课堂
今天 我们来聊聊陶瓷文化与十二生肖
生肖是中国传统民间文化中的十二生肖
十二生肖分别是
老鼠 牛 老虎 兔子 龙 蛇
马 羊 猴子 鸡 狗和猪
关于十二生肖有很多措辞
大多数是民间故事
生肖应用于生活
可以追溯到古代
在古代 有一个盘子
盘子里围着十二生肖图案
这提供了十二生肖的平面设计的变化和转变
在宋代 硬币上出现了大量的生肖图形
生肖广泛应用于书法 绘画
泥塑 雕塑 瓷器等各种媒体
中国的祖先认为人类和动物是由
原始社会的血液联系起来的
生肖文化起源于中国古代的动物崇拜
图腾崇拜和早期天文学
生肖出现在陶瓷上
最早可以追溯到半坡古彩陶
在野猪上描绘的新石壶是在河姆渡挖掘的
在新店出土的小狗上描绘的彩陶
造型简洁
人们已经能够通过模仿自然重新创造野兽
从而满足生活的审美需要
生肖文化源于生活
其主题充满了民俗 信仰和哲学
是人们内心情感的一种表达和诉求
当然 十二生肖瓷器是好运 和平与宁静的象征
在当今时代
祈福的吉祥理念深深植根于每一个公民的心中
融入社会生活 习俗
形成独特的民族文化认同
今天 景德镇的生肖瓷器主题繁多
内涵丰富
景德镇十二生肖瓷器的造型
是他们最受欢迎
和最亲切的审美情感因素
并反映了现实生活
祈求和平幸福的生活
相应地
景德镇生肖瓷设计
能够自觉地以造型语言的形式
结合各种吉祥形象
并突出生存崇拜和祈求祝福
也注重景德镇瓷釉的色彩
强调运用色彩和装饰象征
来满足公众的心理需求和审美享受
随着人们审美认知的提高
十二生肖文化艺术趋于多样化 趣味化和生活化
景德镇十二生肖瓷器在传承和改造过程中
抹去了运气或灾难等原始宗教信仰
文化心理被转化为祈求好运
今天的课就到这里 谢谢大家
下节课再见
-1.1 Introduction
-1.2 Ceramics in Neolithic, East Han and Wei-Jin Dynasties
--Ceramics in Neolithic, East Han and Wei-Jin Dynasties
-1.3 Sui and Tang dynasties and Song Dynasty ceramics
--Sui and Tang dynasties and Song Dynasty ceramics
-1.4 Ming and Qing Dynasties
-Unit 1 test
--Unit 1 test
-Discussion questions
-2.1 The Unique Chinese Ceramic Culture
--The Unique Chinese Ceramic Culture
-2.2 The Historical Development of Chinese Ceramic Making
--The Historical Development of Chinese Ceramic Making
-2.3 Chinese Ceramic Shape Art
-2.4 Chinese Ceramic Painting Art
--Chinese Ceramic Painting Art
-2.5 Chinese Ceramic Folk Stories
--Chinese Ceramic Folk Stories
-Unit 2 test
--Unit 2 test
-Discussion questions
-3.1 CeramicCulture and the Zodiac
--CeramicCulture and the Zodiac
-3.2 The heritage of traditional ceramic culture
--The heritage of traditional ceramic culture
-3.3 The development and innovation of ceramic art
--The development and innovation of ceramic art
-Unit 3 test
--Unit 3 test
-Discussion questions
-4.1 Gorgeous Colored Pottery
-4.2 The Method of Making Colored Pottery
--The Method of Making Colored Pottery
-4.3 Primitive Colored Pottery Ⅰ
-4.3 Primitive Colored Pottery Ⅱ
-4.3 Primitive Colored Pottery Ⅲ
-4.4 Black Earthenware
-4.5 White Pottery and Primitive Porcelain
--White Pottery and Primitive Porcelain
-Unit 4 test
--Unit 4 test
-Discussion questions
-5.1 Terracotta Warriors in Qin Dynasty
--Terracotta Warriors in Qin Dynasty
-5.2 Potteries in Han Dynasty
-Unit 5 test
--Unit 5 test
-Discussion questions
-6.1 Dragon kiln and Celadon
-6.2 Yue Kiln and Wuzhou kiln
-6.3 Deqing Kiln and Ou kiln
-6.4 Longquan Wares
-6.5 Yaozhou Wares
-Unit 6 test
--Unit 6 test
-Discussion questions
-7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-7.1Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-Discussion questions
-Unit 7 test
--Unit 7 test
-8.1 The flourishing age of the Song Dynasty
--8.1 The flourishing age of the Song Dynasty
-8.2 The flourishing age of the Song Dynasty
--8.2 The flourishing age of the Song Dynasty
-8.3 Ding Wares
-8.4 Ru Wares
-8.5 Guan Wares
-8.6 Ge Wares
-8.7 Jun Wares
-Discussion questions
-Unit 8 test
--Unit 8 test
-9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
--9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
-9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
--9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
-9.3 Fine China Ware became the Symbol of ChinaⅠ
--9.3 Fine China Ware became the Symbol of ChinaⅠ
-9.3 Fine China Ware became the Symbol of ChinaⅡ
--9.3 Fine China Ware became the Symbol of ChinaⅡ
-9.3 Fine China Ware became the Symbol of ChinaⅢ
--9.3 Fine China Ware became the Symbol of ChinaⅢ
-9.4 The charm of QinghuaⅠ
-9.4 The charm of QinghuaⅡ
-9.4 The charm of QinghuaⅢ
-Discussion questions
-10.1 Da Ming Wucai
-10.2 Wooden engravings influence on Wucai porcelain
--10.2 Wooden engravings influence on Wucai porcelain
-10.3 Kangxi Wucai
-10.4 Liling Under-glaze multicolored porcelainⅠ
--10.4 Liling Under-glaze multicolored porcelainⅠ
-10.4 Liling Under-glaze multicolored porcelainⅡ
--10.4 Liling Under-glaze multicolored porcelainⅡ
-Discussion questions
-11.1 The advent of Fencai
-11.2 Fencai Porcelain in the Yong zheng period
--Fencai Porcelain in the Yong zheng period
-11.3 Fencai Porcelain in the Qianlong Period
--Fencai Porcelain in the Qianlong Period
-Discussion questions
-13.1 Zisha-pottery
-13.2 The Zisha Teapot
-13.3 The Zisha tea set in the Ming Dynasty
-Discussion questions
-14.1 Development of Contemporary Chinese ceramic art
--14.1 Development of Contemporary Chinese ceramic art
-14.2 The internationalization trend of Chinese modern ceramics
--14.2 The internationalization trend of Chinese modern ceramics
-14.3 A new style of contemporary ceramic art Ⅰ
--14.3 A new style of contemporary ceramic artⅠ
-14.3 A new style of contemporary ceramic art Ⅱ
--14.3 A new style of contemporary ceramic art Ⅱ
-14.4 The Trade of the Artisans Ⅰ
--14.4 The Trade of the Artisans Ⅰ
-14.4 The Trade of the Artisans Ⅱ
--14.4 The Trade of the ArtisansⅡ
-Discussion questions
-15.1 Unique Cloisonné technique
--15.1 Unique Cloisonné technique
-15.2 The Craftsmanship and Development of Cloisonné
--15.2 The Craftsmanship and Development of Cloisonné
-15.3 The Problems Facing the Inheritance of Cloisonné
--15.3 The Problems Facing the Inheritance of Cloisonné
-15.4 The inheritance and development of Cloisonné
--15.4 The inheritance and development of Cloisonné
-Unit 15 Test
--Unit 15 Test
-Discussion questions
-16.1 Appreciation of Chinese ceramics
--16.1 Appreciation of Chinese ceramics
-16.2 Explore the origins of ancient ceramics Ⅰ
--16.2 Explore the origins of ancient ceramics Ⅰ
-16.2 Explore the origins of ancient ceramics Ⅱ
--16.2 Explore the origins of ancient ceramics Ⅱ
-Unit 16 Test
--Unit 16 Test
-17.1 Traditional Chinese Decorative Patterns
--17.1 Traditional Chinese Decorative Patterns
-17.2 Application of Traditional Chinese decorative patterns in ceramics
--17.2 Application of Traditional Chinese decorative patterns in ceramics
-Unit 17 Test
--Unit 17 Test
-Discussion questions