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5.1 Totem (Part 2)在线视频

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5.1 Totem (Part 2)课程教案、知识点、字幕

与皇权的龙具有明显差异的是

一直在民间流传的另一类龙的形象

它们以质朴 清新 可爱之长

与之形成了明显的对比

它没有帝王用的龙那样威严 那样恐怖

它是一种吉祥 仁慈的神物

它使五谷丰登

它给人们带来吉祥和欢乐

它的造型夸张 简洁

色彩各异 性格善良

要么和蔼可亲 要么憨态可掬

深受中国的老百姓的喜爱

节庆时 人们要舞龙灯

过端午 人们要划龙船

民间还流传着许多龙的故事

比如说“画龙点睛” “龙抬头”等等

下面我们介绍几种典型的民间特色的龙

龙纹与中华文明的内涵常常是联系在一起的

古往今来 它被民间广泛用于

玉器 刺绣 漆器 铜器 金银器

陶瓷 建筑装饰 民间雕刻

民间织锦 民间刺绣等等

成为装饰纹样中极有生命力的题材

它与凤并驾齐驱 经久不衰

富有强烈的民族精神和感染力

我们来看这幅龙纹

这是贵州台江苗族刺绣的《龙》

它的龙纹变形幅度较大

打破了一般龙的那种造型格局

它摒弃了龙的那种威严和神秘

像一个驯服 和善的动物那样

和蔼可亲

这条龙的身上布满了许多小的昆虫

与龙在一起的还有两个小孩

还有飞翔的小鸟

增强了龙的欢乐的气氛

在这张绣片上

它的纹饰构图饱满 装饰风格浓郁

在黑白和线面的对比中间

显得富有层次 但又有变化

特别它用放射状的线条

在龙的眼睛周围加强了闪光的感觉

这条龙张着大嘴 还露出了舌头

但是它毫无恐怖之感

它反映了苗族人民对“龙情”的理解和把握

表达了他们的审美意趣

这是贵州台江苗族刺绣的《牛龙》

这种龙的头上都有大大的两只牛角

这是苗族刺绣的《水龙》

这是苗族刺绣的其他的龙

这是《蚕飞龙》

是苗族的刺绣能手吴通英的作品

吴通英是我国非物质文化遗产国家级传承人

传说这种蚕飞龙它长大了变成“蝴蝶妈妈”

这是湖南侗族织锦

织锦中的龙的形象和刺绣中龙的形象是不同的

它受它的制造工艺的限制

这些龙具有明显的几何特征

我们看 它只有横的线 斜的线

直的线 非常简洁

这是湖南龙山土家族织锦中的龙

右边那张红色的《龙》

是清代“改土归流”之后受汉文化影响的龙

左边这张 就是比较原始的龙

它上面的龙形造型比较简洁

我们看它的身体非常粗壮

它的鬃毛像无数条细细的腿

它有两条胡须 胡须像什么 像虫的触角

远看就像两条大蜈蚣在慢慢的蠕动 对不对

这是土家织锦的《大蛇》

它用高度概括的几何折线

表达蛇的游走状态

在土家族织锦妇女的观念中

龙和蛇是无法区分的

在她们看来“蛇就是龙” “龙就是蛇”

所以她们把“大龙”也叫做叫“大蛇”

土家族叫做“窝兹”

说小蛇是一种小龙 小蛇叫做“窝毕”

这种龙蛇互混 指龙为蛇的现象

正好与远古时期人们对龙的想象有相似之处

前面我们讲到闻一多说的“龙的基调是蛇”

在这里我们就找到了实物的印证

四川省沐川县至今流传着一种独特的民间艺术

叫做《草龙》

草龙又称黄龙

它是从当年收割的稻草里面

精选稻杆扎制而成

最重可达3000多公斤 长200米

沐川草龙它的设计精巧

舞龙表演 气势磅礴

表达了人们对吉祥 安康

幸福生活的追求和向往

这是陕西安塞的民间剪纸

《二龙戏珠》和《龙》

我们看这些龙身躯胖乎乎的

眼睛圆圆的 还长有四条腿

造型有点像什么

有点像大鲵 就是娃娃鱼

这同样是陕西安塞的剪纸

《二龙戏珠》和《龙》

我们看这里的龙跟前面不一样

它有长长的 弯曲的身体

明显地像什么 像蛇

样子和蔼可亲

Chinese Folk Motif Arts课程列表:

Unit 1. Folk Motifs: Basic Categories and Characteristics

-A brief introduction of the study unit

-1.1 The meaning of learning Chinese folk motifs

--1.1 The meaning of learning Chinese folk motifs

-1.2 A brief introduction of graph

--1.2 A brief introduction of graph

-1.3 The basic categories of Chinese folk motifs

--1.3 The basic categories of Chinese folk motifs

-1.4 The basic characteristics of Chinese folk motifs art

--1.4 The basic characteristics of Chinese folk motifs art

-1.5 Research on the questions and the motifs cases

--(1) Researches and case studies on motifs

--(2)Research on Traditional Motifs

-1.6 Unit assignment: thinking questions

--Question 1

--Question 2

-1.7 Online Quiz

--1.7 Online Quiz

-1.8 Expanded learning resources

--Embroidery of Guizhou Miao ethnic group (Video)

--The Magnificent Miao Ethnic Group: Wordless Book of Miao (Video)

--Chinese Folk Motifs(Graphics and images)

--Monographs

--Websites

--Reference Papers

Unit 2. Motif Arts : Modeling Methods and Aesthetic Significance

-A brief introduction of the study unit

-2.1 The modeling methods of folk motifs

--2.1 The modeling methods of folk motifs (Part 1)

--2.1 The modeling methods of folk motifs (Part 2)

-2.2 Aesthetic implication of folk motifs

--2.1 Aesthetic implication of folk motifs (Part 1)

--2.2 Aesthetic implication of folk motifs (Part 2)

-2.3 Research on the questions and the motifs cases

--Graphics cases 1

--Motifs cases 2

--Research on the questions

-2.4 Art Practice: Canton Embroidery

--Meet Canton Embroidery 1

--Meet Canton Embroidery 2

--Meet Canton Embroidery 3

-2.5 Unit assignment: Judgment and thinking questions

--Judgment questions

--Thinking question 1

--Thinking question 2

-2.6 Expanded learning resources

--My hereditary treasure: new year woodblock print made by Tai Liping (Video)

--Taohuawu new year woodblock print (Graphics)

--Monographs

--Reference Papers

Unit 3. Chinese Shadow Puppetry: Characters Developed by Scissors and Nicking Chisels

-A brief introduction of the study unit

-3.1 A Brief Introduction of Chinese Folk Paper Cut

--3.1 A Brief Introduction of Chinese Folk Paper Cut

-3.2 The craft of Chinese folk paper cut

--3.2 The craft of Chinese folk paper cut

-3.3 The techniques of expression of Chinese folk paper cut

--3.3 The techniques of expression of Chinese folk paper cut

-3.4 A brief introduction of Chinese shadow puppetry

--3.4 A brief introduction of Chinese shadow puppetry

-3.5 The artistic characteristics of Chinese shadow puppetry

--3.5 The artistic characteristics of Chinese shadow puppetry

-3.6 The modeling of Chinese shadow puppetry

--3.6 The modeling of Chinese shadow puppetry

-3.7 Art Practice: Paper Cut

--A Brief Introduction of Art Practice

--Traditional Chinese Paper Cutting : Butterfly

--Traditional Chinese Paper Cutting : Baby with twisted knors of har

--Paper-cut creative case (picture)

-3.8 Unit assignment: Paper Cut creation

--Paper Cut creation

--Question 1

--Question 2

-3.9 Online Quiz

--3.9 Online Quiz

-3.10 Expanded learning resources

--Paper-cut works (picture)

--Backstage performance of shadow play (video) (Ⅰ)

--Backstage performance of shadow play (video) (Ⅱ)

--Shadow play "Monkey Eating Peach"

--Analysis of Chinese Shadow Puppet Art

--Reference Papers

Unit 4. The Heritage of Chu Culture: Discovering the Intangible Cultural Heritage

-A brief introduction of the study unit

-4.1 The State of Chu and Chu Culture

--4.1 The State of Chu and Chu Culture

-4.2 Representative Graphics of Chu Culture Remains

--4.2 Representative Graphics of Chu Culture Remains

-4.3 Intangible Cultural Heritage of Chu Culture

--4.3 Intangible Cultural Heritage of Chu Culture (Part 1)

--4.3 Intangible Cultural Heritage of Chu Culture (Part 2)

-4.4 Research on the questions and the motifs cases

--Chu Culture Relics Graphics

--The motifs case : Tujia ethnic Brocade "Xilan Kapu"

-4.5 Art Practice: Decorative painting

--Art Practice: Decorative painting sketch

--Art Practice: Decorative painting modeling

--Art Practice: Decorative painting coloring

-4.6 Unit assignment

--4.6 Unit assignment

-4.7 Online Quiz

--4.7 Online Quiz

-4.8 Expanded learning resources

--Bronze ware, lacquerware, silk fabrics of Chu culture

--Yao ethnic bright-colored embroidery applique, Dong ethnic brocade

--Monographs

--Reference Papers

Unit 5. The Final Totem: The Mysteries Behind Folk Motifs of Various Ethnic Groups in China

-A brief introduction of the study unit

-5.1 Totem

--5.1 Totem (Part 1)

--5.1 Totem (Part 2)

-5.2 Panhu Worship

--5.2 Panhu Worship

-5.3 The Legends of Totem in Costumes

--5.3 The Legends of Totem in Costumes

-5.4 The Tattoos of the Li Ethnic Group

--5.4 The Tattoos of the Li Ethnic Group

-5.5 Art Practice: Tie-dye

--Introduction of Tie-dye

--Xiang Yunfang tie-dyeing (clamp-tie) video

--Xiang Yunfang tie-dyeing (bundle-tie) video

--Xiang Yunfang tie-dyeing (dog-paw flower) video

-5.6 Research on the questions and the motifs cases

--Totem problem exploration

--Traditional graphics cases:The "Hundred-bird Clothes" of the Miao ethnic in Guizhou

-5.7 Unit assignment: Tie-dye creation and thinking questions

--5.7 Unit assignment: Tie-dye creation and thinking questions

-5. 8 Expanded learning resources

--Miao embroidery in Taijiang (Video)

--The Magnificent Miao Ethnic: Who made life so glorious (Video)

--National costumes of southern China

--Guizhou Miao ethnic paper-cutting, Shui ethnic horsetail embroidery, Miao ethnic batik, Miao ethnic Embroidery

--Monographs

--Reference Papers

Unit 6. Chinese Folk Motifs and Chinese Wisdom

-A brief introduction of the study unit

-6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

--6.1 Philosophical Reflections on the Harmony of Taiji and “Yin and Yang”

-6.2 “Nine Palaces” and Its Spatial Layout

--6.2 “Nine Palaces” and Its Spatial Layout

-6.3 Plane Static Four-dimensional Space

--6.3 Plane Static Four-dimensional Space

-6.4 “Almorphism” of Batik Graphics

--6.4 “Almorphism” of Batik Graphics

-6.5 Ingenious Calculations by Folk Carpenters

--6.5 Ingenious Calculations by Folk Carpenters

-6.6 Research on the questions and the motifs cases

--Research on the questions and the motifs cases

--Introduction to Miao Batik (Video)

--Danzhai Batik - Painting Wax (Video)

-6.7 Unit assignment: thinking questions

--6.7 Unit assignment: thinking questions

-6.8 Online Quiz

--6.8 Online Quiz

-6.9 Expanded learning resources

--The image of dragon in Chinese folk motifs (graphic and image)

--Monographs

--Reference Papers

5.1 Totem (Part 2)笔记与讨论

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