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Xiang Yunfang tie-dyeing (dog-paw flower) video课程教案、知识点、字幕

现在 由我来教大家做针扎


针扎的技法也有很多种

现在我教的针法是怎样扎狗脚花


先取出一块纯棉布

取出一块纯棉布

现在我们开始进行制作

把顶针戴上

因为扎缝狗脚花的时候

布要折成很多层

比较厚

不戴顶针就无法做下去

戴上顶针

取出一根针

线

针线都准备好了

就开始穿针

穿针

引线

针穿好了之后

打一个结

再取出蜂蜡

在线上擦一擦

把蜂蜡涂到线上面

把针插到针线包上面


把穿好了线的针插到针线包上

用铅笔把将要扎狗脚花的地方画个圈圈


打上记号

狗脚花要扎多大就画多大的圈


现在开始教大家怎样折叠布

扎狗脚花

因为做了几十年了

就是这样用手把布提起来

在这个圈的中间 我就这样转


用两只手 转 转 转

转到这个位置

左手在上面 右手在下面

要转到能看见左边的上、下两条边对其

右边的上、下两条边也要对其

这四条边都对好了后

手移开

往下压

手就可以移开了

用左手食指捏着这里

再用右手理一下

就形成这个样子

这样压下去狗脚花就折好了

折叠成这样以后

我取出针来

再用针压住布尖

如果狗脚花要小一点

布尖就要折叠小一点


如果这朵花想要做大一点

就用针在布尖压多一点

这样折叠下来

这朵花就大一点

这样折叠

我就是这样折叠

对于初学的学生

他们的手比较生疏

手一下子转不过来

我做得多了

我就可以熟练地翻转

就是这样

我抓到布 就必须把它转好

因为我一天要做很多

所以我都是这样做的

现在我再来教大家怎么折叠

请看折叠慢动作

把布抓起来

用右手掐住圆圈的中间

用左手把布往上折一下

折至中间

对准这个圆圈的中心位置

把布往上折成60度的角

第二道工序

用左手食指顶在尖角的下面

右手把剩余的布朝下面反折下去

眼睛要观看左右的两条边

都要上下互相对齐

那么 这样

这朵狗脚花就折叠好了

慢折法就是这样的

初学者就要这样练习

慢慢的地折

左手在尖角的下面

右手把布反折下去

就这好了

扎狗脚花的折叠方法就是这样的

现在开始教大家缝针

要多大的花

就把针压住

往里折多大

左手拇指压住布尖

第一针要缝在布尖的中心位置

这么缝过去

缝过去之后

这是第一针

现在缝第二针

缝第二针的时候

用中指和拇指捏住布尖

现在我缝第二针

第二针缝在打结的右边

从打结的右边缝下去

这样缝下去

用顶针把针顶过

用右手把线压在布尖的边上

左手的食指固定线的位置

再去拉线

这样拉线的时候

线就不会跑到布角的外面来

如果线跑到布角的外面了

你就要去整理一下

那么就会耽误时间

这样缝

这条线就固定了

线固定在这里

不要再去整理了

再缝第三针

第三针要从中心打结的左边缝下去

缝下去

用右手拉紧线

从针的下面绕过来

再用食指压住这条线

压住线以后

左手拇指捏住布角

再把针往前顶

拉线

这样狗脚花就缝好了

这就是狗脚花

把这块布全部缝完

就可以放到染缸里面进行染色

染色完成

再漂洗

这样就形成了一件狗脚花的作品

最后 用剪刀把线剪断

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

Xiang Yunfang tie-dyeing (dog-paw flower) video笔记与讨论

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