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2.2 Aesthetic implication of folk motifs (Part 2)课程教案、知识点、字幕

再来看

湖南隆回滩头的木版年画《老鼠娶亲》

这是一幅妙趣横生 意味深长的讽刺性作品

这个里面还有一个非常有趣的民俗故事

传说很久以前有一对老鼠夫妻

生了一个漂亮的女儿

他们就想把女儿嫁一个好人家

就想找一个好的女婿 去找谁呢

老鼠夫妇就想

太阳普照大地 万物滋生

太阳应该是很强大的

于是他们去找了太阳

太阳一听 老鼠要找我

不行不行 我不强大

云一来就把我遮住了 你们去找云吧

老鼠夫妻去找了云

云一看老鼠来了

说 我不强大 风一来就把我吹走了

你们去找风吧

然后 老鼠父母又去找了风

风说 我吹风的时候遇到一堵墙

就把我挡住了

我没有墙强大 你们去找墙吧

老鼠父母又去找到墙

墙想了一下 说

你们老鼠经常在我下面打洞

一打就把我的墙打垮了

所以你们老鼠才是最强大的

老鼠父母一听 很对

于是他们就去招了一个老鼠女婿

我们来看看这幅画面

画面上有两队老鼠吹吹打打

招摇过市 形态各异

有趣的是 队伍的前面有一只猫挡在路上

这是“拦路猫”

有两只老鼠非常聪明

一个抱着鸡 一个提着鱼

去干嘛呢 去贿赂猫

这个老鼠表现的神态很有味道

而猫表现出一幅暧昧的神情

妙就妙在这里

作品运用了虚拟 幽默的手法

给观众留下深刻的印象

再来看一下傩戏面具

湘西与贵州地区至今还保留着丰富的傩文化

这是原始巫官文化的遗存

为了驱除妖魔 赶走灾星 祈福人畜平安

人们带着面具狂歌跳舞

时而发出猿猴的叫声 充满了原始的气息

傩面具主要以五官的刻画

来描绘这个角色的形象

它的人神鬼兽是混杂的 不分的

傩面具的造型原始 粗犷

色彩夸张 富有表现力

它使傩面具达到了一个很高的艺术水准

这是几款传统的 老式的傩戏面具

看这个人很恐怖 很大的眼睛

这是贵州德江土家族他们在傩戏时候的表演

人们戴上面具 扮演各种不同的角色

这是一个傩艺里的绝技叫做“舔红钳”

把那个火钳用火烧得绯红

用舌头去舔

他有这个绝技 不会烫着

这是老的傩戏面具

右边那两个是土家族传说中的祖先

“傩公”和“傩母”

这是湖南沅水上游辰河戏的面具《青面凶神》

这个青面獠牙 非常凶狠

这是泸溪的傩面具

这是贵州彝族的“撮泰吉”表演

下面是“撮泰吉”的面具

它非常古朴和原始 没有那么多的花纹

这节课就讲到这里

谢谢同学们

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

2.2 Aesthetic implication of folk motifs (Part 2)笔记与讨论

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