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6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”课程教案、知识点、字幕

同学们下午好

今天我们讲 第六讲

民间图形与中国智慧

中国民间图形

体现了中国独特的造型规律和审美意蕴

同时它也与中国的传统哲学

有着千丝万缕的联系

包含着中国人对大千世界的理解与看法

这一讲我们将通过几个典型的

民间图形和图形空间的例子

来体会传统图形的闪光点

感悟蕴藏其中的东方智慧

一 太极图与阴阳和谐的哲学思想

中国人和西方人

生活在地球的东 西两个半球

在人种 自然地理 社会文化等方面

都存在明显的差异

由于不同的哲学观念 思维方式和自然观

形成了较大的中西文化的差别

以中国为代表的东方人

擅长圆道的 整体的辩证思维

它重综合 归纳与感性的直觉与顿悟

强调有机的辩证统一和事物的普遍联系

主张矛盾的和谐

反映在自然观上 讲究整体性 连续性

无形性 功能性 化生性

物我不分 天人合一

试图寻找一种包容一切的

有机联系的复杂物质

它是在先秦的道家 儒家

和气论的自然观的基础上发展而来的

提到道家

必然会联系到先秦的“阴阳五行”学说

“阴阳五行”学说是中国古代朴素的唯物论

和自发的辩证思想

它认为世界是物质的

物质世界是在阴阳二气作用的推动下

滋生 发展和变化的

并认为木 火 土 金 水

五种最基本的物质

是构成世界不可缺少的元素

这五种物质相生相克 互相制约

处于不断地运动和变化过程中

这种学说对后来古代的唯物主义哲学

有着深远的影响

古代的文学 天文学 化学 算学

音乐和医学

都是在“阴阳五行”的基础上发展起来的

“阴阳五行”与相关物象对照表

我们来看这个表

与“五行”相对应的是“五方”

木 火 土 金 水

木对应东 火对应南 土对应中

金对应西 水对应北

还有“五音”

这五个音就是

角 徵 宫 商 羽

换成现在的简谱 就是

咪 嗦 哆 来 啦 这五个音

有的人唱歌唱得不好

我们经常会说这人怎么 五音不全

就是指的这五个音

太极图是以黑白的两条鱼形纹

组成的圆形图案 俗称“阴阳鱼”

“太极”是中国古代的哲学术语

意为派生万物的本源

太极图形象化地表现了阴阳二极轮转

和“相反相成”这一万物生成的变化的哲理

太极图由小到大互相转变的过程

体现了“物极必反”的状态

展现了一种互相转化

相对统一的形式美与和谐美

它的阴阳和谐 平衡

与儒家提倡的“中庸”理论相吻合

太极图以后又发展成

中国民族图案中所特有的美的结构

比如说这些图案 如《鸾凤和鸣》

《喜相逢》 《龙凤呈祥》等等

都是由这种一上 一下

一反 一正两个图形组成

深受民间的喜爱

凤凰卫视的标志

就与《鸾凤和鸣》有相同的结构

都有一上 一下两只凤凰

这是剪纸《龙凤呈祥》和蓝印花布

它都有太极图的造型结构

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”笔记与讨论

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