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2.1 The modeling methods of folk motifs (Part 2)课程教案、知识点、字幕

二 主题形象展开造型方法

真正的艺术创作需要满足一种深层的心理需求

有经验的民间艺术家具备即兴创作的能力

他们的造型一般不要事先去设计去经营

而是做到“胸有成竹”

吕胜中先生将这种造型方法称之为“信天游”

它常常围绕主题展开画面

就像在陕北的空旷的高原上唱“信天游”一样

想到哪儿就唱到哪儿 没有事先安排

只要激起了激情

民间艺术家的这种形象

就像泉水一样不断地涌现

它能够很好地体现作者的真实的感情

民间剪纸能够很好地体现这种造型方法

比如说 陕西宜君县农民的剪纸《吹箫》

就是一幅十分有趣的作品

我们看画面的正中心坐着一个吹箫的女孩

她的旁边 作者就展开了联想

既然有吹箫那么就应该有伴奏

旁边那个吹笛子的男孩就是给她伴奏的

这个作者又想

这个美妙的声音一定要有知音来欣赏

于是又安排了一些邻居村民来倾听她的箫声

有的站在地上 有的爬到树上

连天上飞的鸟儿都停下来听她的箫声

表现得非常生动

与《吹箫》类似的还有一幅《摔跤》

画面上两个男孩在摔跤

旁边的村民在鼓劲

两个男孩互不相让

给画面造成了一种紧张的气氛

这幅剪纸不像其他的传统剪纸

把人物进行线线相连的一种处理

传统的剪纸挨着的人都要连起来形成一条线

但是这张剪纸它把人物是分开的

因为有个主体形象

把次要的形象围绕着主体形象而展开

显得疏密得当 轻松自如

以上两幅剪纸都有一个共同的特点

就是主体的形象很大

就是那个摔跤的 那个吹箫的

主体人物很大

次要的形象比较小

但是次要的形象都是围绕着主体形象而展开

虽然剪纸是一种平面作品

但是它暗示出平面中的层次和空间感

主题形象展开造型法

在其他的民间图形中也有应用

比如说 贵州台江苗族的刺绣

《姜央变月》《姜央造人》等

都是利用这种方法

这些题材都来源于苗族的远古神话传说

作者调动了丰富的想象力

在着力刻画主要人物的同时

以自由流畅的手法烘托出次要的人物形象

让你觉得上下 左右都围绕着主题形象而展开

民间木版年画中

也经常会用到这一类的造型方法

这是山东潍坊木版年画《天官赐福》

还有武强木版年画

《八仙庆寿》《五子登科》等

还有藏族的唐卡等等

都利用了这种造型方法

这是武强年画《八仙庆寿》

这是青海的唐卡 藏族人的绘画

一幅是《大威德金刚》

就是这个黑色的 很有力

一是 《白度母》

次要的形象都围绕主体形象而展开

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

2.1 The modeling methods of folk motifs (Part 2)笔记与讨论

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