当前课程知识点:Chinese Folk Motif Arts >  Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China >  5.4 The Tattoos of the Li Ethnic Group >  5.4 The Tattoos of the Li Ethnic Group

返回《Chinese Folk Motif Arts》慕课在线视频课程列表

5.4 The Tattoos of the Li Ethnic Group在线视频

下一节:Introduction of Tie-dye

返回《Chinese Folk Motif Arts》慕课在线视频列表

5.4 The Tattoos of the Li Ethnic Group课程教案、知识点、字幕

四 黎族文身

黎族曾普遍存在文身的习俗

《海槎余录》记载

黎俗 男女周岁即文身 自云

不然 则上世祖宗不认其为子孙也

就是说 从小就要文身

不然祖宗是不会认你的

传说他们的祖妣是一种叫“约加西拉”的鸟

养育长大的

为了不忘鸟的养育之恩

所以黎族的妇女要在身上刺上鸟的形状

可见文身源于图腾信仰

这是黎族的文身图形

这边是一个工匠 正在给她身上刺青

这位老人家跟前面那位老人脸上的刺青

是同样的花纹

这是黎族人在手上 在腿上

都有刺青的纹路

为什么我们这一讲的题目是“最后的图腾”呢

因为图腾产生的年代是人类的蒙昧时期

当时的社会生产力水平低下

人们对大自然和自己的身体了解很少

因此他们就要寄托于某种生物或者某种植物

加以崇拜

现在 图腾产生的社会基础已经消失

图腾的遗迹也随着工业化和信息化的进程

在逐渐地消亡

因此 我们现在能见到的图腾

已经是最后的图腾了

我不知道同学们看过这部电视剧没有

叫做《最后的骑兵》

它描写了一支具有传奇历史的英雄连队

在战争年代他们曾经立下赫赫战功

随着军队的现代化

骑兵这个兵种在逐渐地落伍 面临淘汰

在军队的一次次的改编中

骑兵师消失了 骑兵团也消失了

只剩下一个骑兵连

它成了广袤的山南草原上

剩下的最后的一支骑兵部队

看了这个片子之后 你会沉浸在一种

深深的悲怆之中

又在这种悲怆中

感到心头升起的悲壮与崇高

那么

蕴含着图腾文化的我国民族民间工艺美术

现在也处于同样的遇境

需要生活在今天的我们

继承中华民族这一优秀的文化遗产

我国新颁布了《非物质文化遗产保护法》

它激发了我们这一代人的使命感

我相信 “最后的图腾”

定会作为一种精神文化

一种文化多样性环境下的文化基因

在我们的后代中不断地传承下去

通过这节课讲述民族民间工艺美术

让我们了解到不同的生活方式和文化艺术

它展现了文化的多样性

有一道思考题

你认为文化的多样性

对我们今天的社会有什么意义

请同学们课下完成

谢谢大家

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

5.4 The Tattoos of the Li Ethnic Group笔记与讨论

也许你还感兴趣的课程:

© 柠檬大学-慕课导航 课程版权归原始院校所有,
本网站仅通过互联网进行慕课课程索引,不提供在线课程学习和视频,请同学们点击报名到课程提供网站进行学习。