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Literature Appreciation:一个偏见/A Prejudice

A Prejudice

Qian Zhongshu


      Prejudice is aroused when reason goes on vacation, so to speak. It is a dire necessity to the brainless, but the brainy see it as Sunday entertainment. Suppose we held no prejudicewe ' d be dispassionate, fair, serious. We' d be decent ( anytime and anywhere) as if posing for photographs in front of a bathroom mirror or as if building a house with only salons but no bedrooms. In Dante' s Inferno ( Canto 27), the Devil claims he is always " reasonable." This is why Hell is specially made for people like him. So, we don't have to play fair in this world ,as the so-called justice is certainly prejudice in the first place. Besides, it is common knowledge that the human heart is not physiologically centered, but kind of slanted and lefty" ( which is rather faddish). No wonder unorthodox beliefs are called " a road that turns left" in the Chinese classics. Although this is a fact somewhat scientifically established, most of the views people voice (such as the theories we read in a book etc.) are apparent realities interacting with absolute realities" as Dongshan of the Chan sect puts it in The Five Positions. The rest, like the marginalia of life or the letters written when one is madly in love, are all prejudices, straight from the heart, and forcefully expressed. Oh well, this is a big world. Though we face it squarely and fairly with our eyes wide open, we are prone to focus exclusively on limited aspects. When a dog has its eye on a bone, does it ever pay attention to other dogs at its side? As for what we call prejudice in normal circumstances, it is like a marksman shooting with one eye closed. But then there are people who believe that this is a way to target the heart of the matter. For example, Plato defines man as a featherless animal with two feet, which is a judgment mightily sober. However, Diogenes Laertius, a Greek, reports in his Lives of Eminent Philosophers ( VolumeVI, Chapter 2) that a man brought Plato a plucked chicken to challenge that definition. Also, the clown in Mariage de Figaro by Beaumarchais says that man is an animal "drinking when he is not thirsty and making love all year round." We know that this is only a joke cracked by a buffoon who has a liking for wine and women. But we cannot deny that, biased as he might be, what he says is close enough to the bone when it comes to human nature. The prefix" pre-" and the word conception "are always related to each other: the idea that is formed before we know the actual fact is of course a "preconception". One might as well say, "Man is an animal which makes noises day and night and all year round." Yes, why not?

 

       Birds sing in spring, crickets chirp in fall, and mosquitoes buzz in summer. But bugs stay awake while birds are sleeping at night. And the wind does not howl and the rain does not drum every day. Dogs will never bark if nobody is coming and hens cackle only if they lay eggs. It is man who makes noises at all times and in every place, talking, moving around, or running machines. Even when he is all by himself in a room, he turns on the gramophone or listens to the radio. And he snores like thunder while sleeping. Of course, speech is not noise. But when we get the rough edge of someone' s tongue, or want to shut our ears, or overhear somebody saying something from the next room or in the distance, we take the edge off what we hear, distort it and turn it into hubbub, now rising, now falling, which no longer says much to us, like the cluck of a chicken or the bark of a dog. This is the so-called" human voice." It makes us sleep fitfully, interrupts our train of thought, and gives us a nervous breakdown.

 

      After all, the human race has power and control over the world. Our voice is the loudest of its kind. All the cries of nature raised in chorus are drowned out by the noise we make when the two of us speak at the same time. At least this rings true to the ear of a third party. An oft-quoted line from Tang Zixi's poem Zuimian goes: "The mountain was as quiet as the world in the distant past." By this. he probably means the period of time before the human race appeared, otherwise the mountain would never be quiet. There would have been monks up the top, tourists at the foot, and restaurants and tea houses halfway up the hill. While the human voice is a mortal blow to peace and quiet, the cries of nature blend in perfectly with it. The wind whistles, the sea ululates. Nature's cries relate to peace and quiet as breezes relate to air and waves to sea. They are two-in-one. Every day when the first hint of steely light casts on the eastern sky, half- awake and half-asleep, we hear that there are hundreds of birds chirruping, extending their greetings to the morning. But the night is staying around. Peace and quiet still lingers on, protecting whatever portions of our dream remained untouched. The twitter of innumerable sparrows is short and quick, as if to peck at the peace and quiet. The chatter of magpies is sharp like a pair of scissors. The squawk of storks is rough as a saw with teeth. All of them try to cut into the peace and quiet over and over again. But the peace and quiet seems to be so deep, so fluid, and so flexible that as soon as the caw of birds has broken its surface open, it replenishes its stock to the rim. Even the crow of a cock, the first herald of dawn, leaves no scratches on it. Little by little, we forget that the twitter of birds has broken the peace and quiet. It seems that the peace and quiet has absorbed and digested the birdsong, and turned it into the sound of silence. But once we hear the kid next-door wailing, the guy upstairs coughing in his sleep, or an early walker passing by outside the wall, the peace and quiet is shattered and dispersed and is all gone, as though it were the soft mist that lifts at sunrise. The human voice is raised , everything is coming back, so we can no longer relax. Whether we are bone-tired in the small hours or while we are racking our brains, the moment violent noises explode even the most loving humanitarian might be seized with a sudden desire to kill, itching to do everybody in, so as to restore silence. In ancient times, observant poets perceived that the cries of nature produced by birds and beasts and wind and waves, etc. complement peace and quiet perfectly. It is written in the Shijing: "The horses are neighing ,the flags are flying." And the next line is: We hear sounds, but no noises." So we see the neigh alone doesn't produce any hubbub as long as nobody is shouting. Moreover, there is an oft- quoted line from one of the poems by Wang Ji: "The more the cicadas sing, the stiller the silence of the woods. The more the birds chirp, the louder the quiet of the mountains becomes." In his Yanshi Jiaxun, Yan Zhitui points out that that is how we feel when "we hear sounds, but no noises." The song of birds and the hum of insects have imposed silence on nature. In To Jane- The Recollection, P. B. Shelley portrays in words: "How calm it was ! the silence there/ By such a chain was bound/That even the busy woodpecker/Made stiller by her sound." In The Eolian Harp, Coleridge writes,  "The stilly murmur of the distant Sea/Tells us of silence." Well, should it have been the sea of human faces, the poet would have gone deaf or suffered a headache . In Chinese , the comparison we often make between hullabaloo and "the caw of crows and the chatter of birds" shows favor to humans after all. It is just that we try to protect our own reputation. Likewise, the comparison we make between the giggles of women and the warble of nightingales and the twitter of swallows" indeed is an insult to the bird.

 

     Peace and quiet is not muteness. Muteness is a deathly hush. It is not silence. That is why Dante depicts the sun holding its tongue in Hell( dove il sole tace). One might say peace and quiet is an auditory state of transparency, just like one might as well say the notion of emptiness in Buddhism is a visual state of quiet. Quiet makes us aware of the sounds we normally don' t hear. It allows the ethicist to become conscious of the still small voice and the poet to hear the light footfall of dusk or the soft whisper of sprouting grass. The more we hear hubbub ,the less sensitive we are to sounds. The human race enjoys making noises so much that it seems unnatural for a crowd to fall silent, like when we observe a five- minute silence before we start a meeting, or like the occasion of a reunion, we are speechless with emotion, holding the hands of our family and friends whom we haven' t seen for a long time .These are the silences pregnant with the first movements of voices that have not been born yet .

 

    The human voice is unpleasant for one more reason. Much as traffic drones up and down around our body, it is on the same horizontal plane as we are. But humans make a hell of a racket above us, taking aim at the head. For example, we live downstairs and someone else lives upstairs. His footsteps alone, not to mention others, are enough to make us feel like Aunt Zhao who got kicked in the head in the Hongloumeng. When we have had enough of it, we make one of the following two fervent wishes. We wish we were "the warrior without a head" (cf. the Shanhaijing), letting the head grow beneath the chest, so that it could be saved from being trampled underfoot. Or, we wish the guy living upstairs were some angel like one of those in Christianity. He would never walk with his legs since he had two wings on his back , but nothing beneath the waist. We do mean well! We don ' t want him to take punishment and have his feet chopped off like Sun Bin. We are "a soul injured by hubbub as Rodenbach calls it, but our neighbors don't care. And they don't care about our heads either, do they?

 

     There is an interrelationship between hullabaloo and heat, stillness and chilliness. Hell is gloomy and frightful, so the sun there is ominously silent. But the clamor of people can turn a chilly room into a cooking pot, which makes us get hot under the collar. This is the reason why Schopenhauer says that the philosopher should turn a deaf ear to what he hears ( Parerga und paralipomena, Section 278) . True, if we aren't deaf, we'll hear noises. And if the noises are loud enough, we'll become hotheaded. Prejudice will replace reason and then we'll be warped . At that moment, we'll forget that we're rowdy animals too. We have kicked the guy downstairs in the head before and we have made a hell of a racket interrupting our neighbors who were trying to concentrate or get some sleep. Still we couldn't care less when people say were mightily prejudiced. Instead, we cling to our prejudice, making another annotation in the marginalia of life.

 

 


下一节:About the Writer:钱钟书/Qian Zhongshu

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Chinese Literature课程列表:

德行天下/Morality

-单元导学/Unit Guidance

--Microlecture:Staying Upright and Practicing Morality All over the World

-Recommended Reading

--Literature Appreciation:孔子论仁五则/Confucian Thought on Ren

--About the Writer:孔子/Confucius

--Literature Appreciation:老子二章/Two Chapters of Lao Zi

--About the Writer:老子/Lao Zi

--Literature Appreciation:橘颂/Ode to the Orange

--About the Writer:屈原/Qu Yuan

--Literature Appreciation:诫子书/Son of the Commandment

--About the Writer:诸葛亮/Zhuge Liang

-第一讲 孔子论仁五则/Confucian Thought on Ren

--PPT

--Microlecture:Adorable Confucius

--Microlecture:Confucius Teaches You "Ren "

--Microlecture:Respect and Tolerance, Making the World a Better Place

--Microlecture Test

--Extended Resource (Documentary):BBC's Introduction to Confucius

--Extended Resource (Movie):Confucius' Views on the Relationship Between Humaneness and Ritual

-第二讲 老子二章/Two Chapters of Lao Zi

--PPT

--Microlecture:Water in the Eyes of Confucianism, Buddhism and Taoism

--Microlecture:The Goodness of the World is as Good as Water

--Microlecture Test

--Extended Resource (Movie):Laozi Went out of Hangu Pass

--Extended Resource (Movie):Confucius Talked About "Tao" with Laozi

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

家国故里/Country

-单元导学/Unit Guidance

--Microlecture:Where is the Hometown at Dusk?

-推荐阅读/Recommended Reading

--Literature Appreciation:八声甘州/Eight Beats of Ganzhou Song by Liu Yong

--About the Writer:柳永/Liu Yong

--Literature Appreciation:满江红·登黄鹤楼有感/The River All Red · Meditations on the Yellow Crane Tower

--About the Writer:岳飞/Yue Fei

--Literature Appreciation:秋兴八首·其一/Eight Octaves on Autumnal Musings

--About the Writer:杜甫/Du Fu

--Literature Appreciation:病起书怀/Sick Book

--About the writer:陆游/ Lu You

--Literature Appreciation:雪落在中国的土地上/Snow Falls on China’s Land

--About the Writer:艾青/Ai Qing

-第一讲 八声甘州/Eight Beats of Ganzhou Song by Liu Yong

--PPT

--Microlecture:The Nostalgia of Eight Beats of Ganzhou Song

--Microlecture Test

--Extended Resource(Recitation): Eight Beats of Ganzhou Song

-第二讲 满江红·登黄鹤楼有感/The River All Red · Meditations on the Yellow Crane Tower

--PPT

--Microlecture:The Top-notch and Famous Tower, Yellow Crane Tower

--Microlecture:The “War” in the General Yue Fei’s Poetry

--Microlecture Test

--Extended Resource(Beijing Opera):The Whole River Red

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

生命之歌/Life

-单元导学/Unit Guidance

--Microlecture:Playing the Song of Life

-推荐阅读/Recommended Reading

--Literature Appreciation:春夜宴诸从弟桃李园序/Preface to Feast on Spring Night in Peach & Plum Garden

--About the Writer:李白/Li Bai

--Literature Appreciation:八声甘州·寄参寥子/ Eight Beats of Ganzhou Song for a Buddhist Friend

--About the Writer: 苏轼/Su Shi

--Literature Appreciation:渐/Gradualness

--About the Writer:丰子恺/Zikai Feng

--Literature Appreciation:我喜欢出发/I like to start

--About the Writer:汪国真/Wang Guozhen

--Literature Appreciation:谈生命/On Life

--About the writer:冰心/Bing Xin

-第一讲 春夜宴诸从弟桃李园序/Preface to Feast on Spring Night in Peach & Plum Garden

--PPT

--Microlecture:A Dream Reture to the Tang Dynasty

--Microlecture:The Vigorous Poet Libai

--Microlecture:The Beautiful Rhythm of Preface to Feast on Spring Night in Peach & Plum Garden

--Microlecture Test

--Extended Resource:(Song)Li Bai

-第二讲 八声甘州·寄参廖子/Eight Beats of Ganzhou Song For a Buddhist Friend

--PPT

--Microlecture:Su Shi's Reform of the Traditional Style of Song Ci

--Microlecture:Su Shi's friends

--Microlecture:Gourmet Su Dongpo

--Microlecture Test

--Extended Resource:(Calligraphy) Eight Beats of Ganzhou Song for a Buddhist Friend

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

守望理想/Ideals

-单元导学/Unit Guidance

--Microlecture:The Ideal is Always Accompanied with Youthfulness

-推荐阅读/Recommended Reading

--Literature Appreciation:白马篇/Song of the White Horse

--About the Writer: 曹植/Cao Zhi

--Literature Appreciation:命若琴弦/Strings of Life

--About the Writer:史铁生/ Shi Tiesheng

--Literature Appreciation:相信未来/Believe in the Future

--About the Writer:食指/Index Finger

--Literature Appreciation:报任安书/The translation of Ren an's book

--About the Writer:司马迁/Sima Qian

-第一讲 白马篇/Song of the White Horse

--PPT

--Microlecture:The Artistic Style of Song of the White Horse

--Microlecture:A Brave Youth ——An Analysis of the Character in Song of White Horse

--Microlecture:Cao Zhi's Guiding Effect on the Aesthetics of Knight-errant Poems

--Microlecture Test

--Extended Resource:(Movie clip) Sword Dance-Song of the White Horse

-第二讲 命若琴弦/Strings of Life

--PPT

--Microlecture:An disabled Chinese writer-Shi Tiesheng

--Microlecture:Real-life Novel and Ideographic Novel

--Microlecture:Hope is the Fulcrum of Life

--Microlecture:How Symbolism Are Used in Strings of Life

--Microlecture Test

--Extended Resource:(Movie)Strings of Life

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

心灵智慧/Wisdom

-单元导学/Unit Guidance

--Microlecture:Eyes of the Mind

-推荐阅读/Recommended Reading

--Literature Appreciation:任公子钓鱼/Angling

--About the Writer: 庄子/Zhuang Zi

--Literature Appreciation:一个偏见/A Prejudice

--About the Writer:钱钟书/Qian Zhongshu

--Literature Appreciation:杂诗十二首·其一Twelve Miscellaneous Poems

--About the Writer:陶渊明/Tao Yuanming

--Literature Appreciation:偶然/Chance

--About the Writer:徐志摩/Xu Zhimo

--Literature Appreciation:从前慢/The Slow Pace of Life

--About the Writer:木心/Mu Xin

-第一讲 任公子钓鱼/Angling

--PPT

--Microlecture:Chuang Tzu and Fish

--Microlecture:The Art of Hyperbole in Chuang Tzu's Fables

--Microlecture Test

--Extended Resource:(Cartoon) Chuang Tzu Speaks

-第二讲 一个偏见/A Prejudice

--PPT

--Microlecture:Learn Metaphor with Qian Zhongshu

--Microlecture:The Sharp Edge behind Prejudice

--Microlecture Test

--Extended Resource: A Letter from Qian Zhongshu to His Friend

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

情感探微/Emotion

-单元导学/Unit Guidance

--Microlecture:Where the emotion rises, the poem arises

-推荐阅读/Recommended Reading

--Literature Appreciation:你是人间四月天/You Are the April of This World

--About the Writer:林徽因/Lin Huiyin

--Literature Appreciation:多年父子成兄弟/Brotherhood between Father and Son for Many Years

--About the Writer: 汪曾祺/Wang Zengqi

--Literature Appreciation:鹊踏枝/Magpie on the Branch

--About the Writer:冯延巳/Feng Yansi

--Literature Appreciation: 我们仨(节选)/We Three(Extracts)

--About the Writer:杨绛/Yang Jiang

--Literature Appreciation:写给母亲/Written for My Mother

--About the Writer:贾平凹/Jia Pingwa

-第一讲 你是人间四月天/You Are the April of This World

--PPT

--Microlecture:The “Three Beauties” of Lin Whei-yin’s Poetry

--Microlecture:The Color in Poem You Are the April of This World

--Microlecture Test

--Extended Resource:(Recitation)You Are the April of This World

--Extended Resource:(Song)You Are the April of This World

-第二讲 多年父子成兄弟/Brotherhood between Father and Son for Many Years

--PPT

--Microlecture:Fatherhood

--Microlecture:The Art of Leaving Blanks in "Brotherhood between Father and Son for Many Years"

--Microlecture Test

--Extended Resource:(Cartoon) Father and Son

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

寄兴山水/Nature

-单元导学/Unit Guidance

--Microlecture:Mountains and Rivers Are Always Bestowed with Emotions

-推荐阅读/Recommended Reading

--Literature Appreciation:秋登万山寄张五/To Zhang Wu from the Top of Mountain Wanshan on an Autumn Day

--About the Writer:孟浩然/ Meng Haoran

--Literature Appreciation:春江花月夜/A Moonlit Night on the Spring River

--About the Writer: 张若虚/Zhang Ruoxu

--Literature Appreciation:春之怀古/A Meditation on Spring

--About the Writer: 张晓风/Zhang Xiaofeng

--Literature Appreciation:我们站在高高的山巅/We Are Standing High on the Summit of a Mountain

--About the Writer:冯至/ Feng Zhi

-第一讲 秋登万山寄张五/To Zhang Wu from the Top of Mountain Wanshan on an Autumn Day

--PPT

--Microlecture:Comparison of Wang Wei’s and Meng Haoran’s Poems

--Microlecture:Wanshan—The Most Romantic Mountain

--Microlecture:Carefree and Leisurely Life Feelings

--Microlecture Test

--Extended Resource:(Scenic Film) Xiangyang--The Hometown of Meng Haoran

-第二讲 春江花月夜/A Moonlit Night on the Spring River

--PPT

--Microlecture:Appreciation of the Best Ever Poem "A Moonlit Night on the Spring River "

--Microlecture:Transcendental Beauty of " A Moonlit Night on the Spring River "

--Microlecture:The Artistic Beauty of Scenery, Reason and Love in " A Moonlit Night on the Spring River "

--Microlecture Test

--Extended Resource: (Music) Concert of "A Moonlit Night on the Spring River" in the Golden Hall of Vienna

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

眺望爱情/Love

-单元导学/Unit Guidance

--Microlecture:Love Is the Combination of Two Semicircles

-推荐阅读/Recommended Reading

--Literature Appreciation:汉广/A Woodcutter’s Love

--Relevant Material: 诗经/The Book of Songs

--Literature Appreciation:西洲曲/Song of West Isle

--Relevant Material:南北朝民歌/Folk Songs of the Northern and Southern Dynasties

--Literature Appreciation:爱/Love

--About the Writer:张爱玲/ Zhang Ailing

--Literature Appreciation:神雕侠侣(节选)/ The Return of the Condor Heroes(Extracts)

--About the Writer: 金庸/Jin Yong

--Literature Appreciation: 红楼梦(节选)/The Dream of the Red Chamber(Extracts)

--About the Writer: 曹雪芹/Cao Xueqin

-第一讲 汉广/A Woodcutter’s Love

--PPT

--Microlecture:"A Woodcutter’s Love" Is Enjoyed for a Thousand Years

--Microlecture:Love Is Always Young

--Microlecture:Near the End of the World —— the Situation of Admiration in A Woodcutter’s Love

--Microlecture Test

--Extended Resource:(Cartoon) Confucius Institute's Evaluation of the Book of Songs

-第二讲 西洲曲/Song of West Isle

--PPT

--Microlecture:The Ingenious Use of Pun in “Song of West Isle”

--Microlecture:A Comparative Analysis of Love Poems in the Northern and Southern Dynasties

--Microlecture Test

--Extended Resource:(Ink Wash Painting) Lotus Picking

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

人性探究/Humanity

-单元导学/Unit Guidance

--Microlecture:Humanity Is the Eternal River of Light

-推荐阅读/Recommended Reading

--Literature Appreciation:示众/A Public Example

--About the Writer: 鲁迅/Lu Xun

--Literature Appreciation:鸭窠围的夜/A Night at Mallard-Nest Village

--About the Writer: 沈从文/Shen Congwen

--Literature Appreciation:百合花/Lilies

--About he Writer: 茹志鹃/Ru Zhijuan

--Literature Appreciation:受戒/The Love Story of a Young Monk

--About the Writer:汪曾祺 Wang Zengqi

-第一讲 示众/A Public Example

--PPT

--Microlecture:Lu Xun’s Humor and Profundity

--Microlecture:The Ingenious Use of the Technique of "Display" in A Public Example

--Microlecture:To See and Be Seen

--Microlecture Test

--Extended Resource: (Movie clip) Lu Xun's Speech

-第二讲 鸭窠围的夜/A Night at Mallard-Nest Village

--PPT

--Microlecture:The Compassion of the Eternal Night.

--Microlecture:Listening to the Narration of the Eternal Night

--Microlecture Test

--Extended Resource:(Scenic Film) Fenghuang--The Hometown of Shen Congwen

-单元讨论/Unit Discussion

-单元作业/Unit Assignment

期末考试/Final Exam

-Final Exam

Literature Appreciation:一个偏见/A Prejudice笔记与讨论

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