Combining the tangible with the intangible在线视频

Western and Chinese Art: Masters and Classics课程列表：

1.A Survey of Art: Subjects and Methodology

-1.1Factual impairment between image and message

--Factual impairment between image and message

-1.2Relationship between Fact and Truth

--Relationship between Fact and Truth

-1.3The image revelry in the information age

--The image revelry in the information age

-1.4 Nature, animal and human body art

--Nature, animal and human body art

-1.5 Art: from concrete bodies to metaphorical constructions

--Art: from concrete bodies to metaphorical constructions

-1.6 On defining art

--On defining art

-1.7 Globalization and Consumerism

--Globalization and Consumerism

-1.8 Art and Anti-art

--Art and Anti-art

-1.9The value classics hold to the modern time

--The value classics hold to the modern time

-Homework1

2. The Dawn of Icon: Masterpieces by Unknown Artists

-2.1 The occurrence of prehistoric art

--The occurrence of prehistoric art

-2.2 Mysterious cave mural paintings

--Mysterious cave mural paintings

-2.3 Symbolism of rock engravings

--Symbolism of rock engravings

-2.4 Expressive functions about prehistoric painting

--Expressive functions about prehistoric painting

-2.5 Aesthetic characters of prehistoric art

--Aesthetic characters of prehistoric art

-2.6 The tribal art of bodily operation

--The tribal art of bodily operation

-2.7 The construction to reach the heaven

--The construction to reach the heaven

-2.8 Immortal art in ancient Egyptian

-- Immortal art in ancient Egyptian

-Homework2

3.Mythological creation of beauty: From Homer to Phidias

-3.1 The relationship between mythology and Greek culture

--The relationship between mythology and Greek culture

-3.2 The marks of the epics written by Homer

--The marks of the epics written by Homer

-3.3 Three greatest tragedy drammatists in Greece

--Three greatest tragedy drammatists in Greece

-3.4 The aesthetics woven into ancient Greek architecture

--The aesthetics woven into ancient Greek architecture

-3.5 The ancient Greek sculpture

--The ancient Greek sculpture

-3.6 The Greek sculpture of the classic age

--The Greek sculpture of the classic age

-3.7 Works of Phidias

--Works of Phidias

-3.8 The essence and verve of ancient Greek classical art

--The essence and verve of ancient Greek classical art

-Homework3

4.Majesty and Divinity: From Bronze Ware to Han Stone Rrelief

-4.1The beginning of Chinese painting and Calligraphy

--The beginning of Chinese painting and Calligraphy

-4.2 Majesty and divinity from bronze ware

--Majesty and divinity from bronze ware

-4.3 The Duke Mao Tripod and eternal characters

--The Duke Mao Tripod and eternal characters

-4.4The Philosophy of Chuang Tzu

--The Philosophy of Chuang Tzu

-4.5Qin Shi Huang’s Terracotta Warriors

--Qin Shi Huang’s Terracotta Warriors

-4.6The painting in the Han Dynasty

--The painting in the Han Dynasty

-4.7 The sculpture in the Han Dynasty

--The sculpture in the Han Dynasty

-Homework4

5.Grief and Transcendence: Wang Xizhi and Gu Kaizhi

-5.1Master Chuang Tzu's impact on the Wei and Jin Dynasties

--Master Chuang Tzu's impact on the Wei and Jin Dynasties

-5.2Talking about Ji Kang

--Talking about Ji Kang

-5.3 The general spirit of the Wei and Jin Dynasties

--The general spirit of the Wei and Jin Dynasties

-5.4 Wang Xizhi and his unrivalled attainment in calligraphy

--Wang Xizhi and his unrivalled attainment in calligraphy

-5.5 A Preface to the Orchid Pavilion

-- A Preface to the Orchid Pavilion

-5.6 The penmanship of two famous calligraphers surnamed Wang

--The penmanship of two famous calligraphers surnamed Wang

-5.7Gu Kaizhi and his painting

--Gu Kaizhi and his painting

-5.8 Great poet Tao Yuanming

--Great poet Tao Yuanming

-Homework5

6.Unrestrained-ness and unconventional-ness: Zhang Xu and Wu Daozi

-6.1The Chan School in the Tang dynasty

--The Chan School in the Tang dynasty

-6.2“Cursive King”: Zhang Xu

--“Cursive King”: Zhang Xu

-6.3《Four Calligraphy Works of Ancient Poems》

--《Four Calligraphy Works of Ancient Poems》

-6.4Zhang Xu and Huai Su

--Zhang Xu and Huai Su

-6.5Wu Daozi and his paintings

--Wu Daozi and his paintings

-6.6Wang Wei and Chinese landscape painting

--Wang Wei and Chinese landscape painting

-6.7The relation of painting and poetry

--The relation of painting and poetry

-Homework6

7. Earthliness and Holiness: Giotto and Jan Van Eyck

-7.1 The beginning of Renaissance: Giotto

--The beginning of Renaissance: Giotto

-7.2 Giotto’s naturalism

--Giotto’s naturalism

-7.3 The frescoes in the Arenal Chapel

--The frescoes in the Arenal Chapel

-7.4 The Renaissance artist in north Europe: Robert Campin

--The Renaissance artist in north Europe: Robert Campin

-7.5 The Ghent Altarpiece

--The Ghent Altarpiece

-7.6 Jan Van Eyck’s secular paintings

-- Jan Van Eyck’s secular paintings

-Homework7

8. The Blossoming of Holiness: From Da Vinci to Titian

-8.1 The beauty of dawn during Renaissance

--The beauty of dawn during Renaissance

-8.2 The reproducer of nature: Da Vinci

--The reproducer of nature: Da Vinci

-8.3 The immortal work Mona Lisa

--The immortal work Mona Lisa

-8.4 The classicism of Raphael

--The classicism of Raphael

-8.5 The Sistine Chapel ceiling

--The Sistine Chapel ceiling

-8.6 The mythology and sculpture of Moses

--The mythology and sculpture of Moses

-8.7 Michelangelo's struggle between life and death

-- Michelangelo's struggle between life and death

-8.8 The perceptual Titian and Venice

--The perceptual Titian and Venice

-Homework8

9.Nature and Human Nature: Rubens, Poussin and Rembrandt

-9.1Rubens and the Baroque Art

--Rubens and the Baroque Art

-9.2Poussin and his classical spirit

--Poussin and his classical spirit

-9.3Rembrandt and his aptitude of wielding light and shadow

--Rembrandt and his aptitude of wielding light and shadow

-9.4 Rembrandt in his self-portrait

--Rembrandt in his self-portrait

-9.5 Vermeer and his painting

--Vermeer and his painting

-Homework9

10.Verve and Character: From Wang Wei to Ni Zan

-10.1Landscape painting from the Five Dynasties period to the Northern Song Dynasty

--Landscape painting from the Five Dynasties period to the Northern Song Dynasty

-10.2 Creating painting out of poetry by Emperor Huizong of Song

--Creating painting out of poetry by Emperor Huizong of Song

-10.3 Viewing the small through the large

--Viewing the small through the large

-10.4 Combining the tangible with the intangible

--Combining the tangible with the intangible

-10.5 The atmosphere of freedom, detachedness and ease of landscape painting

-- The atmosphere of freedom, detachedness and ease of landscape painting

-10.6 Dwelling in the Fuchun Mountains

--Dwelling in the Fuchun Mountains

-10.7 Friendliness in Ni Zan’s painting

--Friendliness in Ni Zan’s painting

-10.8 A pristine and boundless world in Ni Zan’s painting

--A pristine and boundless world in Ni Zan’s painting

-Homework10

11.Personality and Love for Ridicule: Xu Wei the Lunatic

-11.1The origin and expression of the madman culture

--The origin and expression of the madman culture

-11.2 The madman Li Zhi

--The madman Li Zhi

-11.3 Xu Wei: from gifted scholar to mad man

--Xu Wei: from gifted scholar to mad man

-11.4 The aesthetic ideology of Xu Wei

--The aesthetic ideology of Xu Wei

-11.5 Xu Wei’s notions and theories on painting practise

--Xu Wei’s notions and theories on painting practise

-11.6 Miscellaneous Plants and Flowers

--Miscellaneous Plants and Flowers

-11.7 Drunkenness in Xu Wei's art

--Drunkenness in Xu Wei's art

-Homework11

12.The Transition of Classicism: From David to Courbet

-12.1 Winckelmann

--Winckelmann

-12.2 Neoclassical master: David

--Neoclassical master: David

-12.3 The Death of Marat

--The Death of Marat

-12.4 The Intervention of the Sabine Women

--The Intervention of the Sabine Women

-12.5 The aestheticism works by Ingres

--The aestheticism works by Ingres

-12.6 The contrast between photography and paintings

--The contrast between photography and paintings

-12.7 Courbet and realism

--Courbet and realism

-Homework12

13.The Philosophy and Painting of Romanticism

-13.1 Rousseau and emotionalism

--Rousseau and emotionalism

-13.2 Kant's view about the beautiful and the sublime

--Kant's view about the beautiful and the sublime

-13.3 Goethe, from Werther to Faust

--Goethe, from Werther to Faust

-13.4 Byron, romantic hero

--Byron, romantic hero

-13.5 The painting laws of Romanticism

--The painting laws of Romanticism

-13.6 John Constable

--John Constable

-13.7 The world of Turner

--The world of Turner

-Homework13

14.Experience and Contemplation: Van Gogh and Cézanne

-14.1 Western modernism and Rodin

--Western modernism and Rodin

-14.2 The Gates of Hell

--The Gates of Hell

-14.3 Painting conception of Manet

--Painting conception of Manet

-14.4 Impressionism of Monet

--Impressionism of Monet

-14.5 Cezanne：the Father of the art of modernism

--Cezanne：the Father of the art of modernism

-14.6 Van Gogh：painting and life

--Van Gogh：painting and life

-14.7 The art value of Van Gogh

--The art value of Van Gogh

-Homework14

15.Boundless Art: From Marcel Duchamp to Andy Warhol

-15.1 art modernism

--art modernism

-15.2 porcelain urinal of Marcel Duchamp

--porcelain urinal of Marcel Duchamp

-15.3 This is not a pipe

--This is not a pipe

-15.4 The great innovation artist: Picasso

--The great innovation artist: Picasso

-15.5 the infinity of art

--the infinity of art

-15.6 the art after Andy Warhol

--the art after Andy Warhol

-Homework15

Final exam

-Final exam

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