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5.3.Character design 3: Cartoonic Sheng characters在线视频

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5.3.Character design 3: Cartoonic Sheng characters课程教案、知识点、字幕

Shadow play is the origin of the animation.

Before 2000,

ancient Chinese presented the puppet figures in an exaggerated and abstract way.

It is known to all that nowadays young people are especially fond of animation and comics.

Students try to innovate in shadow play.

They inject the elements of animated style into the role design and match with the animation music.

This experiment has attracted more young people to join the shadow puppetry.

Let's take a look at this figure.

This is an original anime-style Chinese shadow puppet created by students.

The leading character of the play is Yao Lang.

He met Adie who was sentenced for killing her husband.

He has doubts in his mind that the real culprit is not Adie, but evil spirits.

Just when asking Adie for clues,

it was stopped by the ghost.

The ghost took Adie out of the prison,

and when Adie knew about the truth,

she was consoled and was willing to be purified.

Then, she entered the reincarnation.

This is a shadow play created by the students themselves,

and all roles have their own characteristics.

In this shadow play,

the roles are designed with features.

Let's look at the design of this male role:

This is the design of Yao Lang.

You all can see that the design of Yao Lang is different from our traditional male roles.

It was inspired by animation,

designed with anime costumes

and decorated with the pattern design of traditional shadow play puppetry that combines simplicity and complexity.

As for its facial part,

simple lines in animation and cosplay costumes are adopted,

presenting a very strong sense of fashion and a young presence.

Then, another role in this play: Faceless Monster.

It has its own characteristics from the design of the costume and the face mask.

The costume on this body is designed with a perfect matching of complexity and simplicity.

The simple line on the face gives a contrast to the dense pattern of the armor,

and the lines of hair accessories are smooth.

We can see that the shape of the hair has animated elements,

which highlights the extraordinary characteristics of the role,

creating a supernatural atmosphere.

Shadow Play—Seeking the Lost Shadow of China(皮影戏)课程列表:

Chapter 1: Meeting shadow play

-1.1.The origin and the development of shadow play

-1.2.The spreading and the refulgence of shadow play

-1.3.The artistic form of shadow play

-1.4.Shadow player: the characters in shadow play

-1.5.Shadow play characters and their head parts

-1.6.Decoration and environment props in shadow play

-1.7.The singing tune in shadow play

-1.8 Singing

Chapter 2: Introducing shadow play workshop

-2.1.Introducing shadow play workshop

Chapter 3: Endemic shadow plays

-3.1.Shadow play in northern China

-3.2.Shadow play in western China

-3.3.Shadow play in southern China

-3.4.Shadow play in Yunmeng county of Hubei province

-3.5.Shadow play in Sichuan

-3.6.Shadow play in Central China

-3.7.Shadow play in Haining

Chapter 4: Crafting shadow play

-4.1.Crafting example 1

-4.2.Crafting example 2

Chapter 5: Shadow play character design: Sheng

-5.1.Character design 1: Handsome Sheng characters

-5.2.Character design 2: Brawny Sheng characters

-5.3.Character design 3: Cartoonic Sheng characters

Chapter 6: Shadow play character design: Dan

-6.1.Character design 4: Elegant Dan characters

-6.2.Character design 5: Gorgeous Dan characters

-6.3.Character design 6: Charming Dan characters

Chapter 7: Shadow play character design: Jing

-7.1.Character design 7: Domineering Jing characters

-7.2.Character design 8: Reckless Jing characters

-7.3.Character design 9: Crude Jing characters

Chapter 8: Shadow play character design: Chou

-8.1.Character design 10: Funny Chou characters

-8.2.Character design 11: Shrewish Chou characters

-8.3.Character design 12: Chou characters in contemporary context

Course questions

-Course questions

5.3.Character design 3: Cartoonic Sheng characters笔记与讨论

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