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看,一匹陶瓷做的马
这是唐三彩的马
我喜欢它,什么是唐三彩呀
唐三彩是盛行于唐代的一种陶器
它吸取了中国国画和雕塑的技巧
成为一种风格独犄的艺术品
它以造型生动、色彩丰寓而著称
为什么这种陶器叫唐三彩呢
“三彩”是多彩的意思,并不是只有三种颜色
由于主要有三种颜色
黄、绿、棕,唐三彩因此得名
它们都是马的形状吗
它们还有其他形状
其中最受欢迎的是马和女士
我想自己做一个陶瓷小鸟
这可不好做
它是用白色粘土做胎
施以含铅的低温釉
釉中使用铁、铜
锰、钴等多种金属作呈色剂
在750℃-800℃低温下焙烧而成的
那太难了,那我还是买一个吧
同学们好
今天,我们将会讨论唐代的三彩釉陶瓷
同学们好,嗨,天奇
唐三彩是中国古代陶瓷烧制工艺的珍品
全名叫唐代三彩釉陶器
是盛行于唐代的一种低温油陶器
因为唐三彩最早
最多出土于洛阳
亦有"洛阳唐三彩"之称
唐三彩是如何重现在世人面前呢
三彩陶器
在唐代陶瓷中它不仅具有风格
还具有特殊的作用
在20世纪初期的一次考古发现中
人们在河南洛阳附近的一处古墓中
发现了大量的唐三彩、明器
其独具风采的艺术形象再次驰名中外
唐王朝是中国历史上国力最强
历时最长的王朝之一
那么唐三彩在当时是怎么烧制的呢
这种唐三彩陶器是在汉代铅釉陶的基础上
进一步发展起来的
用白色粘土做胎
施以含铅的低温釉
釉中使用铁
铜、锰、钴等多种金属作呈色剂
在750℃-800℃低温下焙烧而成
真棒,古人的智慧真的很伟大
请问唐三彩是只有三种颜色吗
所谓"三彩"即多彩之意
包括绿、黄、赭、红、白、蓝、黑、等许多颜色
有的一色单用,有的多色搭配使用
上釉前先挂一层化妆土
以实现其造型和装饰的整体效果
有些三彩陶还采用了
印花、贴花、刻花、雕塑等传统技法
巧妙做成各种富丽堂皇
生动传神的陶器
唐三彩会有一些装饰效果或者艺术形式吗
唐三彩中描金彩的器物
格外华丽
这在几处唐代宗亲墓葬出土文物中
显得尤为突岀
在北京故宫博物院和陕西博物馆
收藏的唐三彩骆驼俑
骆驼载乐俑
都是十分珍贵的
写实作品
这些骆驼俑高达一米左右
或昂首阔步、或四足伫立
显得雍容华贵、气魄非凡
烧制工艺都相当成功
这种造型有什么特别的含义吗
这些产自中亚的双峰驼
往返于丝绸之路
不仅充当载重工具
更因其“异域”形象
受到当时中原人士的喜爱
生动地反映出当时中外贸易
和乐舞百戏的活跃程度
谢谢邱老师
今天我们讨论了唐三彩陶瓷
今天的课就到这里,谢谢大家,下节课再见
-1.1 Introduction
-1.2 Ceramics in Neolithic, East Han and Wei-Jin Dynasties
--Ceramics in Neolithic, East Han and Wei-Jin Dynasties
-1.3 Sui and Tang dynasties and Song Dynasty ceramics
--Sui and Tang dynasties and Song Dynasty ceramics
-1.4 Ming and Qing Dynasties
-Unit 1 test
--Unit 1 test
-Discussion questions
-2.1 The Unique Chinese Ceramic Culture
--The Unique Chinese Ceramic Culture
-2.2 The Historical Development of Chinese Ceramic Making
--The Historical Development of Chinese Ceramic Making
-2.3 Chinese Ceramic Shape Art
-2.4 Chinese Ceramic Painting Art
--Chinese Ceramic Painting Art
-2.5 Chinese Ceramic Folk Stories
--Chinese Ceramic Folk Stories
-Unit 2 test
--Unit 2 test
-Discussion questions
-3.1 CeramicCulture and the Zodiac
--CeramicCulture and the Zodiac
-3.2 The heritage of traditional ceramic culture
--The heritage of traditional ceramic culture
-3.3 The development and innovation of ceramic art
--The development and innovation of ceramic art
-Unit 3 test
--Unit 3 test
-Discussion questions
-4.1 Gorgeous Colored Pottery
-4.2 The Method of Making Colored Pottery
--The Method of Making Colored Pottery
-4.3 Primitive Colored Pottery Ⅰ
-4.3 Primitive Colored Pottery Ⅱ
-4.3 Primitive Colored Pottery Ⅲ
-4.4 Black Earthenware
-4.5 White Pottery and Primitive Porcelain
--White Pottery and Primitive Porcelain
-Unit 4 test
--Unit 4 test
-Discussion questions
-5.1 Terracotta Warriors in Qin Dynasty
--Terracotta Warriors in Qin Dynasty
-5.2 Potteries in Han Dynasty
-Unit 5 test
--Unit 5 test
-Discussion questions
-6.1 Dragon kiln and Celadon
-6.2 Yue Kiln and Wuzhou kiln
-6.3 Deqing Kiln and Ou kiln
-6.4 Longquan Wares
-6.5 Yaozhou Wares
-Unit 6 test
--Unit 6 test
-Discussion questions
-7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-7.1Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
--7.1 Tang Tri-Colored Pottery
-Discussion questions
-Unit 7 test
--Unit 7 test
-8.1 The flourishing age of the Song Dynasty
--8.1 The flourishing age of the Song Dynasty
-8.2 The flourishing age of the Song Dynasty
--8.2 The flourishing age of the Song Dynasty
-8.3 Ding Wares
-8.4 Ru Wares
-8.5 Guan Wares
-8.6 Ge Wares
-8.7 Jun Wares
-Discussion questions
-Unit 8 test
--Unit 8 test
-9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
--9.1 Reasons for the maturity of Qinghua porcelain in Yuan Dynasty
-9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
--9.2 The Invention of Blue-and-white Porcelain in the Tang Dynasty
-9.3 Fine China Ware became the Symbol of ChinaⅠ
--9.3 Fine China Ware became the Symbol of ChinaⅠ
-9.3 Fine China Ware became the Symbol of ChinaⅡ
--9.3 Fine China Ware became the Symbol of ChinaⅡ
-9.3 Fine China Ware became the Symbol of ChinaⅢ
--9.3 Fine China Ware became the Symbol of ChinaⅢ
-9.4 The charm of QinghuaⅠ
-9.4 The charm of QinghuaⅡ
-9.4 The charm of QinghuaⅢ
-Discussion questions
-10.1 Da Ming Wucai
-10.2 Wooden engravings influence on Wucai porcelain
--10.2 Wooden engravings influence on Wucai porcelain
-10.3 Kangxi Wucai
-10.4 Liling Under-glaze multicolored porcelainⅠ
--10.4 Liling Under-glaze multicolored porcelainⅠ
-10.4 Liling Under-glaze multicolored porcelainⅡ
--10.4 Liling Under-glaze multicolored porcelainⅡ
-Discussion questions
-11.1 The advent of Fencai
-11.2 Fencai Porcelain in the Yong zheng period
--Fencai Porcelain in the Yong zheng period
-11.3 Fencai Porcelain in the Qianlong Period
--Fencai Porcelain in the Qianlong Period
-Discussion questions
-13.1 Zisha-pottery
-13.2 The Zisha Teapot
-13.3 The Zisha tea set in the Ming Dynasty
-Discussion questions
-14.1 Development of Contemporary Chinese ceramic art
--14.1 Development of Contemporary Chinese ceramic art
-14.2 The internationalization trend of Chinese modern ceramics
--14.2 The internationalization trend of Chinese modern ceramics
-14.3 A new style of contemporary ceramic art Ⅰ
--14.3 A new style of contemporary ceramic artⅠ
-14.3 A new style of contemporary ceramic art Ⅱ
--14.3 A new style of contemporary ceramic art Ⅱ
-14.4 The Trade of the Artisans Ⅰ
--14.4 The Trade of the Artisans Ⅰ
-14.4 The Trade of the Artisans Ⅱ
--14.4 The Trade of the ArtisansⅡ
-Discussion questions
-15.1 Unique Cloisonné technique
--15.1 Unique Cloisonné technique
-15.2 The Craftsmanship and Development of Cloisonné
--15.2 The Craftsmanship and Development of Cloisonné
-15.3 The Problems Facing the Inheritance of Cloisonné
--15.3 The Problems Facing the Inheritance of Cloisonné
-15.4 The inheritance and development of Cloisonné
--15.4 The inheritance and development of Cloisonné
-Unit 15 Test
--Unit 15 Test
-Discussion questions
-16.1 Appreciation of Chinese ceramics
--16.1 Appreciation of Chinese ceramics
-16.2 Explore the origins of ancient ceramics Ⅰ
--16.2 Explore the origins of ancient ceramics Ⅰ
-16.2 Explore the origins of ancient ceramics Ⅱ
--16.2 Explore the origins of ancient ceramics Ⅱ
-Unit 16 Test
--Unit 16 Test
-17.1 Traditional Chinese Decorative Patterns
--17.1 Traditional Chinese Decorative Patterns
-17.2 Application of Traditional Chinese decorative patterns in ceramics
--17.2 Application of Traditional Chinese decorative patterns in ceramics
-Unit 17 Test
--Unit 17 Test
-Discussion questions