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嗨 同学们好 欢迎来到中国陶瓷的课堂
今天 我们来聊聊传统陶瓷文化的传承
传统的陶瓷艺术可以被规划为静态艺术
它以独特的陶瓷语言和美学为目的
宋英兴将古代景德镇的
手工瓷器技术归纳为七十二个过程
每个过程都简化了
因此
详细的划分提高了瓷器的制作效率
景德镇瓷器成为中国最好的瓷器
这七十二个过程已经传承到今天
成为独特的陶瓷艺术语言
景德镇传统陶瓷艺术
是中华民族杰出的审美创造之一
也反映了民族的审美意识
具有独特的审美价值
在中国古代
典雅端庄的品格受到了高度的尊重
是中国传统对美的定义
传统陶瓷艺术
作为中华民族几千年文明的见证
具有深厚的文化内涵
通过泥和火的融化
成为中国文化的象征
值得我们继承
清新典雅的绿色花朵 色彩斑斓的绘画
绚丽的彩釉 美丽的雕塑
这些都是中国文化艺术的瑰宝
也是景德镇的骄傲
一千多年来
正是因为不断创新
景德镇赢得了世界瓷都的美誉
从宋代的影青瓷器
元代的青花瓷
明代的五彩瓷
清代的粉影瓷来看
每个朝代都有新的东西
除了技术创新之外
在内容上还有新鲜事物
戏剧神话 地域风情
风景人物 生活场景等
从过程到内容 其发展变化都十分丰富
如果宋代到元代
只有影青瓷器
就太有限了
那么就没有景德镇了
因此 从历史的角度看
景德镇应该保持自己的声誉
保持在陶瓷技术
和文化领域的领先地位
必须不断创新
而不是躺在前人的成果上
如果停滞不前 就不能适应时代的发展
在陶瓷文化传承中
传承先人的艺术成果是一个必要的过程
创新是文化传承的最终落脚点
陶瓷文化的传承与创新相得益彰
对于景德镇目前和未来的陶瓷艺术
无论是装饰手法 主题
材料工艺和工具的创新
燃烧 展示方式
这些都是人们所期待的
今天的课就到这里 谢谢大家 下节课再见
-1.1 Introduction
-1.2 Ceramics in Neolithic, East Han and Wei-Jin Dynasties
--Ceramics in Neolithic, East Han and Wei-Jin Dynasties
-1.3 Sui and Tang dynasties and Song Dynasty ceramics
--Sui and Tang dynasties and Song Dynasty ceramics
-1.4 Ming and Qing Dynasties
-Unit 1 test
--Unit 1 test
-Discussion questions
-2.1 The Unique Chinese Ceramic Culture
--The Unique Chinese Ceramic Culture
-2.2 The Historical Development of Chinese Ceramic Making
--The Historical Development of Chinese Ceramic Making
-2.3 Chinese Ceramic Shape Art
-2.4 Chinese Ceramic Painting Art
--Chinese Ceramic Painting Art
-2.5 Chinese Ceramic Folk Stories
--Chinese Ceramic Folk Stories
-Unit 2 test
--Unit 2 test
-Discussion questions
-3.1 CeramicCulture and the Zodiac
--CeramicCulture and the Zodiac
-3.2 The heritage of traditional ceramic culture
--The heritage of traditional ceramic culture
-3.3 The development and innovation of ceramic art
--The development and innovation of ceramic art
-Unit 3 test
--Unit 3 test
-Discussion questions
-4.1 Gorgeous Colored Pottery
-4.2 The Method of Making Colored Pottery
--The Method of Making Colored Pottery
-4.3 Primitive Colored Pottery Ⅰ
-4.3 Primitive Colored Pottery Ⅱ
-4.3 Primitive Colored Pottery Ⅲ
-4.4 Black Earthenware
-4.5 White Pottery and Primitive Porcelain
--White Pottery and Primitive Porcelain
-Unit 4 test
--Unit 4 test
-Discussion questions
-5.1 Terracotta Warriors in Qin Dynasty
--Terracotta Warriors in Qin Dynasty
-5.2 Potteries in Han Dynasty
-Unit 5 test
--Unit 5 test
-Discussion questions
-6.1 Dragon kiln and Celadon
-6.2 Yue Kiln and Wuzhou kiln
-6.3 Deqing Kiln and Ou kiln
-6.4 Longquan Wares
-6.5 Yaozhou Wares
-Unit 6 test
--Unit 6 test
-Discussion questions
-7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-7.1Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-Discussion questions
-Unit 7 test
--Unit 7 test
-8.1 The flourishing age of the Song Dynasty
--8.1 The flourishing age of the Song Dynasty
-8.2 The flourishing age of the Song Dynasty
--8.2 The flourishing age of the Song Dynasty
-8.3 Ding Wares
-8.4 Ru Wares
-8.5 Guan Wares
-8.6 Ge Wares
-8.7 Jun Wares
-Discussion questions
-Unit 8 test
--Unit 8 test
-9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
--9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
-9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
--9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
-9.3 Fine China Ware became the Symbol of ChinaⅠ
--9.3 Fine China Ware became the Symbol of ChinaⅠ
-9.3 Fine China Ware became the Symbol of ChinaⅡ
--9.3 Fine China Ware became the Symbol of ChinaⅡ
-9.3 Fine China Ware became the Symbol of ChinaⅢ
--9.3 Fine China Ware became the Symbol of ChinaⅢ
-9.4 The charm of QinghuaⅠ
-9.4 The charm of QinghuaⅡ
-9.4 The charm of QinghuaⅢ
-Discussion questions
-10.1 Da Ming Wucai
-10.2 Wooden engravings influence on Wucai porcelain
--10.2 Wooden engravings influence on Wucai porcelain
-10.3 Kangxi Wucai
-10.4 Liling Under-glaze multicolored porcelainⅠ
--10.4 Liling Under-glaze multicolored porcelainⅠ
-10.4 Liling Under-glaze multicolored porcelainⅡ
--10.4 Liling Under-glaze multicolored porcelainⅡ
-Discussion questions
-11.1 The advent of Fencai
-11.2 Fencai Porcelain in the Yong zheng period
--Fencai Porcelain in the Yong zheng period
-11.3 Fencai Porcelain in the Qianlong Period
--Fencai Porcelain in the Qianlong Period
-Discussion questions
-13.1 Zisha-pottery
-13.2 The Zisha Teapot
-13.3 The Zisha tea set in the Ming Dynasty
-Discussion questions
-14.1 Development of Contemporary Chinese ceramic art
--14.1 Development of Contemporary Chinese ceramic art
-14.2 The internationalization trend of Chinese modern ceramics
--14.2 The internationalization trend of Chinese modern ceramics
-14.3 A new style of contemporary ceramic art Ⅰ
--14.3 A new style of contemporary ceramic artⅠ
-14.3 A new style of contemporary ceramic art Ⅱ
--14.3 A new style of contemporary ceramic art Ⅱ
-14.4 The Trade of the Artisans Ⅰ
--14.4 The Trade of the Artisans Ⅰ
-14.4 The Trade of the Artisans Ⅱ
--14.4 The Trade of the ArtisansⅡ
-Discussion questions
-15.1 Unique Cloisonné technique
--15.1 Unique Cloisonné technique
-15.2 The Craftsmanship and Development of Cloisonné
--15.2 The Craftsmanship and Development of Cloisonné
-15.3 The Problems Facing the Inheritance of Cloisonné
--15.3 The Problems Facing the Inheritance of Cloisonné
-15.4 The inheritance and development of Cloisonné
--15.4 The inheritance and development of Cloisonné
-Unit 15 Test
--Unit 15 Test
-Discussion questions
-16.1 Appreciation of Chinese ceramics
--16.1 Appreciation of Chinese ceramics
-16.2 Explore the origins of ancient ceramics Ⅰ
--16.2 Explore the origins of ancient ceramics Ⅰ
-16.2 Explore the origins of ancient ceramics Ⅱ
--16.2 Explore the origins of ancient ceramics Ⅱ
-Unit 16 Test
--Unit 16 Test
-17.1 Traditional Chinese Decorative Patterns
--17.1 Traditional Chinese Decorative Patterns
-17.2 Application of Traditional Chinese decorative patterns in ceramics
--17.2 Application of Traditional Chinese decorative patterns in ceramics
-Unit 17 Test
--Unit 17 Test
-Discussion questions